B-Side Guys

Tag: fiction

Weekly Favorites

Mint Condish – “Rat Utopia”: Combing Your Hair While Society Collapses
Weekly Favorites

Estella Dawn – “You Didn’t Text Me”: When Sympathy Curdles Into Clarity
Uncategorized, Weekly Favorites

Ocean TisdOcean Tisdall – “Jealous”: The Dog That Stayed at the Grave
Weekly Favorites

The Kunins – “The Sorrow You Are Drawn To”: Lightning Bolts After a Decade of Silence
Weekly Favorites

Mike Leon – “Take A Chance”: The Regret of Safe Choices
Weekly Favorites

Estella Dawn – “Conversations”: The Exhaustion of Explaining Your Worth
Album Reviews, Weekly Favorites

Album Review: ILUKA – the wild, the innocent, & the raging
Weekly Favorites

Estella Dawn – “Drunk & Messy”: The Relief of Being Seen Through
Album Reviews, Weekly Favorites

Album Review: Caleb L’Etoile – PS
Weekly Favorites

Peter Litvin – “Okay Alright”: Shrugging Through the Chaos
Weekly Favorites

Amelia Coburn – “Something Wild”: Domestic Life as Cage, Wolf as Liberation
Weekly Favorites

B. Miles – “Five Alarm”: Controlled Burns and The Strokes
Weekly Favorites

Packaging – “On Holiday” (feat. Sugar Candy Mountain): Love as Inseparable Presence
Weekly Favorites

Will Rainier – “Dance with the Dead”: Honky-Tonk Séances and Sonic Contradictions
Weekly Favorites

Charlotte OC – “Cider and Black”: The Performance Art of Self-Destruction
Weekly Favorites

Nadia Faye – “Smoke in the Room”: The Archaeology of Almost-Love
Weekly Favorites

Alex Bloom – “My Room”: The Cartography of Interior Space
Weekly Favorites

Emergency Frequencies: Neil Haverty’s “Man Down” Broadcasts From the Eye of Personal Catastrophe
Weekly Favorites

Drowning in Color: Shoreline Gold’s “Forgotten Song” Finds Beauty in Disconnection
Weekly Favorites

Anna Duboc – “Indigo” Review: Teenage Wisdom Earned Too Early
Weekly Favorites

Todd Adelman – “Another Bloody Mary Morning”: Dawn Confessions From Jackson Square
Weekly Favorites

The Archaeology of Absence: Charlie Bishop Excavates Inherited Trauma
Weekly Favorites

Creature Becomes Creator: Koshari’s “I Am Life” Reclaims Otherness Through Slowcore Defiance
Weekly Favorites

Scars and Sacred Spaces: Ren Martinez Excavates Music Industry Heartbreak
Weekly Favorites

Shrimp Planet’s “Constance” Navigates Matrimonial Waters with Wistful Precision
Weekly Favorites

Kate Swan’s “Down Here” Finds Grace in Stark Vulnerability
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Rearview Confessions: Malia Rogers’ “I Could Barely Drive” Navigates Cyclical Relationship Trauma
Weekly Favorites

AK Patterson Turns Historical Horror into Modern Catharsis on “Morticia”
Weekly Favorites

Svaerd Cultivates Inner Sanctuary in “Secret Garden”
New Releases, Weekly Favorites

CLOVER Transforms Pandemic Love Story into Dreamy Road Trip Anthem “Used to It”
Album Reviews, Weekly Favorites

Album Review: Sylva Faye – Sunday Forever
Weekly Favorites

Stephen McCorry’s “Rosie” Explores the Hazy Lines Between Performance and Connection
Weekly Favorites

Desert Desperation: Jeremy & The Harlequins Paint a Modern Western
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“Beauty In The Broken” – Laura Baron Transforms Vulnerability into Folk Poetry
Weekly Favorites

“Chase the River” – Andrea Magee Crafts Celtic-Tinged Solitude Through Ancient Instruments
Weekly Favorites

Last Call from Nowhere: Illiterate Light’s Roadside Redemption
Weekly Favorites

Aaron Francis Pours a Double Shot of Jazz-Tinged Americana on ‘Skylark’
Album Reviews, Uncategorized, Weekly Favorites

Exploring Britt Connors’ Versatile Sound in ‘Exhale’
Uncategorized, Weekly Favorites

Discover the Soulful Magic of ‘Like A River’
Weekly Favorites

Gavin McGee – “Loan”: A Deli-Boy’s Ode to Emotional Debt
Weekly Favorites

Choosing Sides – “Penelope”: A Toxic Love Affair Set to Power Chords
Weekly Favorites

Green Park – “I Met Someone”: A Psychedelic Dissection of Fleeting Infatuation
Weekly Favorites

Alyssa DVM – “Let Me Hate You”: An Aching Anthem