B-Side Guys

Tag: philosophy

Weekly Favorites

Mint Condish – “Rat Utopia”: Combing Your Hair While Society Collapses
Weekly Favorites

Bear, Man Dangerous – “When We Cease to Understand the World”: Cosmic Collapse as Political Diagnosis
Album Reviews, Weekly Favorites

Album Review: Jennifer Harper – Soul Alive
Weekly Favorites

REXEN – “My Heart”: Peter Gabriel’s Studio Houses Gothic Folk Meditation on Emotional Brutality
Album Reviews, Weekly Favorites

Album Review: Basement House – The Happy Actually EP
Weekly Favorites

Ginger Winn – “Socrates”: Philosophy Meets Homesickness in Unexpectedly Moving Indie Pop
Weekly Favorites

Shabason, Krgovich, Tenniscoats – “Departed Bird”: Cross-Pacific Improvisation Yields Ethereal Beauty
Weekly Favorites

Ginger Winn – “Circling Squares”: Mathematical Romance and Geometric Wandering
Weekly Favorites

EMELEH – “At Least I Did”: Manchester Grit Meets Berlin Production
Weekly Favorites

Will Rainier – “Dance with the Dead”: Honky-Tonk Séances and Sonic Contradictions
Weekly Favorites

Nikita – “No One’s Gonna”: The Archaeology of Perfect Moments
Weekly Favorites

Smokey Cake – “Asi Eś”: The Acceleration of Memory
Weekly Favorites

William Hinson – “Self Destruct”: The Democracy of Controlled Demolition
Weekly Favorites

Whalehead Coda – “Place We Call Home”: Divinity as Interior Design
Weekly Favorites

Air Quotes’ “Pieces of You”: Orchestral Love in Odd Time
Weekly Favorites

Nasi’s “Destruction & Debris”: Newcastle’s Beautiful Self-Sabotage
Weekly Favorites

Therapeutic Surrealism: BC Camplight’s “A Sober Conversation” Navigates Recovery Through Absurdist Theater
Weekly Favorites

Heat Signatures: Red Moon’s “Thermochromatic” Measures Emotional Temperature in Real Time
Weekly Favorites

Luke O’Hanlon – “Einstein’s Twin”: The Physics of Growing Apart
Weekly Favorites

Fake Nostalgia as Genuine Art: Slumber Celebrates the Eras We Never Lived
Weekly Favorites

Chemical Evolution: Cedarsmoke Transforms Habit Into Metamorphosis
Weekly Favorites

Verbal Astronomy: Shirman’s Lyrical Universe Operates by Its Own Physics
Weekly Favorites

The Illness Archive: HERÁ Documents Identity Fracture Through Musical Testimony
Weekly Favorites

Intimate Chaos: Devantier Rain and Tamaerebi Navigate Love’s Darker Territory
Weekly Favorites

Depletion as Alchemy: Slung Transforms Emptiness Into Paradoxical Wholeness
Weekly Favorites

Manual Labor Blues: Trevor Sensor’s “The Farm” Examines Vocational Purgatory
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Nocturnal Archaeology: Wild Blessing Resurrects and Transforms “Michael Who Walks By Night”
Weekly Favorites

Alternate Realities: Imogen Clark Examines The Highway Not Taken on “Squinters”
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Philosophical Wagers: WOAHGETTER’s “Even Dad Had A Fiver On Love” Deconstructs Modern Romance
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Literary Perspective: SAVAK Contemplates Marginalia and Meaning on “Tomorrow And The Day After”
Weekly Favorites

Electrical Intensity: LVYN GTS Harnesses Relationship Turbulence in “Storm Clouds”
Weekly Favorites

Species Self-Examination: Johnny Manchild’s “Voluntary Animals” Dismantles Human Exceptionalism
Weekly Favorites

Between Sacred and Profane: Dylan DeBiase’s “Color Your Devil” Navigates Spiritual Crosscurrents
Weekly Favorites

Industry Vertigo: Remy Smith’s “Short Ride Down” Deconstructs Music’s Disposable Culture
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Microscopic Devotion: Jad Moc Examines Love Through Compound Eyes
Weekly Favorites

Constant Motion: Wryn’s “Only Thing” Finds Stability in Acceptance
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Momentary Affection: Swansun’s “Loving Vincent” Explores Romance’s Impermanence
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Dustin Silva’s “What Were We Hiding” Excavates Emptiness with Haunting Precision
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Calculated Demolition: SANSOM’s “Burn the Bridges” Maps Emotional Liberation Through Destruction
Weekly Favorites

Cosmic Intoxication: Cat Ridgeway’s “What If?” Finds Profundity in Disorientation
Weekly Favorites

Dancing with Entropy: Ryland Moranz Finds Light in Life’s Temporary Nature
Weekly Favorites

Theorem of joy – “Dust”: Rising From The Ashes of Grief