B-Side Guys

Tag: relationships

Weekly Favorites

The Crawling Eye – “You Used To Look At Me”: The Admiration That Soured
Weekly Favorites

STAHR – “Loving Friend”: The Rage and Grace of Letting Go
Weekly Favorites

Juppe – “Seasick”: The Intimacy of Enthusiastic Rambling
Album Reviews, Weekly Favorites

Album Review: Brian Perrone – Bend Until It Breaks EP
Weekly Favorites

William Hinson – “You’re Upset”: Winston-Salem Songwriter Perfects the Art of Emotional Acknowledgment
Weekly Favorites

Skinny Dippers – “I Just Can’t Help Feeling Curious”: Trust Erosion Through Domestic Surveillance
Weekly Favorites

EMELEH – “At Least I Did”: Manchester Grit Meets Berlin Production
Weekly Favorites

Jimmy Stanfield – “Maybe I’m Doing Something Right by Me”: Self-Production and Financial Liberation
Weekly Favorites

Jac with No K – “Don’t Mind the Ghosts”: The Inadequacy of Good Intentions
Weekly Favorites

Nevin – “Common Sense”: The Violence of Caring Too Much
Weekly Favorites

Color Palette – “Nights Alone”: The Insomnia of the Disconnected Heart
Weekly Favorites

Kirsten Izer – “The Perfect Hire / the liar”: The Resume of Self-Destruction
Weekly Favorites

Eva James – “You’re The Worst”: The Calculus of Repeated Failure
Weekly Favorites

Iris Blue – “Meant Well”: When Performance Becomes Prison
Weekly Favorites

Claire Morales’s “Champion”: Avoidance as Artistic Awakening
Weekly Favorites

Ginger Winn’s “Cold Plunge”: Domestic Survival and Identity Reconstruction
Weekly Favorites

dearest’s “Mother”: NYC’s Generational Rage
Weekly Favorites

Max Ceddo’s “Loverboy”: NYC’s Temperature-Dependent Romance
Weekly Favorites

Malia Rogers’ “Indefinitely”: Cellular Renewal and Maritime Love
Weekly Favorites

Inherited Inadequacy: Jackson Emmer’s “Dad’s Shoes” Measures Distance in Footsteps
Weekly Favorites

Identity Crisis: Malia Rogers Confronts the Cost of Constant Adaptation
Weekly Favorites

Fear of Feeling: Dylan Kight’s “Worst of Me” Confronts the Saboteur Within
Weekly Favorites

Night Talks – “Gasoline” Review: Los Angeles Accepts Its Own Electric Fury
Weekly Favorites

Self-Preservation as Revolution: Kylie Rothfield Refuses Casual Cruelty
Weekly Favorites

Intimate Chaos: Devantier Rain and Tamaerebi Navigate Love’s Darker Territory
Weekly Favorites

Emotional Archaeology: Jacob Tell Excavates Love From Life’s Debris
Weekly Favorites

Toxic Hospitality: Best Noodles In Town Serves Up Relationship Poison
Weekly Favorites

Emotional Undertow: Bon Navigates Insecurity’s Depths on “Assured”
Weekly Favorites

Questions Without Answers: Grooblen Examines the Broken Social Contract on “How Are You?”
Weekly Favorites

Identity Collision: JKL aka YLLW’s “Oh, Hyper” Excavates Masculinity’s Wreckage
Weekly Favorites

Leoblu’s “livingroomfloor” Maps Love’s Geography in Domestic Space
Weekly Favorites

J-Hei’s “Just Fine” Dismantles the Façade of Functional Depression
Weekly Favorites

Matthew McNeal’s “Chipped Teeth” Captures the Awkward Beauty of First Intimacy
Weekly Favorites

Belle Shea Confronts Friendship’s Fade in the Cutting “Sundance Kid”
Weekly Favorites

Memory Land Transforms Ghosting into Gothic Poetry
Weekly Favorites

Mila Degray’s ‘Two Bridges’ Maps the Geography of Betrayal
Uncategorized, Weekly Favorites

Dissecting Human Connection in ‘Talk To Me’ by The Ampersands
1/04/20, Uncategorized, Weekly Favorites

Caleb’s Weekly Favorites: NeodotcoM, Six Time Users, Simon D James, An Echoic, Mending
1/04/20, Morning Commute, Uncategorized

Morning Commute: Blush FM – “Clipper”
12/12/2019, TOTD, Uncategorized

TOTD: Intellect – “Then There Were Two”