B-Side Guys

Tag: indie

Weekly Favorites

Known Moons – “TIME”: Dancing While the World Deteriorates
Album Reviews, Weekly Favorites

Album Review: Flash Poetry – Reality, Now
Weekly Favorites

SIKADE – “body of water”: Oslo Harpist Transforms Moral Performance Into Shoegazing Catharsis
Weekly Favorites

The Moss – “Darkness”: Utah Quartet Returns After Year-Long Hiatus With Cyclical Relationship Meditation
Weekly Favorites

Omo Cloud – “Sometimes”: Ambient Uncertainty as Architectural Foundation
Weekly Favorites

Wilshaw’s “hard month”: Seasonal Depression as Creative Catalyst
Album Reviews, Weekly Favorites

Album Preview: Lochridge & Co. – Babylon EP
Weekly Favorites

Watershed Moments: Alyna Rose Crafts Calm from Chaos
Weekly Favorites

Identity Taxation: Darker Lighter’s “Be” Tallies the Cost of Authentic Existence
Weekly Favorites

Busker’s Lament: Kevin Maier Crafts Deceptively Simple Folk Heartbreak on “Addie-O”
New Releases, Weekly Favorites

Nocturnal Defiance: Hallelujah The Hills Perfect “Dirtbag Rock” With “Crush All Night”
Local Scene, Weekly Favorites

Mourning as Mobilization: Pillowprince’s “Care About” Transforms Queer Grief into Urgent Demand
Weekly Favorites

Bedroom Above The Olympia: drifting.’s “patrick” Captures Dublin’s Nocturnal Queer Geography
Weekly Favorites

Liminal Living: A Days Wait’s “deadAlive” Captures Modern Existence in Suspended Animation
Weekly Favorites

Swiss Precision Meets Desert Sprawl on Band of 4’s “Sick and Tired”
Weekly Favorites

Brent de la Cruz’s “TBD” Charts New Territories in Emotional Cartography
Weekly Favorites

The Tumblers’ “Starlight” Burns with Ragged Folk-Rock Conviction
New Releases, Weekly Favorites

Once More, Autumn’s “Halcyon” Builds Cathedrals from Decay
Weekly Favorites

Roadside Furniture, Soul Revival: Jason Piquette’s “Drop the Gun” Transforms Confined Spaces into Emotional Expanses
Album Reviews

Album Review: Blueburst – Kick My Tires EP
New Releases, Weekly Favorites

Digital Detox Anthem: PHWOAR’s “Reckless” Declares War on Virtual Living
New Releases, Weekly Favorites

Unflinching Afterhours: Eric Gabriel’s “Long Gone” Finds Clarity in Live-to-Tape Vulnerability
Weekly Favorites

Youth Without Novelty: Balter’s “someone new” Revitalizes Indie’s Oldest Emotions
Weekly Favorites

Time in a Bottle: Marc McLaughlin Captures Decision’s Afterglow on “Effervescence”
Album Reviews, Weekly Favorites

Album Review: Naylor Stone – The Game of They EP
Weekly Favorites

BATTLEFLAGG’s “Ghosts” Chronicles the Evanescence of Home
Album Reviews, Weekly Favorites

Album Review: Cate Tomlinson – The Side Effects of You EP
Weekly Favorites

Bedroom Pop Meets Raw Emotion on Reuben Medlin’s “Silent Boy”
Weekly Favorites

Risley Finds Beauty in Life’s Persistence on “World Goes On”
Weekly Favorites

Zebedee Rewrites the Indie Rock Rulebook with Guitar-Free “Brown Eyes”
Album Reviews, Weekly Favorites

Album Review: Eliza Harrison Smith – The Way I’m Wired EP
Weekly Favorites

OSNOVA’s “Climbing Dues” – Where Shimmering Textures Meet Societal Decay
Weekly Favorites

Monotronic’s “Looking Away” Finds Clarity in Desert Spaces
Weekly Favorites

Leah Nawy Blooms From Intimate to Epic on Self-Produced “I Was A Flower”
New Releases, Weekly Favorites

Isaiah Stone Bridges Funk’s Past and Future on “Get Down”
Weekly Favorites

Moon Sand Land Serves Up Rhythmic Self-Reflection on “Table Tennis”
Weekly Favorites

Wool Drive Makes Their Mark with Guitar-Heavy Debut “Hollow”
New Releases, Weekly Favorites

Pillowprince Wraps Heartbreak in Glitter and Grit
Weekly Favorites

Slung Turns Family Trauma into Sonic Warfare on “Laughter”
Weekly Favorites

Natural Wisdom: The Tame and the Wild Find Hope in Seasonal Struggles