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Denver Music Scene
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Album Reviews
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Weekly Favorites
Album Review: Bunch of Others – CURIOSITY
Denver Music Scene
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Weekly Favorites
Anthony Ruptak – “Phantasmagoria”: Cataloging Collapse in Real Time
Weekly Favorites
Henry Grace – “Things”: Love Remembered Through Layers of Sound
Album Reviews
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Album Review: Billy Peake – Manic Waves
Album Reviews
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Album Review: Jordan K – Take Our Time
Album Reviews
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Album Review: Kitty Coen – Conversations With The Moon
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Lettuce – “Breathe”: Funk Meditation on October Streets
Album Reviews
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Album Review: Goodbye, Beautiful and Tara Craig – Flood The Zone / Gilded Bastards
Album Reviews
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Album Review: Spencer Sanders – Almanac
Album Reviews
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Album Review: Chloe Navarre – Periwinkle
Album Reviews
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Album Review: Gobe – see through my eyes EP
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The Altered Hours – “Turn Away”: Cork Quintet Captures Pre-Date Anxiety in Straight-to-Tape Shoegaze
Album Reviews
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Album Review: Hughes – Hughes
Album Reviews
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Album Review: Christian List – Beach
Album Reviews
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Album Review: AJ Pena – Human Beings EP
Weekly Favorites
Eve Goodman + SERA – “Blodyn Gwyllt”: Welsh Language Revival Through Folk Collaboration
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A$H. – “Low Key”: Memphis Soul and the Art of Strategic Restraint
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OSANI – “Americas”: National Anthems as Underground Ammunition
Album Reviews
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Album Review: Liquid Pennies – Fore
Album Reviews
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Album Preview: A.P. Michaels – Identity Crisis
Album Reviews
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Album Preview: Eli Lev – Past Lives EP
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Kevin Metzger’s “Tongue In Cheek”: Friendship as Musical Time Travel
Album Reviews
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Album Review: Cam Be + Neak – a film called black
Weekly Favorites
Rules Are for Breaking: Lanz Pierce’s “GET IT” Weaponizes Classic Hip-Hop Against Modern Hypocrisy
Album Reviews
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Album Review: Ben Sinclair – Sunrise Sunset
Album Reviews
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Album Preview: Secret Garden Gathering – Is-Y-Deri
Album Reviews
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Album Review: Jackson Breit – Covers 2
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McCabe – “Days of Heaven” Review: Summer Love With Built-In Expiration Date
Album Reviews
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Album Review: Chili Guys – Chili Island
Album Reviews
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Album Review: The Sons of Guns – You Shine The Sun EP
Weekly Favorites
Domesticity as Rebellion: Benjamino Elevates the Ordinary into Art
Weekly Favorites
Historical Transactions: Dress Warm’s “Louisiana Purchase” Maps Personal Devaluation Through Territorial Metaphor
Album Reviews
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Weekly Favorites
Ryan Cassata’s QUEER american DREAM showcases balance between craftsmanship and activism
Weekly Favorites
Temporal Escapism: Odaiba and Hola Bay Craft Nostalgic Futurism on “Summertime”
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Black and White Clarity: Domi Hawken Strips Back Artifice on “Water and the Wine”
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The Revolutionary Act of Stillness: Noa Lauryn’s “Wasting Time” Reclaims Idle Moments
Album Reviews
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Album Preview: Scott Clay – Live in Europe
Weekly Favorites
Memory Reels and Moving On: August Royals’ “Skintight Crazy” Dissects Love’s Afterglow
Weekly Favorites
From Bedroom to Battlefield: Soot Sprite Confronts Relationship Trauma on “Vicious Cycles”
Weekly Favorites
Literary Wage Slavery: Pretty Rude’s “Call Me, Ishmael” Charts Musician’s Existential Dilemma
New Releases
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Miniatures of Desire: Laila Smith’s “Diorama” Explores the Terrarium of Human Connection
Album Reviews
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Album Review: Luke Beling – This Parlor Trick Life
New Releases
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Weekly Favorites
Masked Mortality: Gabrielle Ornate Crafts Gothic Allegory in “Stolen Faces”
Weekly Favorites
When Physics Meets the Dancefloor: 2ŁØT and Oakenfold Transform “Entropy”
Weekly Favorites
Self-Deprecation in Sunshine Hues: Buick Audra’s “Yellow” Confronts Inner Critics
Weekly Favorites
Power Play: Slung’s “Class A Cherry” Weaponizes the Unwanted Gaze
Weekly Favorites
Funfair Heartbreak: McCabe Crafts Neo-Soul Magic on “Vicious”
Weekly Favorites
Resurrection Through Dissolution: HLLLYH’s “Dead Clade” Rewrites Rock Evolution
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Relational Equilibrium: The Feather’s “BB” Finds Comfort in Routine’s Contradictions
Daily Video
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Boundary Lines: Lisa Crawley’s “The Gatekeeper” Reclaims Personal Territory
Weekly Favorites
Role Reversal: Slung’s “Thinking About It” Rewrites Flirtation’s Script
Weekly Favorites
Blood Circulation: Soraia’s “So Holy” Pumps Fresh Punk Defiance Through Rock’s Veins
Weekly Favorites
Cultural Inheritance: Amit Rai Sharma’s “Spells and Charms and Broken Homes” Deconstructs Family Tradition
Weekly Favorites
Mythological Unburdening: CLOVER’s “Atlas” Transforms Family Trauma Into Indie-Folk Liberation
Weekly Favorites
Transatlantic Metamorphosis: Liam Mour’s “Altered Reality” Charts the Emotional Geography of Relocation
Weekly Favorites
Deliberate Contradictions: Hallelujah The Hills’ “Fake Flowers at Sunset” Dismantles Nature’s Metaphorical Authority
Weekly Favorites
Patient Devotion in Dusty Sunlight: TEHYA’s “dust dog” Unearths Abandoned Love
Weekly Favorites
Mountain Soul Alchemy: Mason Via’s “MELT IN THE SUN” Transforms Regret Into Timeless Promise
Weekly Favorites
Unexpected Tenderness: The Taxpayers Find Hope in Life’s Margins on “Outline of Your Blood”
Album Reviews
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Weekly Favorites
Album Review: The Southern Residents – Folk Signals
Weekly Favorites
Defiance on the Dancefloor: Logan Garrett and Madeline Edwards Forge Musical Rebellion in “Take Me Down”
Weekly Favorites
Debut Paradox: BLEACH Confronts Existence’s Darkest Equation
Weekly Favorites
Temporal Collision: Anberlin’s “A Day Late” Bridges Two Decades With New Voice
Weekly Favorites
Unmasked and Undisguised: Brooks John Martin Abandons Aliases on “Millions”
Weekly Favorites
Heavy Delicacy: How Iress Reconstructs Eilish’s Fragile Question
Weekly Favorites
Unflinching Witness: Taylor Bickett’s “The Crime” Indicts a System, Not Just a Perpetrator
Weekly Favorites
Collective Breakdown as Rallying Cry: Soot Sprite Names Our Shared Condition
Weekly Favorites
CrushedBad45’s “True Love Dies” Transforms Basement Production into Emotional Revelation
Weekly Favorites
Kallsup’s “Forever” Balances Preciously Between Asphalt Rain and Dreams
Album Reviews
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Weekly Favorites
Album Review: Amistat – what we are EP
Weekly Favorites
Ormella’s “The Lamb and The Shepherd” Whispers Mortality into Melody
Weekly Favorites
Duckwrth’s “Toxic Romantic” Thrashes Through Self-Sabotage with Punk-Rock Abandon
Weekly Favorites
Kate Swan’s “Down Here” Finds Grace in Stark Vulnerability
Album Reviews
Album Review: ZZ Ward – Liberation
Weekly Favorites
Psychedelic Ritual: Slung’s “Collider” Inaugurates Cult Worship
Album Reviews
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Album Preview: Love Ghost – Memento Mori
Weekly Favorites
Robert Ascroft and Ora Cogan Reimagine Literary Decay on “Dorian Gray”
Weekly Favorites
Myriads Spins Winter Blues into Dream Pop Gold
Weekly Favorites
JD Hinton Captures Lightning in a Bottle with “Let’s Do Now”
Weekly Favorites
McStine & Minnemann’s “Survive” Dances Between Chaos and Control
Weekly Favorites
Denis Constantine Strips Away the Static on “Devouring Self (Unplugged)”
Weekly Favorites
Summer of Peril’s “Remington” Confronts the Darkness with Raw Honesty
Weekly Favorites
AGGRESSICA’s “Good Luck, Babe!” Turns Pop Sass Into Hard Rock Catharsis
Weekly Favorites
Grand Baxter Emerges Through the Smoke with “Silverline”
Album Reviews
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Weekly Favorites
Album Review: Jim Halfpenny – History Pays a Visit
Weekly Favorites
From Perth to Political Fury: Sascha Ion & The Elements Unleash “Creature”
Weekly Favorites
BATTLEFLAGG Explores Environmental Grief on “I Gotta Love”
Weekly Favorites
Ally Sun Explores Timeless Connection in “Love Agrees”
Weekly Favorites
MAYA’s “Charlie” Captures Lightning in a Bottle
Weekly Favorites
Elle Belle Explores Personal Mythology on “Me, Timbers”
Weekly Favorites
Kurt Lee Wheeler and Jesse Williams Turn Personal Redemption into Shared Grace on “First Choice”
Weekly Favorites
Svaerd Cultivates Inner Sanctuary in “Secret Garden”
Weekly Favorites
The East Pointers Transform Personal Triumph into Universal Hope on “Anniversary”
Weekly Favorites
Two-Man Giant Squid Turns Creative Paralysis into Post-Punk Gold
Weekly Favorites
The Feather Redefines Love Songs with Sibling-Inspired “All My Life”
Weekly Favorites
Eric Sleeper Trades Bedroom Pop for Studio Power on “Run!”
Weekly Favorites
Munich Meets the Morning: TIKHET’s “final morning sun” Bridges Musical Worlds
Album Reviews
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Weekly Favorites
Album Review: Showtime Ramon – Pressure EP
New Releases
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Weekly Favorites
Northern California’s New Storyteller Makes His Mark on New Music Friday
Weekly Favorites
Dancing Through Time: Close to Monday Reimagines a Personal Memory
Weekly Favorites
Midnight Amplified: Silos Turns a Folk-Pop Classic into a Rock Anthem
Weekly Favorites
Mobley’s “No Exit” – Where Existentialism Meets Sonic Cinema
Weekly Favorites
Julia Logan’s “Thrown Down” Bridges Melancholy and Hope
Weekly Favorites
Ben L’Oncle Soul Captures Live Magic in “I GØT HOME”
Album Reviews
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Album Preview: Madison Hughes – All That I Am
Album Reviews
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Album Preview: Louie Lou Louis – moonlit dream
New Releases
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Weekly Favorites
Tough Love’s “DAYDREAM” Turns Small-Town Isolation Into Sonic Catharsis
New Releases
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Weekly Favorites
Paul Cook & The Chronicles Find Profundity in Simplicity on “Ditch Your Blues”
New Releases
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Weekly Favorites
Mason Via’s Breakneck Outlaw Tale “There Goes Another One” Pushes Bluegrass to the Edge
New Releases
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Weekly Favorites
Famous Friend Makes Sweet Poison from Childhood Memories
Weekly Favorites
Jon Bryant’s “High Season” Chronicles the Death of Housing Dreams
Weekly Favorites
Vacation Manor Captures Creative Paralysis in “January (Over & Over)”
New Releases
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Weekly Favorites
Dave Murphy’s “One More Time” Maps the Geography of Second Chances
New Releases
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Weekly Favorites
Cat Ridgeway’s “Sprinter” Transforms Personal Loss into Universal Truth
New Releases
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Weekly Favorites
Ian Abel Turns Breakup Blues into Electro-Pop Gold
Weekly Favorites
Dreams Deferred: Mike Leon Steps Out Front with Clear-Eyed Realism
Weekly Favorites
Time Suspended: Brock Geiger Bends Reality at Sound City
Weekly Favorites
Natural Transformations: Royce Leon Chronicles Change Through Folk Tradition
Weekly Favorites
First Class Funk: Alexandra John’s “Taking Off” Soars Through Time
Album Reviews
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Weekly Favorites
Northern Lights in Electronic Hues: Scott Clay’s “Aurora” Gets a Digital Dawn
Weekly Favorites
Sweet Independence: Syd Taylor Claims Her Sound on Self-Produced “Honeycomb”
Weekly Favorites
Political Poetry: D. Marin Perez Crafts a Protest Song for the Private Jet Era
Weekly Favorites
Ecological Mythology: Gabrielle Ornate Weaves Modern Fables on “Haunted Earth”
Weekly Favorites
Memory-Stained Fabric: B.Miles Finds Poetry in Holiday Heartbreak
Weekly Favorites
Surreal Storytelling: Johnny Marie’s “Bobby” Blends Dream and Reality
Weekly Favorites
Distance and Dialogue: Marc McLaughlin Explores Communication’s Fragile Nature in “All I Can Say”
Weekly Favorites
Small Talk and Synthesizers: Reindeer Flotilla’s “Today” Turns Mundane Moments into Musical Poetry
Album Reviews
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Weekly Favorites
Album Review: Steve Moss – Another Go
Weekly Favorites
“Chet” – We Found a Lovebird Channels Jazz Legend’s Gratitude Through Crystalline Rock Lens
Weekly Favorites
Solstice Songs: De Santis Steps Into Her Season
Weekly Favorites
Raw Voltage: Ben Hazlewood’s ‘Shelter’ Strips Away Pretense in Riveting Live Performance
Album Reviews
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Weekly Favorites
Album Review: Beyond the Midwest – The Comeback
Album Reviews
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Weekly Favorites
Album Preview: Brian Halloran – Four Orphans EP
Local Scene
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Weekly Favorites
Late Night Fluorescence: A Burnt-Out Ballad Finds Its Light
Weekly Favorites
Red Telephone – What To Believe: Finding Truth in Information Overload
Album Reviews
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Weekly Favorites
Album Review: Rayhan – HIGH NOON EP
Weekly Favorites
Coastal Nihilism: Duckboi’s Shellharbour Surrender
Local Scene
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Weekly Favorites
Mountain Midnight: Overhang’s Colorado Dream State
Weekly Favorites
We Are The Willows Find Hope in the Abstract
Weekly Favorites
The Slashes Sharpen Their Noir Edge on ‘Espionage’
Album Reviews
Album Review: Soulganic – Phosphene
Uncategorized
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Kaia Müller’s ‘Like A Dog’: A Debut Single with Biting Critique
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Explore ‘Dwelling’: Psychedelic Soundscapes by Keegan Del Rio
Album Reviews
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Album Review: Will Stucky – Familiar Frontier: Dancing with Ghosts in the Corner of the Room
Uncategorized
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Weekly Favorites
Beautiful Freaks’ ‘Loser Sellouts’: A Punk Manifesto
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The Duality of Euphoria: Pleasure and Pain in Music
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Dance Through Heartache: The Emotional Depth of ‘Le med mig’ by AramEmanuel
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Darker Lighter: Identity Crisis in ‘Hanging On’
Album Reviews
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Uncategorized
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Mila Ziska’s Genre-Fusing EP: A Long Way To Go
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From Mutant Pop to Americana: The Evolution of Oliver Taylor
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