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Denver Music Scene
Tag:
books
Weekly Favorites
Ailbhe Reddy – “That Girl”: When Memory Becomes Evidence Against You
Uncategorized
MEMORIALS – “Cut Glass Hammer”: Yoko Ono’s Gallery as Starting Point for Circular Dread
Weekly Favorites
Moon Walker – “THE WORLD YOU BUILT”: Manufacturing Your Own Executioner
Weekly Favorites
Shintaro Sakamoto – “Is There A Place For You There?”: Suspicion as Survival Instinct
Weekly Favorites
Estella Dawn – “You Didn’t Text Me”: When Sympathy Curdles Into Clarity
Weekly Favorites
The Whips – “Together In Agony”: The Breakup You’re Too Scared to Start
Weekly Favorites
Livingmore – “Resident Psycho”: Thin Walls and Thinner Patience
Weekly Favorites
Mike Leon – “Take A Chance”: The Regret of Safe Choices
Weekly Favorites
Estella Dawn – “Conversations”: The Exhaustion of Explaining Your Worth
Album Reviews
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Weekly Favorites
Album Review: ILUKA – the wild, the innocent, & the raging
Weekly Favorites
Estella Dawn – “Drunk & Messy”: The Relief of Being Seen Through
Weekly Favorites
Savanna Leigh – “for your entertainment”: Surrendering Control as a Radical Act
Weekly Favorites
Open Foe – “Playhouse”: When Domesticity Becomes a Haunted Game
Weekly Favorites
Madeleine Rose Witney – “Struttin”: A Funk-Driven Love Letter to London’s Unchanging Characters
Album Reviews
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Weekly Favorites
Album Review: Caleb L’Etoile – PS
Weekly Favorites
SWOLL – “Do You Know What’s Changed?”: Fading Identity in Synthetic Light
Weekly Favorites
Bear, Man Dangerous – “When We Cease to Understand the World”: Cosmic Collapse as Political Diagnosis
Weekly Favorites
Amelia Coburn – “Something Wild”: Domestic Life as Cage, Wolf as Liberation
Weekly Favorites
Juppe – “Seasick”: The Intimacy of Enthusiastic Rambling
Weekly Favorites
Madeleine Rose Witney – “Shine”: Kentish Town Torch Singer Weaponizes Retro Glamour Against Modern Vulnerability
Weekly Favorites
The Gristle – “JENNINGS”: Stockholm Garage Rock Meets Cinematic Mythology
Weekly Favorites
Isabella Knight – “Carnivore”: The Architecture of Self-Destruction
Weekly Favorites
Reeya Banerjee – “Runner”: Urban Velocity as Survival Mechanism
Weekly Favorites
Charlotte OC – “Cider and Black”: The Performance Art of Self-Destruction
Weekly Favorites
William Hinson – “Self Destruct”: The Democracy of Controlled Demolition
Weekly Favorites
Nevin – “Common Sense”: The Violence of Caring Too Much
Weekly Favorites
Nadia Faye – “Smoke in the Room”: The Archaeology of Almost-Love
Weekly Favorites
The Probies – “My Paradise”: Invitation to the Void
Weekly Favorites
Smokey Brights – “All In Who You Know”: Small Acts of Economic Rebellion
Weekly Favorites
CLENNON’s “Drowning”: Kingston to Toronto Queer Migration
Weekly Favorites
San Gabriel’s “Alone In My Room”: East Austin Career Reckoning
Weekly Favorites
GRIP TIGHT & Martha Rose’s “In Your Eyes”: Sparks as Relationship Physics
Weekly Favorites
Anna Tivel’s “Animal Poem”: Portland’s Narrative Cartography
Weekly Favorites
Max Ceddo’s “Loverboy”: NYC’s Temperature-Dependent Romance
Weekly Favorites
Nasi’s “Destruction & Debris”: Newcastle’s Beautiful Self-Sabotage
Weekly Favorites
Dead Tooth’s “Jack Dawson”: Pandemic Revisionism and Post-Punk Desperation
Weekly Favorites
boci’s “the lake”: Witnessing the Dissolve
Weekly Favorites
Dust Cwaine’s “Little Plans”: The Alchemy of T4T Connection
Weekly Favorites
Therapeutic Surrealism: BC Camplight’s “A Sober Conversation” Navigates Recovery Through Absurdist Theater
Weekly Favorites
Economic Exile: Nogonomas! Map the Geography of Generational Rage
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