B-Side Guys

A distant jazz chord floats through bar room chatter, captured by an iPhone microphone on a Brooklyn rooftop. This is how MEGGO’s latest single begins – not with studio precision, but with the messy vitality of a city in motion. The Montreal-based artist, known previously for her work with FLEECE, transforms ambient city noise into an essential element of her sonic palette, creating something that feels both intentional and beautifully unplanned.

The track’s production approach stands as a manifesto against modern polish, incorporating the murmur of bar crowds, distant jazz chords, and street noise into its fabric. These field recordings aren’t mere decoration but integral components of the composition, creating a lived-in atmosphere that gives the song its distinctive character.

MEGGO’s decision to preserve an audible mistake in the final mix emerges as a powerful artistic statement. Rather than hiding the human element behind digital correction, she challenges listeners to confront their own discomfort with imperfection. This raw approach serves as a natural extension of her analog-inspired production philosophy.

The song’s structure mirrors its subject matter, unfolding like a walk through Brooklyn’s streets. Each ambient sound becomes a character in its own right, playing against MEGGO’s intimate vocal delivery. The result feels less like a traditional song and more like a moment captured in amber, complete with all its beautiful flaws.

Drawing from her Pacific mountain roots while incorporating the indie sensibilities of her adopted Montreal home, MEGGO crafts a sound that defies easy categorization. The track’s folk foundations support experimental elements that might feel jarring in less capable hands, but here they create a compelling tension between tradition and innovation.

As a preview of her upcoming EP “eavesdropper ;; death stories {chapter1},” the song suggests an artist deeply interested in documenting life’s transient moments. The addition of “pt. 1” to the title creates an sense of narrative anticipation, hinting at more chapters to come in this urban story cycle.

The choice to record through an iPhone microphone might seem like a limitation, but MEGGO transforms this constraint into an advantage. The resulting audio quality adds a layer of distance that paradoxically makes the listening experience more intimate, as if we’re eavesdropping on a private moment of creation.

By embracing imperfection and celebrating the beauty of unplanned moments, “brooklyn pt. 1” serves as both a love letter to New York City and a statement about authenticity in modern music-making. MEGGO’s artistic evolution from band member to solo experimentalist suggests an artist following her own path, regardless of contemporary trends or expectations.