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Denver Music Scene
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book-review
Weekly Favorites
Madeleine Rose Witney – “Struttin”: A Funk-Driven Love Letter to London’s Unchanging Characters
Weekly Favorites
Charlotte OC – “Cider and Black”: The Performance Art of Self-Destruction
Weekly Favorites
The Probies – “My Paradise”: Invitation to the Void
Weekly Favorites
Anna Duboc – “Indigo” Review: Teenage Wisdom Earned Too Early
Weekly Favorites
Fairy Tales Reimagined as Industrial Vengeance: ABNORM’s “GIANT” Stomps Into Mythological Territory
Weekly Favorites
Islands of Resistance: SAVAK’s “No Man’s Island” Navigates Late-Capitalism’s Troubled Waters
Weekly Favorites
Creature Becomes Creator: Koshari’s “I Am Life” Reclaims Otherness Through Slowcore Defiance
Weekly Favorites
Shrimp Planet’s “Constance” Navigates Matrimonial Waters with Wistful Precision
Weekly Favorites
Thom Chapman’s “Velvet” Weaves a Psychedelic Portrait in Fuzz
Weekly Favorites
AK Patterson Turns Historical Horror into Modern Catharsis on “Morticia”
Weekly Favorites
Svaerd Cultivates Inner Sanctuary in “Secret Garden”
New Releases
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Weekly Favorites
CLOVER Transforms Pandemic Love Story into Dreamy Road Trip Anthem “Used to It”
New Releases
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Weekly Favorites
Breaking Cycles: Ella Jinks Confronts Stagnation on “The In Between”
New Releases
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Weekly Favorites
Famous Friend Makes Sweet Poison from Childhood Memories
Weekly Favorites
Stephen McCorry’s “Rosie” Explores the Hazy Lines Between Performance and Connection
New Releases
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Weekly Favorites
Beautiful Ugliness: Seth Quinn Processes Tragedy Through Artistic Lens
Weekly Favorites
“Beauty In The Broken” – Laura Baron Transforms Vulnerability into Folk Poetry
Weekly Favorites
“Chase the River” – Andrea Magee Crafts Celtic-Tinged Solitude Through Ancient Instruments
Weekly Favorites
Sulfur and Sludge: Chris Lorraine Drags Love Through the Inferno
Weekly Favorites
Last Call from Nowhere: Illiterate Light’s Roadside Redemption
Weekly Favorites
Sisters’ Rage: Flames of Durga Turn Near-Death into New Life
Weekly Favorites
ECHLO Blurs Romantic Lines Through a Double-Vision Haze
Weekly Favorites
Bay Area’s Dane Schumacher Defuses Genre Boundaries on ‘Timebomb
Uncategorized
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Weekly Favorites
The Art of Connection in ‘I Think I Know You’
Album Reviews
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Weekly Favorites
Album Review: Bertie Newman – Precipice EP
Weekly Favorites
Charli Lark – “Walking On A Dream” (Empire of the Sun Cover): Reimagined Dreamscapes
Weekly Favorites
Gregory Ackerman – “Luckier Still”: Machine Dreams and Human Schemes
Weekly Favorites
Choosing Sides – “Penelope”: A Toxic Love Affair Set to Power Chords
Weekly Favorites
Charm of Finches – “Middle Of Your Mess”: Dissecting Toxic Friendship
Weekly Favorites
Erica Dee Mah – “The Garden”: An Ode To Cultural Preservation
Weekly Favorites
Maddison McKinley – “House to Hold”: Reflecting On Love’s Fragile Foundation
Album Reviews
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Weekly Favorites
Album Review: PEGGY – DEAR READER EP
Weekly Favorites
Surtsey – “Knot to Force”: Indie Twang for the Perpetually Befuddled
Weekly Favorites
Samantha Margret – “Remind Myself of You”
Weekly Favorites
Alyssa DVM – “Let Me Hate You”: An Aching Anthem
Weekly Favorites
Alma Leta – “In the Light”: From Shadow to Self
Weekly Favorites
Devereaux – “Mel” feat. Shirlé Hale: A Chillwave To Ride
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