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Denver Music Scene
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reviews
New Releases
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Weekly Favorites
Henry Grace – “Passing Through”: When Hesitation Becomes Your Best Decision
Weekly Favorites
The Pretty Flowers – “Came Back Kicking”: Geological Time Meets Personal Reinvention
Weekly Favorites
Fire in the Radio – “Prairie”: Twenty Years Between Recordings
Playlists
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Weekly Favorites
Introducing B-Side’s Best: Your Monthly Guide to Music Worth Overthinking
Album Reviews
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Weekly Favorites
Album Review: Giuseppe Cucè – 21 grammi
Album Reviews
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Weekly Favorites
Album Preview: rrunnerrss – rrunnerrss
Weekly Favorites
Sophie Gault – “Is There Anyone Out There”: Gurf Morlix’s Loneliness, Reimagined
Weekly Favorites
Aukai – “Las Lluvias”: Recording in East German Ghosts
Weekly Favorites
Düül Suns – “Palace of Glass”: The Architecture of Impossible Promises
Weekly Favorites
Saint Avangeline – “Frozen”: Returning to the Desert
Weekly Favorites
ARK IDENTITY – “Falling Apart”: When the Signal Dies
Weekly Favorites
Known Moons – “TIME”: Dancing While the World Deteriorates
Album Reviews
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Weekly Favorites
Album Review: Baydream – Tragic Magic EP
Album Reviews
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Weekly Favorites
Album Review: Olivia Dolphin – All The Time We Spent EP
Album Reviews
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Weekly Favorites
Album Review: Color Palette – Zombie EP
Album Reviews
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Weekly Favorites
Album Review: Bunch of Others – CURIOSITY
Weekly Favorites
Dominique Fils-Aimé – “Going Home”: Wherever You End Up
Weekly Favorites
Henry Grace – “California Rain”: Distance Measured in Rainfall
Weekly Favorites
STAHR – “Loving Friend”: The Rage and Grace of Letting Go
Weekly Favorites
Neil Haverty – “What I Don’t Need”: The Paradox of Refusing Care While Offering It
Weekly Favorites
Horsewreck – “Only Words”: Self-Production as Statement of Intent
Album Reviews
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Weekly Favorites
Album Review: Yo – Carmina Alegría
Album Reviews
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Weekly Favorites
Album Review: sleepy soph – lucky EP
Album Reviews
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Weekly Favorites
Album Review: Georgia Scarlett – Rhythm of Life
Album Reviews
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Weekly Favorites
Album Review: Flash Poetry – Reality, Now
Weekly Favorites
The Kunins – “The Sorrow You Are Drawn To”: Lightning Bolts After a Decade of Silence
Denver Music Scene
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Weekly Favorites
Anthony Ruptak – “Phantasmagoria”: Cataloging Collapse in Real Time
Weekly Favorites
Basciville & Ailbhe Reddy – “Your Own Head”: The Cost of Keeping Others Happy
Weekly Favorites
Blue Tomorrows – “Owl Creek Blues”: Letter Written in Tape Hiss and Piano Wobble
Weekly Favorites
Livingmore – “Resident Psycho”: Thin Walls and Thinner Patience
Weekly Favorites
ARK IDENTITY – “Deluxe Nightmare”: Childhood Terror as Sonic Architecture
Weekly Favorites
Estella Dawn – “Conversations”: The Exhaustion of Explaining Your Worth
Weekly Favorites
Julian Taylor and Jim James – “Don’t Let ‘Em (Get Inside of Your Head)”: Solidarity as Shield
Weekly Favorites
Rooskin – “Kent Comes Into View”: Geography as Conversation
Weekly Favorites
Cole Dine – “Evergreen”: Cataloging Love Before It Changes
Album Reviews
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Weekly Favorites
Album Review: Benjamino – Cucino
Album Reviews
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Weekly Favorites
Album Review: Slow Coast – Home of the Restless
Album Reviews
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Weekly Favorites
Album Review: Amelie Jat – NONCHALANT
Album Reviews
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Uncategorized
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Weekly Favorites
Album Review: Chris Rusin – Songs From A Secret Room
Album Reviews
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Weekly Favorites
Album Review: Giuseppe Cucè – 21 Grammi
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