B-Side Guys

Tag: Love

Weekly Favorites

Emmalee Rainbow – “I’ve Had Some Wine”: Vegas as Metaphor for Wanting More
Weekly Favorites

The Crawling Eye – “You Used To Look At Me”: The Admiration That Soured
Weekly Favorites

Bad Flamingo – “Shame”: The Weight of What We Wear
Album Reviews, Weekly Favorites

Album Review: Lola Consuelos – Sorry, it’s all about me EP
Weekly Favorites

STAHR – “Loving Friend”: The Rage and Grace of Letting Go
Weekly Favorites

KRAMON – “Change” (feat. Meredith Adelaide & Josh Kramon): Accepting the Inevitable Without Understanding It
Weekly Favorites

RIVER – “I AM CANCER”: The Paradox of Self-Protection as Self-Sabotage
Weekly Favorites

William Hinson – “Keaton”: Grief as Persistent Presence
Weekly Favorites

Juppe – “Seasick”: The Intimacy of Enthusiastic Rambling
Weekly Favorites

néomí – “Sit Back Baby”: Dutch-Surinamese Songwriter Finds Strength in Therapeutic Acceptance
Weekly Favorites

William Hinson – “You’re Upset”: Winston-Salem Songwriter Perfects the Art of Emotional Acknowledgment
Weekly Favorites

Skinny Dippers – “I Just Can’t Help Feeling Curious”: Trust Erosion Through Domestic Surveillance
Weekly Favorites

Jimmy Stanfield – “Maybe I’m Doing Something Right by Me”: Self-Production and Financial Liberation
Weekly Favorites

Jac with No K – “Don’t Mind the Ghosts”: The Inadequacy of Good Intentions
Weekly Favorites

Iris Blue – “Meant Well”: When Performance Becomes Prison
Weekly Favorites

Smokey Brights – “All In Who You Know”: Small Acts of Economic Rebellion
Weekly Favorites

Haunted Like Human – “Married in Savannah”: The Grief of Predictable Endings
Weekly Favorites

Claire Morales’s “Champion”: Avoidance as Artistic Awakening
Weekly Favorites

Air Quotes’ “Pieces of You”: Orchestral Love in Odd Time
Weekly Favorites

Max Ceddo’s “Loverboy”: NYC’s Temperature-Dependent Romance
Weekly Favorites

Malia Rogers’ “Indefinitely”: Cellular Renewal and Maritime Love
Weekly Favorites

Dust Cwaine’s “Little Plans”: The Alchemy of T4T Connection
Weekly Favorites

Self-Preservation as Revolution: Kylie Rothfield Refuses Casual Cruelty
Weekly Favorites

Intimate Chaos: Devantier Rain and Tamaerebi Navigate Love’s Darker Territory
Weekly Favorites

Whispering to the Void: Nervilis Confronts Creative Anxiety in “Scarecrow Girl”
Weekly Favorites

Emotional Undertow: Bon Navigates Insecurity’s Depths on “Assured”
New Releases, Weekly Favorites

Suspended Animation: Super Tuesday’s “Soaking up the Silence” Finds Connection in Transit Limbo
Weekly Favorites

Matthew McNeal’s “Chipped Teeth” Captures the Awkward Beauty of First Intimacy
Weekly Favorites

Dustin Silva’s “What Were We Hiding” Excavates Emptiness with Haunting Precision
Weekly Favorites

Inherited Absence: Bird’s “Daddy” Examines the Architecture of Emotional Voids
Weekly Favorites

Belle Shea Confronts Friendship’s Fade in the Cutting “Sundance Kid”
Weekly Favorites

Memory Land Transforms Ghosting into Gothic Poetry
Weekly Favorites

Lindsay White Crafts Time-Traveling Elegy on “Time Machine”
Weekly Favorites

Suburban Satire and Sweet Poison: Ben Newgard’s “Mind Eraser”
Weekly Favorites

Mila Degray’s ‘Two Bridges’ Maps the Geography of Betrayal
Uncategorized, Weekly Favorites

Dissecting Human Connection in ‘Talk To Me’ by The Ampersands
Weekly Favorites

Chelsea Days – “God”: A Divine Night Out
Weekly Favorites

Green Park – “I Met Someone”: A Psychedelic Dissection of Fleeting Infatuation
Weekly Favorites

The Fever Haze – “(I’ll Always Leave a Part of My Heart in) Colorado”: Connections Can Be Fleeting
Album Reviews, Weekly Favorites

Album Review: Mary Middlefield – Poetry (for the scorned and lonely)