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Denver Music Scene
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fiction
Weekly Favorites
Ailbhe Reddy – “That Girl”: When Memory Becomes Evidence Against You
Weekly Favorites
Emmalee Rainbow – “I’ve Had Some Wine”: Vegas as Metaphor for Wanting More
Weekly Favorites
Moon Walker – “THE WORLD YOU BUILT”: Manufacturing Your Own Executioner
Weekly Favorites
Rory Lynch – “I Used To Work The Weed Farm”: When the Dream Job Breaks Your Back
Weekly Favorites
Mint Condish – “Rat Utopia”: Combing Your Hair While Society Collapses
Weekly Favorites
Estella Dawn – “You Didn’t Text Me”: When Sympathy Curdles Into Clarity
Uncategorized
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Weekly Favorites
Ocean TisdOcean Tisdall – “Jealous”: The Dog That Stayed at the Grave
Weekly Favorites
The Kunins – “The Sorrow You Are Drawn To”: Lightning Bolts After a Decade of Silence
Weekly Favorites
Mike Leon – “Take A Chance”: The Regret of Safe Choices
Weekly Favorites
Estella Dawn – “Conversations”: The Exhaustion of Explaining Your Worth
Album Reviews
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Weekly Favorites
Album Review: ILUKA – the wild, the innocent, & the raging
Weekly Favorites
Estella Dawn – “Drunk & Messy”: The Relief of Being Seen Through
Album Reviews
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Weekly Favorites
Album Review: Caleb L’Etoile – PS
Weekly Favorites
Peter Litvin – “Okay Alright”: Shrugging Through the Chaos
Weekly Favorites
Amelia Coburn – “Something Wild”: Domestic Life as Cage, Wolf as Liberation
Weekly Favorites
B. Miles – “Five Alarm”: Controlled Burns and The Strokes
Weekly Favorites
Packaging – “On Holiday” (feat. Sugar Candy Mountain): Love as Inseparable Presence
Weekly Favorites
Will Rainier – “Dance with the Dead”: Honky-Tonk Séances and Sonic Contradictions
Weekly Favorites
Charlotte OC – “Cider and Black”: The Performance Art of Self-Destruction
Weekly Favorites
Nadia Faye – “Smoke in the Room”: The Archaeology of Almost-Love
Weekly Favorites
Alex Bloom – “My Room”: The Cartography of Interior Space
Weekly Favorites
Emergency Frequencies: Neil Haverty’s “Man Down” Broadcasts From the Eye of Personal Catastrophe
Weekly Favorites
Drowning in Color: Shoreline Gold’s “Forgotten Song” Finds Beauty in Disconnection
Weekly Favorites
Anna Duboc – “Indigo” Review: Teenage Wisdom Earned Too Early
Weekly Favorites
Todd Adelman – “Another Bloody Mary Morning”: Dawn Confessions From Jackson Square
Weekly Favorites
The Archaeology of Absence: Charlie Bishop Excavates Inherited Trauma
Weekly Favorites
Creature Becomes Creator: Koshari’s “I Am Life” Reclaims Otherness Through Slowcore Defiance
Weekly Favorites
Scars and Sacred Spaces: Ren Martinez Excavates Music Industry Heartbreak
Weekly Favorites
Shrimp Planet’s “Constance” Navigates Matrimonial Waters with Wistful Precision
Weekly Favorites
Kate Swan’s “Down Here” Finds Grace in Stark Vulnerability
Weekly Favorites
Rearview Confessions: Malia Rogers’ “I Could Barely Drive” Navigates Cyclical Relationship Trauma
Weekly Favorites
AK Patterson Turns Historical Horror into Modern Catharsis on “Morticia”
Weekly Favorites
Svaerd Cultivates Inner Sanctuary in “Secret Garden”
New Releases
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Weekly Favorites
CLOVER Transforms Pandemic Love Story into Dreamy Road Trip Anthem “Used to It”
Album Reviews
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Weekly Favorites
Album Review: Sylva Faye – Sunday Forever
Weekly Favorites
Stephen McCorry’s “Rosie” Explores the Hazy Lines Between Performance and Connection
Weekly Favorites
Desert Desperation: Jeremy & The Harlequins Paint a Modern Western
Weekly Favorites
“Beauty In The Broken” – Laura Baron Transforms Vulnerability into Folk Poetry
Weekly Favorites
“Chase the River” – Andrea Magee Crafts Celtic-Tinged Solitude Through Ancient Instruments
Weekly Favorites
Last Call from Nowhere: Illiterate Light’s Roadside Redemption
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