The Flock: Caleb’s Weekly Favorites Oct. 16th: Pkwy, Charles Edison, Farewell Company

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we post several artists in one big post. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

Pkwy – “Punisher”

“Slackers are acting tough
Born in Los Angeles
Light up a Camel Crush just for fun
Poems on bathroom stalls
High as shit playing Smash Bros Brawl
Throwing a bowling ball down the road”

This song is super chill. It reminds me a ton of college. I took up the bad habit of smoking, and my go to (other than cloves) were Camel Crush. I picked those because you could crush them for people who wanted menthols. It was completely about the social aspect. This song is just so simply beautiful. It captures the fun, insecurity, and rebelliousness of youth in a way that takes itself the perfect amount of seriously. The band says that the song actually reflects the story of the band somewhat. They all met in their teens, and have fond memories, including throwing a literal bright orange bowling ball down the road with the word “PUNISHER” written on it. If you can’t relate to this song, we probably wouldn’t have been friends in high school.

Also, the EP that Punisher is included on is now out! Released this last Tuesday: pkwy.bandcamp.com/album/giant-2. You guys should definitely go give these guys some money, so they can buy Camel Crush cigs. Those bitches get expensive.

 

Charles Edison – “My Mother”

“I can’t make a track and say I’m paying for your house
But Hopefully you hear this still and it’ll make you proud
I ain’t made it yet but I bet you think I could
I hope you worry less now that I’m safe and living good
You said you felt like you must’ve gone wrong
But you showed me how to raise a child – you knew it all along,”

I always get emotional with “momma” songs. I guess that’s not really a genre, but I think you know what I mean. This song is so deeply heartfelt. There’s a moment in the first verse where he says, “as far as I’m concerned, you ain’t never been a step mum”, and you can tell that’s true because up until that point, it seemed like he was talking about a connection as deep as any I’ve ever heard. It’s obvious the woman has made a huge impact on him, and he feels guilty for the ways he hasn’t lived up to her example or expectations. Now that he’s becoming a parent himself, it seems obvious that this is causing him to reflect about his own hopes and dreams for a child, how they can go awry, and how their are still plenty of positives instilled in him, even if he made mistakes. It’s really a beautiful sentiment. That’s not even to mention the excellent sample and background vocals. This song is just incredible.

Bio: Charles is a producer & rapper from South London, pairing intricately layered, immersive beats with a raw & honest vocal style that has seen him be compared to other British Urban music acts such as Akala, Beardyman, Mike Skinner, and Loyle Carner. Charles often draws on his experiences with mental health and addiction to result in refreshingly honest and relatable hip-hop.

Friede Merz – “ALBION”

“Albion, Albion
You made me wanna carpe the fuck out of this diem”

Well you can’t beat that opening. This video is really interesting. I especially like the Elvis costume, but the whole thing works nicely on a budget. It’s a good way to lean into a scatter plot ode to a place, by representing various aspects, both seriously, and mostly ironically. There’s definitely a lot to like from Friede, who does everything on this song, from instrumentals, to singing, to production. The artist describes the vibe as: “Whatever you do feels good to me.” That’s the spirit.”

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Farewell Company – “Gulf Breeze Motel”

“I ain’t living right, I’m barely keeping the pace
And I’m so far from you now
I know I’m gonna be late
Well take your time no one’s waiting on you to change
No one’s waiting on anything

Hey what’s the hurry
Time’s keeping you locked down so tight babe
I know you work, just make it something worth your life
What’s the use in finding the truth if you’re gonna go and waste the news
I’ll be singing ‘bout a brand new day til I turn blue”

This song has been on several of my playlists for a couple of months now. It’s beautifully twangy and existential. What I really like about the existential aspect is that it doesn’t quite waver into despair. It is constantly mentioning a “brand new day” in a hopeful way that promises a better tomorrow, despite whatever negative may be going on in front of you right now. It kind of seems to put a sense of worth on personal responsibility. “No one’s waiting on you to change.” It’s up to us to care about what we do with our time here, not anyone else. It’s really a beautiful message, packaged in a catchy blues song.

Bio: Formed in early 2017 by a few close friends and siblings living in Nashville, TN, Farewell Company is a soulful, southern rock ’n’ roll band.

In just three days, the six piece recorded their first LP ‘Waiting On Anything’ to analog tape at a gem of a studio in East Nashville called The Bomb Shelter.

 

-Caleb