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Denver Music Scene
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book-review
Weekly Favorites
Madeleine Rose Witney – “Struttin”: A Funk-Driven Love Letter to London’s Unchanging Characters
Weekly Favorites
Charlotte OC – “Cider and Black”: The Performance Art of Self-Destruction
Weekly Favorites
The Probies – “My Paradise”: Invitation to the Void
Weekly Favorites
Anna Duboc – “Indigo” Review: Teenage Wisdom Earned Too Early
Weekly Favorites
Fairy Tales Reimagined as Industrial Vengeance: ABNORM’s “GIANT” Stomps Into Mythological Territory
Weekly Favorites
Islands of Resistance: SAVAK’s “No Man’s Island” Navigates Late-Capitalism’s Troubled Waters
Weekly Favorites
Creature Becomes Creator: Koshari’s “I Am Life” Reclaims Otherness Through Slowcore Defiance
Weekly Favorites
Shrimp Planet’s “Constance” Navigates Matrimonial Waters with Wistful Precision
Weekly Favorites
Thom Chapman’s “Velvet” Weaves a Psychedelic Portrait in Fuzz
Weekly Favorites
AK Patterson Turns Historical Horror into Modern Catharsis on “Morticia”
Weekly Favorites
Svaerd Cultivates Inner Sanctuary in “Secret Garden”
New Releases
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Weekly Favorites
CLOVER Transforms Pandemic Love Story into Dreamy Road Trip Anthem “Used to It”
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