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Denver Music Scene
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review
Album Reviews
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Album Review: Color Palette – Zombie EP
Album Reviews
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Album Review: Yo – Carmina Alegría
Album Reviews
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Album Review: sleepy soph – lucky EP
Album Reviews
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Album Review: Georgia Scarlett – Rhythm of Life
Album Reviews
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Album Review: Flash Poetry – Reality, Now
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Basciville & Ailbhe Reddy – “Your Own Head”: The Cost of Keeping Others Happy
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ARK IDENTITY – “Deluxe Nightmare”: Childhood Terror as Sonic Architecture
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Rooskin – “Kent Comes Into View”: Geography as Conversation
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Cole Dine – “Evergreen”: Cataloging Love Before It Changes
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Album Review: Benjamino – Cucino
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Album Review: Slow Coast – Home of the Restless
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Album Review: Amelie Jat – NONCHALANT
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Album Review: Giuseppe Cucè – 21 Grammi
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Album Review: Common Jack – It Would Be Enough
Album Reviews
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Album Review: NIGHT FLIGHT – Exit Stage Left
Album Reviews
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Album Review: Luke Pacuk – 1983
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Fulton Lights – “These Notes Don’t Break”: Descending Into the Fog
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Blanket Approval – “Berlin Blues”: The Anxiety of Going Nowhere Fast
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Housecats – “Nobody Knows”: Irish Soul-Rock That Understands the Ache of Departure
Album Reviews
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Album Review: Drift City – Spectral Heart Mosaics EP
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Tender Glue – “My Sweetest Tone”: Resilience Recorded in a Studio Apartment
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Slugfeast – “Heavy Heart”: When the Weight Becomes the Music Itself
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The Altered Hours – “Such a Steal”: Overwhelmed by Breeze and Beauty
Album Reviews
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Album Review: Sophie Lilah – Busy Being in Love
Album Reviews
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Album Review: Jordan K – Take Our Time
Album Reviews
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Album Preview: Bells Deep – Fog
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Album Review: Labit – SOL
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Tender Glue – “You Are Tennessee (Time Machine)”: Gratitude in VHS Colors
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Dakota Dry – “Why Can’t You Free Me”: Geological Erosion as Emotional Architecture
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Phwoar – “So Much Better”: Birmingham’s Snarling Diagnosis
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B. Miles – “Five Alarm”: Controlled Burns and The Strokes
Album Reviews
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Album Review: WaterPenny – Buttons For People
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Album Review: Sunny Luwe – Feeling Good
Album Reviews
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Album Review: Morning Wars – Prospect Gallery
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Album Review: PEGGY – COMING OF AGE EP
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Album Review: Love Ghost – Gas Mask Wedding
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Big Sleep – “Don’t You Wanna”: Dublin’s Defiant Invitation
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néomí – “Sit Back Baby”: Dutch-Surinamese Songwriter Finds Strength in Therapeutic Acceptance
Album Reviews
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Album Review: Chris Portka – The Album Everyone Wants
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Album Review: SOZI – DREAM EP
Album Reviews
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Album Review: Jaden Sade – Tidal Wave
Album Reviews
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Album Review: Amit Rai Sharma – Bnju
Album Reviews
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Album Review: Spencer Sanders – Almanac
Album Reviews
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Album Review: Dewey Kincade – The Dark Ages
Album Reviews
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Album Review: Leanne Gallati – Not Your Type EP
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Album Review: Chloe Navarre – Periwinkle
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Album Preview: Goodnight House – Good Consumers
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Album Review: Gobe – see through my eyes EP
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Tim Carr – “Candy Sick”: Perfume Genius Collaborator Emerges From Tujunga Hideaway With Electronic Pop Confection
Weekly Favorites
Brad Heller – “Beyond Footprints and Silence”: Former Minor League Catcher Finds Cinematic Americana in Virginia Hills
Weekly Favorites
Mike and Mandy – “Perhaps, Perhaps, Perhaps”: LA Shakespeare Duo Transforms 1947 Standard Into Theatrical Trip-Hop
Album Reviews
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Album Preview: CAR287 – Looking Through The Lens
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Bad Self Portraits – “All Bark, No Bite”: Omaha Band Transforms Maternal Trauma Into Cathartic Slacker Rock
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Album Review: Kramon – evolutions
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Album Review: Hughes – Hughes
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Album Review: Christian List – Beach
Album Reviews
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Album Review: AJ Pena – Human Beings EP
Album Reviews
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Album Review: Who Saved Who – All You Thought You Could Do EP
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Chrome Rodeo – “Miss Miss”: Band’s Second Single Mines ’90s Alternative Rock Without Mining Museum
New Releases
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Moviola – “Earthbound”: Three Decades In, Columbus Collective Discovers Gravity’s Comfort
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Capital Cities – “Late For School”: Jingle Writers Turned Pop Stars Question Educational Authority
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Sun On Fire – “Happy”: Cancer Survivor Channels Life-Affirming Energy Into Infectious Pop Rock
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Desert Sparrow – “My Mind”: LA Dream Pop Duo Perfects the Art of Romantic Regret
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Th𖦹m Chapman – “Lucy Hides”: Visual Artist Turned Musician Crafts Psychedelic Cinema
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Tom A. Smith – “Fashion”: Fiction Records’ Newest Firebrand Delivers Urgent Alt-Rock Gold
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Wholihan – “When The Music Explodes”: Post-Punk Americana and Quarter-Life Drift
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A$H. – “Low Key”: Memphis Soul and the Art of Strategic Restraint
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Powder Blue – “Feel It In My Bones”: Melbourne Sessions and Sibling Chemistry
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Stella and the Very Messed – “Big Familiar”: Austin Veterans Navigate Hometown Gravity
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Big Cry Country – “To Voicemail”: Closet Recordings and Communication Breakdown
Album Reviews
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Album Review: Lloyd and The Leftovers – Spin The Wheel
Album Reviews
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Album Review: Maddison Kate – What I’d Say To You EP
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Album Review: Silver Omen – RAINBOW CATHARSIS EP
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Album Review: twins – Caravan
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Ceylon Sailor – “When I Was By Your Side”: Analog Archaeology of Lost Intimacy
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Isabella Knight – “Carnivore”: The Architecture of Self-Destruction
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exPorter – “Letting Go”: Two Minutes of Emotional Demolition
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Charlotte OC – “Cider and Black”: The Performance Art of Self-Destruction
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Madanes – “Your Dog”: The Hierarchy of Affection
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Silverset – “Wherever You Are (Wherever You Go)”: Atonement as Adrenaline
Album Reviews
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Album Review: MISSING PET – Moon Rules EP
Album Reviews
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Album Review: The Classic Hunt – Last Chants
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Norfolk Island Pines – “Rollin’”: Landscapes Without Language
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Samt Martin – “Herz aus Holz”: The Forest Floor of Self-Discovery
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Alex Bloom – “My Room”: The Cartography of Interior Space
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Honey Daze – “Paste”: When Self-Loathing Learns to Dance
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ARK IDENTITY – “Still In Love”: Excavating Love’s Phantom Limb
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Mary Middlefield – “Summer Affair”: The Intoxicating Art of Emotional Excess
Album Reviews
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Album Review: Jordy Searcy – The End of Us
Album Reviews
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Album Review: Ryy0 – HOM3
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Jane’s Party – “Comfortable People”: The Sedative Effects of Privilege
Album Reviews
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Album Review: SENSES – all the heavens
Album Reviews
Album Review: Moonroof – Moonroof
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Album Review: POLLY – Daddy Issues EP
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néomí – “Trigger”: The Arithmetic of Inevitable Loss
Uncategorized
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The Transference – “Ramone Says I’m the Devil”: When Angels Question Their Assignments
New Releases
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Jon Lindsay’s “Dear Assassin”: Theatrical Pop as Visual Prophecy
Album Reviews
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Album Review: David Redd – Love Is Everything & It Will Not Save You
Album Reviews
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Album Review: Cam Be + Neak – a film called black
Album Reviews
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Album Review: Nogonomas! – Songs 4 Sale
Album Reviews
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Album Preview: Lochridge & Co. – Babylon EP
Album Reviews
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Album Review: Rah Rah Rabbit – Chasin’ Rabbits, Catchin’ Squirrels
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Don’t Worry’s “This Time”: Millennial Graduation from Nostalgia
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dearest’s “Mother”: NYC’s Generational Rage
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McCabe’s “Sunset Boulevard”: South London’s Hollywood Mirage
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Austin Tosh’s “Dream Chaser”: Texas Panhandle Vulnerability
Weekly Favorites
SIDELINES’ “Sleep Alone”: Melbourne’s Emo Mathematics
Weekly Favorites
Joytrip’s “I Wanna Stay”: Iowa City Elegance
New Releases
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Kerry Charles’ “It’ll Be Over Soon”: The Prescription for Decay
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The Gromble’s “Trail”: Compact Transcendence
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Best Noodles In Town’s “Reverie”: Post-Graduation Wreckage
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Arabella and The Heist’s “Ruckus”: Melbourne Mayhem Perfected
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Bora York’s “Glow Hover”: Chillwave Confessions
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The First Eloi’s “In Sepia”: Memory’s Distortion Chamber
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Chris Roach’s “Man in the Sky”: Cape Crusader Theology
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Accidental Genius: Juppe’s “Woozy” Transforms Technical Limitations Into Emotional Truth
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Denial as Defense Mechanism: Cronkite’s “So Far, So Good” Masters the Art of Optimistic Self-Deception
Weekly Favorites
Séance for the Senses: Band of Muses Channel Laurel Canyon Ghosts on “Cinnamon”
New Releases
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Weekly Favorites
Permission Slips: Problematic Jam’s “It’s Alright” Grants Itself License to Rock
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Identity Crisis: Malia Rogers Confronts the Cost of Constant Adaptation
Weekly Favorites
Terms of Endearment: Mad Bad World’s “Weirdo” Reclaims Outsider Status as Love Language
Weekly Favorites
Mind Racing: Ryan Cassata Turns Anxiety Into Anthem on “a Knack for Overthinking”
Album Reviews
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Weekly Favorites
Album Review: Ben Sinclair – Sunrise Sunset
Album Reviews
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Album Review: The Storm Windows – More Lucky EP
Album Reviews
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Weekly Favorites
Album Review: Raynes – Bloom EP
Album Reviews
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Weekly Favorites
Album Review: Jaden Sade – The Forgotten Chapters
Album Reviews
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Weekly Favorites
Album Review: Jackson Breit – Covers 2
Weekly Favorites
Heritage as Compass: Tenise Marie’s “Glitter” Sparkles With Hard-Earned Authenticity
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Miles Between States: Joytrip’s “Juniper Lane” Transforms Road Fatigue Into Folk Epiphany
Weekly Favorites
Frozen Frame: THE SONIC TREES Find Identity in the Space Between Heartbeats
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Tuesday’s Child: Lloyd and The Leftovers Navigate Creative Partnerships on Borrowed Time
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Double Bind Blues: Desert Sparrow’s “Messy” Weaponizes Contradictions Into Liberation
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Memory’s Architecture: Amit Rai Sharma Maps Dementia’s Cruel Geography
Weekly Favorites
Calculated Romance: Steven Anthony’s “February 14th” Treats Love Like Weather
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When Teenage Hearts Sound This Wise: Balter’s “used to be” Captures Young Love’s Beautiful Delusion
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McCabe – “Days of Heaven” Review: Summer Love With Built-In Expiration Date
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Miles Nxbxdy – “Electric Blue” Review: Pharmaceutical Dance Therapy
Weekly Favorites
Sun Scene – “In My Room” (Beach Boys Cover) Review: Brooklyn Dreams Through California Ghosts
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Clare Perrott – “Philadelphia” Review: Distance Measured in Heartbeats
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Big Head – “time 4 lunch” Review: Brooklyn’s Chaos Theory in Motion
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jean jacket – “softly” Review: Debut Burns Through Emotional Distance
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ARK IDENTITY – “OH MY GOD” Review: Reckoning at Full Volume
Weekly Favorites
Dopamine – “Someone” Review: Self-Reliance Meets Its Match
Weekly Favorites
Electric Picnic – “Taiga” Review: Helsinki’s Gravity Lessons
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Nathan O’Regan – “Better Days” Review: Faith Compressed Into Four Minutes
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Gena Perala – “I’m Gone” Review: Dignity Through Departure
Album Reviews
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Album Review: The Setting Son – Cul-De-Sac
Album Reviews
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Album Review: The Flashpot Moments – sillygoose
Uncategorized
David Laborier – “The Smoothness of You” Review: Luxembourg’s Jazz-Funk Architect Builds Bridges
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Luke Pacuk – “Emily” Review: Gothic Betrayal Meets Post-Punk Precision
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