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Album Reviews, Weekly Favorites

Album Review: Lola Consuelos – Sorry, it’s all about me EP
Album Reviews, Weekly Favorites

Album Review: Bunch of Others – CURIOSITY
Weekly Favorites

Dominique Fils-Aimé – “Going Home”: Wherever You End Up
Weekly Favorites

Henry Grace – “California Rain”: Distance Measured in Rainfall
Weekly Favorites

Shintaro Sakamoto – “Is There A Place For You There?”: Suspicion as Survival Instinct
Weekly Favorites

Coyle Girelli – “Out of this Town”: When Geography Becomes Destiny
Weekly Favorites

Mint Condish – “Rat Utopia”: Combing Your Hair While Society Collapses
Weekly Favorites

Estella Dawn – “You Didn’t Text Me”: When Sympathy Curdles Into Clarity
Weekly Favorites

Neil Haverty – “What I Don’t Need”: The Paradox of Refusing Care While Offering It
Weekly Favorites

Horsewreck – “Only Words”: Self-Production as Statement of Intent
Weekly Favorites

Eliza Noxon – “You”: Grief as Inescapable Loop
Uncategorized, Weekly Favorites

Ocean TisdOcean Tisdall – “Jealous”: The Dog That Stayed at the Grave
Album Reviews, Weekly Favorites

Album Review: Georgia Scarlett – Rhythm of Life
Album Reviews, Weekly Favorites

Album Review: Flash Poetry – Reality, Now
Weekly Favorites

The Kunins – “The Sorrow You Are Drawn To”: Lightning Bolts After a Decade of Silence
Weekly Favorites

Mike Leon – “Take A Chance”: The Regret of Safe Choices
Weekly Favorites

Estella Dawn – “Conversations”: The Exhaustion of Explaining Your Worth
Weekly Favorites

Bad Flamingo – “The Fruit”: Eden Reimagined as Inevitability
Weekly Favorites

Julian Taylor and Jim James – “Don’t Let ‘Em (Get Inside of Your Head)”: Solidarity as Shield
Album Reviews, Weekly Favorites

Album Review: ILUKA – the wild, the innocent, & the raging
Album Reviews, Uncategorized, Weekly Favorites

Album Review: Chris Rusin – Songs From A Secret Room
Album Reviews, Weekly Favorites

Album Review: Common Jack – It Would Be Enough
Album Reviews, Weekly Favorites

Album Review: Luke Pacuk – 1983
Weekly Favorites

Estella Dawn – “Drunk & Messy”: The Relief of Being Seen Through
Weekly Favorites

Little Angry & The Sweets – “Modified Love Song”: Desire as Disorientation
Weekly Favorites

Savanna Leigh – “for your entertainment”: Surrendering Control as a Radical Act
Weekly Favorites

Open Foe – “Playhouse”: When Domesticity Becomes a Haunted Game
Weekly Favorites

Housecats – “Nobody Knows”: Irish Soul-Rock That Understands the Ache of Departure
Weekly Favorites

Madeleine Rose Witney – “Struttin”: A Funk-Driven Love Letter to London’s Unchanging Characters
Weekly Favorites

Livingmore – “Hurting”: Pain as Vocabulary Failure
Weekly Favorites

Too Late, But Still – “Feedback City”: Cataloging Loss Through Object Inventory
Weekly Favorites

SWOLL – “Do You Know What’s Changed?”: Fading Identity in Synthetic Light
Weekly Favorites

Bear, Man Dangerous – “When We Cease to Understand the World”: Cosmic Collapse as Political Diagnosis
Album Reviews, Weekly Favorites

Album Review: Paul Nourigat – Curious Directions
Weekly Favorites

Peter Litvin – “Okay Alright”: Shrugging Through the Chaos
Weekly Favorites

Amelia Coburn – “Something Wild”: Domestic Life as Cage, Wolf as Liberation
Weekly Favorites

B. Miles – “Five Alarm”: Controlled Burns and The Strokes
Weekly Favorites

Band of 4 – “A Sense Of Wonder”: Digital Violence as Dance Floor Fuel
Weekly Favorites

Packaging – “On Holiday” (feat. Sugar Candy Mountain): Love as Inseparable Presence
Album Reviews, Weekly Favorites

Album Review: Dewey Kincade – The Dark Ages
Album Reviews, Weekly Favorites

Album Review: Brian Perrone – Bend Until It Breaks EP
Weekly Favorites

Izzie Derry – “When Will It End”: Self-Produced Anthem Captures Modern Burnout With Surgical Precision
Weekly Favorites

REXEN – “My Heart”: Peter Gabriel’s Studio Houses Gothic Folk Meditation on Emotional Brutality
Album Reviews, Weekly Favorites

Album Review: Kramon – evolutions
Weekly Favorites

Ginger Winn – “Socrates”: Philosophy Meets Homesickness in Unexpectedly Moving Indie Pop
Weekly Favorites

EMELEH – “At Least I Did”: Manchester Grit Meets Berlin Production
Weekly Favorites

The Gristle – “JENNINGS”: Stockholm Garage Rock Meets Cinematic Mythology
Weekly Favorites

Jimmy Stanfield – “Maybe I’m Doing Something Right by Me”: Self-Production and Financial Liberation
Weekly Favorites

Besphrenz – “yeah”: Collaborative Chemistry in Pennsylvania Shed Sessions
Weekly Favorites

Will Rainier – “Dance with the Dead”: Honky-Tonk Séances and Sonic Contradictions
Weekly Favorites

Nikita – “No One’s Gonna”: The Archaeology of Perfect Moments
Weekly Favorites

William Hinson – “Self Destruct”: The Democracy of Controlled Demolition
Weekly Favorites

Nevin – “Common Sense”: The Violence of Caring Too Much
Weekly Favorites

Nadia Faye – “Smoke in the Room”: The Archaeology of Almost-Love
Weekly Favorites

Candy Moore – “What It Is”: The Reverence of the Unremarkable
Weekly Favorites

Marni – “Bee Stings”: The Physics of Panic
Weekly Favorites

Shabason, Krgovich, Tenniscoats – “Our Detour”: Accidents as Architecture
Weekly Favorites

Fernando Motta – “Especial”: The Democracy of Disappointment
Weekly Favorites

Smokey Brights – “All In Who You Know”: Small Acts of Economic Rebellion
Weekly Favorites

Haunted Like Human – “Married in Savannah”: The Grief of Predictable Endings
Album Reviews, Weekly Favorites

Album Preview: Eli Lev – Past Lives EP
Weekly Favorites

Caleb L’Etoile – “KEROSENE”: American Prophecy in Four Movements
Weekly Favorites

CLENNON’s “Drowning”: Kingston to Toronto Queer Migration
Weekly Favorites

San Gabriel’s “Alone In My Room”: East Austin Career Reckoning
Weekly Favorites

GRIP TIGHT & Martha Rose’s “In Your Eyes”: Sparks as Relationship Physics
Weekly Favorites

Anna Tivel’s “Animal Poem”: Portland’s Narrative Cartography
Weekly Favorites

SIDELINES’ “Sleep Alone”: Melbourne’s Emo Mathematics
Weekly Favorites

Strange Plants’ “Hot Tonight”: Sweat, Smoke, and Disco Grief
Weekly Favorites

Best Noodles In Town’s “Reverie”: Post-Graduation Wreckage
Weekly Favorites

Dust Cwaine’s “Little Plans”: The Alchemy of T4T Connection
Weekly Favorites

Bora York’s “Glow Hover”: Chillwave Confessions
Weekly Favorites

Sacred Text: Sixpence None The Richer Honors Neil Young’s Addiction Elegy with Reverent Precision
Weekly Favorites

Emergency Frequencies: Neil Haverty’s “Man Down” Broadcasts From the Eye of Personal Catastrophe
Weekly Favorites

Drowning in Color: Shoreline Gold’s “Forgotten Song” Finds Beauty in Disconnection
Weekly Favorites

Odd Martian – “What’s it Cost?” Review: Indie Pop Accountancy for the Soul
Weekly Favorites

10 Foot Pole – “Yeah Yeah” Review: Liberation Through Kitchen-Table Anthems
Weekly Favorites

Todd Adelman – “Another Bloody Mary Morning”: Dawn Confessions From Jackson Square
Weekly Favorites

Weaponized Optimism: Soot Sprite Transforms Despair Into Battle Cry
Weekly Favorites

Depletion as Alchemy: Slung Transforms Emptiness Into Paradoxical Wholeness
Weekly Favorites

Hypnagogic Romance: Jonathan Alexander Blurs the Boundaries Between Sleep and Desire
New Releases, Weekly Favorites

Emergency Frequency: Moving in Slow Broadcasts from Rock Bottom
Weekly Favorites

The Archaeology of Absence: Charlie Bishop Excavates Inherited Trauma
Weekly Favorites

Pattern Recognition: Calico’s Gambit Decodes Relationship Algorithms on “How You Play”
Weekly Favorites

Funeral Planning and False Intimacy: xogoodbye.’s “empty bottles” Confronts Emotional Exploitation
Weekly Favorites

Geographic Memory: Jess Kerber Maps Internal Landscapes on “Never Again”
Weekly Favorites

Linguistic Liberation: Nadeem Din-Gabisi’s “Enter Claim” Reclaims Cultural Identity Through Code-Switching
Weekly Favorites

Alternate Realities: Imogen Clark Examines The Highway Not Taken on “Squinters”
Weekly Favorites

Philosophical Wagers: WOAHGETTER’s “Even Dad Had A Fiver On Love” Deconstructs Modern Romance
Weekly Favorites

Transient Connection: Del Mar Explores Temporary Escape on “Holiday Song”
Weekly Favorites

Culinary Sanctuary: Sam Wray Finds Post-Party Solace in “Amy’s Bakery”
Weekly Favorites

Preserved Imperfection: Mindy Gledhill’s “Stained Glass Heart” Emerges from the Archive Renewed
Weekly Favorites

Plastic Perfection: Duckwrth and Tanerélle Deconstruct Facades on “Ken Doll”
Weekly Favorites

Nightmare Carnival: Michael Vickers Confronts Inner Monsters Through Genre-Defying Catharsis
Weekly Favorites

Species Self-Examination: Johnny Manchild’s “Voluntary Animals” Dismantles Human Exceptionalism
New Releases, Weekly Favorites

Suspended Animation: Super Tuesday’s “Soaking up the Silence” Finds Connection in Transit Limbo
Weekly Favorites

Islands of Resistance: SAVAK’s “No Man’s Island” Navigates Late-Capitalism’s Troubled Waters
Weekly Favorites

Submerged Consciousness: XOAN’s “High Underwater” Navigates Modern Alienation
Weekly Favorites

Water Memory: SOZI’s “Skipping Stones” Finds Beauty in Surrender
Weekly Favorites

Plastic Fantastic: Brian Noyes Crafts Miniature Madness on “Dollhouse Man”
Weekly Favorites

Transatlantic Metamorphosis: Liam Mour’s “Altered Reality” Charts the Emotional Geography of Relocation
Weekly Favorites

Mountain Soul Alchemy: Mason Via’s “MELT IN THE SUN” Transforms Regret Into Timeless Promise
Weekly Favorites

Behind the Mask: Saso Sandic’s “Cryin’ Spade” Dismantles Pretense with Unnerving Clarity
Weekly Favorites

Questions Without Answers: Grooblen Examines the Broken Social Contract on “How Are You?”
Weekly Favorites

Sweet Disillusionment: The Ricters Dissect Ephemeral Romance on “Candy”
Weekly Favorites

Myths Reimagined: Sea of Fog’s Orphic Meditation Questions What We Rescue
Weekly Favorites

Light Chasing Shadows: Noya Sol’s “Through the Blues” Excavates Emotional Depths
Weekly Favorites

Identity Collision: JKL aka YLLW’s “Oh, Hyper” Excavates Masculinity’s Wreckage
Weekly Favorites

Momentary Affection: Swansun’s “Loving Vincent” Explores Romance’s Impermanence
Weekly Favorites

Lockdown Mirrors and Closed Doors: The Feather’s “You and I” Captures Isolation’s Dual Nature
Weekly Favorites

Nostalgia Without Rose-Colored Glasses: Cumulus Questions Childhood’s Vanishing Simplicity
Weekly Favorites

Unbelievable Truth’s “Madison” Excavates Old Wounds with Renewed Passion
Weekly Favorites

Elucid Ether’s “The Last Ones Alive” Chronicles the Twilight Magic of Party Afterglow
Weekly Favorites

Mascot Graveyard’s “Caught Up In The Webbing” Untangles Depression Through Explosive Catharsis
Weekly Favorites

Shrimp Planet’s “Constance” Navigates Matrimonial Waters with Wistful Precision
Weekly Favorites

Dustin Silva’s “What Were We Hiding” Excavates Emptiness with Haunting Precision
Weekly Favorites

Parental Transmissions: R Doradus’s “Heritage” Maps Intergenerational Wisdom Through Long-Distance Collaboration
Weekly Favorites

Rearview Confessions: Malia Rogers’ “I Could Barely Drive” Navigates Cyclical Relationship Trauma
Weekly Favorites

Arctic Intimacy: Paper Chimes’ “Lies” Maps Internal Landscapes
Weekly Favorites

Cultural Crossroads: Tri Starr’s “Our Home” Dismantles Borders Through Unfiltered Americana
Weekly Favorites

Asa Daniels Conjures Mythological Jazz-Rock Haze in “Never Knew”
Weekly Favorites

Brittany Campbell Turns Artistic Hunger into Haunting R&B
Weekly Favorites

Elle Belle Explores Personal Mythology on “Me, Timbers”
Weekly Favorites

Nuala Strips Away the Dance Floor Glitter on “Damn You’re Cold”
Weekly Favorites

Anxiety Attack Finds Power in Empty Rooms on “So Lie to Me”
Weekly Favorites

The Ricters Build and Destroy on “Sand Castles”
Weekly Favorites

Slow Code Captures the Twilight of Cool on “Too Long in Brooklyn”
New Releases, Weekly Favorites

Breaking Cycles: Ella Jinks Confronts Stagnation on “The In Between”
Weekly Favorites

Ecological Mythology: Gabrielle Ornate Weaves Modern Fables on “Haunted Earth”
Weekly Favorites

“Chase the River” – Andrea Magee Crafts Celtic-Tinged Solitude Through Ancient Instruments
Weekly Favorites

Stargazer’s Lament: The Weight of Wisdom in Youth
Weekly Favorites

Geography of the Heart: A Midwestern Love Letter
Weekly Favorites

When Memory Meets Melody: Mechanical Wonders’ Debut Bridges Past and Present
Album Reviews, Weekly Favorites

Album Review: Rayhan – HIGH NOON EP
Weekly Favorites

“Neurotic”: Slung’s Fear-Forward Confessional
Weekly Favorites

Frequencies of Friendship: Shealagh Rose Tunes Into The Static
Weekly Favorites

Lexi Bee Charts Emotional Waters on ‘Human’
Weekly Favorites

ECHLO Blurs Romantic Lines Through a Double-Vision Haze
Weekly Favorites

Shared Image Excavates Analog Memories on ‘Sights and Sounds’
Weekly Favorites

Double Feature: The Beard and the Bird
Uncategorized, Weekly Favorites

Edgar Everyone – “U PUSH ME”: Dancing Through Dimensions
Album Reviews, Weekly Favorites

Album Preview: Karin Fransson – Commuter Diaries, Vol. 3 EP
Weekly Favorites

mer – “stutter”: Breaking The Silence
Weekly Favorites

Joytrip – “Slush”: Seeds of Hope Bursting Through Snow
Weekly Favorites

Wyly Bigger – “Midnight In Meridian”: Nocturnal Lament At The Crossroads
Weekly Favorites

Cereus Bright – “Boys”: A Freak-Folk Descent into Generational Malaise
Weekly Favorites

Limón Limón and Scoobert Doobert – “Hello”: A Toast To New Horizons
Weekly Favorites

McNeil Johnwood – “Scarecrow”: A Late-Blooming Indie Rebel’s Political Broadside
Weekly Favorites

Hundred Plus Club – “Gobsmacked”: Synth-Soaked Melancholy
Album Reviews, Weekly Favorites

Album Review: Camille Schmidt – Good Person EP
Weekly Favorites

Landon Conrath – “Overrated”: A Middle-Finger To Conformity

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