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Denver Music Scene
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Weekly Favorites
Known Moons – “TIME”: Dancing While the World Deteriorates
Album Reviews
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Album Review: Baydream – Tragic Magic EP
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Album Review: Olivia Dolphin – All The Time We Spent EP
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Album Review: Color Palette – Zombie EP
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Album Review: Bunch of Others – CURIOSITY
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Dominique Fils-Aimé – “Going Home”: Wherever You End Up
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Henry Grace – “California Rain”: Distance Measured in Rainfall
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STAHR – “Loving Friend”: The Rage and Grace of Letting Go
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Neil Haverty – “What I Don’t Need”: The Paradox of Refusing Care While Offering It
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Horsewreck – “Only Words”: Self-Production as Statement of Intent
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Album Review: Yo – Carmina Alegría
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Album Review: sleepy soph – lucky EP
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Album Review: Georgia Scarlett – Rhythm of Life
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Album Review: Flash Poetry – Reality, Now
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The Kunins – “The Sorrow You Are Drawn To”: Lightning Bolts After a Decade of Silence
Denver Music Scene
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Anthony Ruptak – “Phantasmagoria”: Cataloging Collapse in Real Time
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Basciville & Ailbhe Reddy – “Your Own Head”: The Cost of Keeping Others Happy
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Blue Tomorrows – “Owl Creek Blues”: Letter Written in Tape Hiss and Piano Wobble
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Livingmore – “Resident Psycho”: Thin Walls and Thinner Patience
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ARK IDENTITY – “Deluxe Nightmare”: Childhood Terror as Sonic Architecture
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Estella Dawn – “Conversations”: The Exhaustion of Explaining Your Worth
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Julian Taylor and Jim James – “Don’t Let ‘Em (Get Inside of Your Head)”: Solidarity as Shield
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Rooskin – “Kent Comes Into View”: Geography as Conversation
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Cole Dine – “Evergreen”: Cataloging Love Before It Changes
Album Reviews
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Album Review: Benjamino – Cucino
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Album Review: Slow Coast – Home of the Restless
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Album Review: Amelie Jat – NONCHALANT
Album Reviews
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Uncategorized
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Weekly Favorites
Album Review: Chris Rusin – Songs From A Secret Room
Album Reviews
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Album Review: Giuseppe Cucè – 21 Grammi
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Album Review: Common Jack – It Would Be Enough
Album Reviews
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Album Review: NIGHT FLIGHT – Exit Stage Left
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Album Review: Luke Pacuk – 1983
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Akanimo – “Relaxation Electric”: Finding Calm in the Synthetic
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Estella Dawn – “Drunk & Messy”: The Relief of Being Seen Through
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pets – “elevator”: Waiting for Doors That Won’t Open
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Fulton Lights – “These Notes Don’t Break”: Descending Into the Fog
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Henry Grace – “Things”: Love Remembered Through Layers of Sound
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Little Angry & The Sweets – “Modified Love Song”: Desire as Disorientation
Album Reviews
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Album Review: Billy Peake – Manic Waves
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Blanket Approval – “Berlin Blues”: The Anxiety of Going Nowhere Fast
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Housecats – “Nobody Knows”: Irish Soul-Rock That Understands the Ache of Departure
Denver Music Scene
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Casually Committed – “Sacred Cyanide”: Breaking Free Through Controlled Chaos
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Album Review: Drift City – Spectral Heart Mosaics EP
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Tender Glue – “My Sweetest Tone”: Resilience Recorded in a Studio Apartment
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Slugfeast – “Heavy Heart”: When the Weight Becomes the Music Itself
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The Altered Hours – “Such a Steal”: Overwhelmed by Breeze and Beauty
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Too Late, But Still – “Feedback City”: Cataloging Loss Through Object Inventory
Album Reviews
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Album Review: Sophie Lilah – Busy Being in Love
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Album Review: Jordan K – Take Our Time
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ApplesandApples – “The Unswept Floor”: Pelicans, Violins, and Shifting Perspectives
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Album Review: Paul Nourigat – Curious Directions
Album Reviews
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Album Review: Kitty Coen – Conversations With The Moon
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Album Preview: Bells Deep – Fog
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Album Review: Kramies – Goodbye Dreampop Troubadour
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Album Review: Labit – SOL
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Tender Glue – “You Are Tennessee (Time Machine)”: Gratitude in VHS Colors
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Dakota Dry – “Why Can’t You Free Me”: Geological Erosion as Emotional Architecture
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Phwoar – “So Much Better”: Birmingham’s Snarling Diagnosis
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Band of 4 – “A Sense Of Wonder”: Digital Violence as Dance Floor Fuel
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Album Review: WaterPenny – Buttons For People
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Album Review: Sunny Luwe – Feeling Good
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Album Review: Morning Wars – Prospect Gallery
Album Reviews
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Album Review: PEGGY – COMING OF AGE EP
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Album Review: Love Ghost – Gas Mask Wedding
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Big Sleep – “Don’t You Wanna”: Dublin’s Defiant Invitation
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néomí – “Sit Back Baby”: Dutch-Surinamese Songwriter Finds Strength in Therapeutic Acceptance
Album Reviews
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Album Review: Chris Portka – The Album Everyone Wants
Album Reviews
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Album Review: SOZI – DREAM EP
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Album Review: Jaden Sade – Tidal Wave
Album Reviews
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Album Review: Amit Rai Sharma – Bnju
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Album Review: Spencer Sanders – Almanac
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Album Review: Dewey Kincade – The Dark Ages
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Album Review: Leanne Gallati – Not Your Type EP
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Album Review: Chloe Navarre – Periwinkle
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Album Preview: Goodnight House – Good Consumers
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Album Review: Gobe – see through my eyes EP
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The Altered Hours – “Turn Away”: Cork Quintet Captures Pre-Date Anxiety in Straight-to-Tape Shoegaze
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SIKADE – “body of water”: Oslo Harpist Transforms Moral Performance Into Shoegazing Catharsis
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Tim Carr – “Candy Sick”: Perfume Genius Collaborator Emerges From Tujunga Hideaway With Electronic Pop Confection
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Brad Heller – “Beyond Footprints and Silence”: Former Minor League Catcher Finds Cinematic Americana in Virginia Hills
Weekly Favorites
Mike and Mandy – “Perhaps, Perhaps, Perhaps”: LA Shakespeare Duo Transforms 1947 Standard Into Theatrical Trip-Hop
Album Reviews
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Hilary Cousins – “Road To Corinth”
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Album Preview: CAR287 – Looking Through The Lens
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Juppe – “Fun! And How To Have It”: Finnish Songwriter Discovers Philosophy Through Funk and Playfulness
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The Moss – “Darkness”: Utah Quartet Returns After Year-Long Hiatus With Cyclical Relationship Meditation
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Bad Self Portraits – “All Bark, No Bite”: Omaha Band Transforms Maternal Trauma Into Cathartic Slacker Rock
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REXEN – “My Heart”: Peter Gabriel’s Studio Houses Gothic Folk Meditation on Emotional Brutality
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Album Review: Kramon – evolutions
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Album Review: Hughes – Hughes
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Album Review: Christian List – Beach
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Album Review: AJ Pena – Human Beings EP
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Album Review: Basement House – The Happy Actually EP
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Album Review: Who Saved Who – All You Thought You Could Do EP
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Chrome Rodeo – “Miss Miss”: Band’s Second Single Mines ’90s Alternative Rock Without Mining Museum
Weekly Favorites
William Hinson – “You’re Upset”: Winston-Salem Songwriter Perfects the Art of Emotional Acknowledgment
New Releases
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Weekly Favorites
Moviola – “Earthbound”: Three Decades In, Columbus Collective Discovers Gravity’s Comfort
Weekly Favorites
Capital Cities – “Late For School”: Jingle Writers Turned Pop Stars Question Educational Authority
Weekly Favorites
Sun On Fire – “Happy”: Cancer Survivor Channels Life-Affirming Energy Into Infectious Pop Rock
Weekly Favorites
Desert Sparrow – “My Mind”: LA Dream Pop Duo Perfects the Art of Romantic Regret
Weekly Favorites
Th𖦹m Chapman – “Lucy Hides”: Visual Artist Turned Musician Crafts Psychedelic Cinema
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Manic Wave – “Less Cynical”: Atlanta’s Genre-Blenders Turn Self-Medication Into Self-Realization
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Shabason, Krgovich, Tenniscoats – “Departed Bird”: Cross-Pacific Improvisation Yields Ethereal Beauty
Denver Music Scene
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Weekly Favorites
DOOM SLUG – “Pins and Needles”: Denver Trio Crafts Intimate Stoner Rock Debut
Weekly Favorites
Tom A. Smith – “Fashion”: Fiction Records’ Newest Firebrand Delivers Urgent Alt-Rock Gold
Weekly Favorites
Eve Goodman + SERA – “Blodyn Gwyllt”: Welsh Language Revival Through Folk Collaboration
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Unc Doe – “War Going On Outside”: Golden Era Production Meets Contemporary Crisis
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The Gristle – “JENNINGS”: Stockholm Garage Rock Meets Cinematic Mythology
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Sungaze – “Rice Crispies”: Dual Perspective Addiction Drama
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Wholihan – “When The Music Explodes”: Post-Punk Americana and Quarter-Life Drift
Weekly Favorites
Stella and the Very Messed – “Big Familiar”: Austin Veterans Navigate Hometown Gravity
Weekly Favorites
Big Cry Country – “To Voicemail”: Closet Recordings and Communication Breakdown
Weekly Favorites
Belle Shea – “Vetiver Days”: Fragrance as Temporal Marker
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Island Wastrel – “The Haunting”: Institutional Memory as Musical Archaeology
Weekly Favorites
Will Rainier – “Dance with the Dead”: Honky-Tonk Séances and Sonic Contradictions
Album Reviews
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Weekly Favorites
Album Review: Lloyd and The Leftovers – Spin The Wheel
Album Reviews
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Weekly Favorites
Album Review: Maddison Kate – What I’d Say To You EP
Album Reviews
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Weekly Favorites
Album Review: Silver Omen – RAINBOW CATHARSIS EP
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Album Review: twins – Caravan
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Omo Cloud – “Sometimes”: Ambient Uncertainty as Architectural Foundation
Weekly Favorites
Ceylon Sailor – “When I Was By Your Side”: Analog Archaeology of Lost Intimacy
Weekly Favorites
Isabella Knight – “Carnivore”: The Architecture of Self-Destruction
Weekly Favorites
exPorter – “Letting Go”: Two Minutes of Emotional Demolition
Weekly Favorites
Madanes – “Your Dog”: The Hierarchy of Affection
Weekly Favorites
Silverset – “Wherever You Are (Wherever You Go)”: Atonement as Adrenaline
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Nadia Faye – “Smoke in the Room”: The Archaeology of Almost-Love
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Album Review: MISSING PET – Moon Rules EP
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Album Review: The Classic Hunt – Last Chants
Uncategorized
Norfolk Island Pines – “Rollin’”: Landscapes Without Language
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Samt Martin – “Herz aus Holz”: The Forest Floor of Self-Discovery
Weekly Favorites
Candy Moore – “What It Is”: The Reverence of the Unremarkable
Weekly Favorites
Marni – “Bee Stings”: The Physics of Panic
Weekly Favorites
Alex Bloom – “My Room”: The Cartography of Interior Space
Weekly Favorites
Shabason, Krgovich, Tenniscoats – “Our Detour”: Accidents as Architecture
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Honey Daze – “Paste”: When Self-Loathing Learns to Dance
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Fernando Motta – “Especial”: The Democracy of Disappointment
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ARK IDENTITY – “Still In Love”: Excavating Love’s Phantom Limb
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Mary Middlefield – “Summer Affair”: The Intoxicating Art of Emotional Excess
Album Reviews
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Weekly Favorites
Album Review: Liquid Pennies – Fore
Album Reviews
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Weekly Favorites
Album Preview: A.P. Michaels – Identity Crisis
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Weekly Favorites
Album Review: Jordy Searcy – The End of Us
Album Reviews
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Weekly Favorites
Album Review: Ryy0 – HOM3
Weekly Favorites
Iris Blue – “Meant Well”: When Performance Becomes Prison
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Tim Carr – “Pleasure Drives”: Productivity’s Opposite
Weekly Favorites
Kevin Rumley – “Across the Sea”: The Weight of What Remains
Weekly Favorites
Jane’s Party – “Comfortable People”: The Sedative Effects of Privilege
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Haunted Like Human – “Married in Savannah”: The Grief of Predictable Endings
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Weekly Favorites
Album Review: SENSES – all the heavens
Album Reviews
Album Review: Moonroof – Moonroof
Album Reviews
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Weekly Favorites
Album Review: POLLY – Daddy Issues EP
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Weekly Favorites
Album Preview: Eli Lev – Past Lives EP
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