B-Side Guys

Tag: art

Uncategorized

MEMORIALS – “Cut Glass Hammer”: Yoko Ono’s Gallery as Starting Point for Circular Dread
Weekly Favorites

Shintaro Sakamoto – “Is There A Place For You There?”: Suspicion as Survival Instinct
Weekly Favorites

The Whips – “Together In Agony”: The Breakup You’re Too Scared to Start
Weekly Favorites

Livingmore – “Resident Psycho”: Thin Walls and Thinner Patience
Weekly Favorites

Open Foe – “Playhouse”: When Domesticity Becomes a Haunted Game
Denver Music Scene, Weekly Favorites

Casually Committed – “Sacred Cyanide”: Breaking Free Through Controlled Chaos
Weekly Favorites

ApplesandApples – “The Unswept Floor”: Pelicans, Violins, and Shifting Perspectives
Weekly Favorites

SWOLL – “Do You Know What’s Changed?”: Fading Identity in Synthetic Light
Album Reviews, Weekly Favorites

Album Review: Dewey Kincade – The Dark Ages
Album Reviews, Weekly Favorites

Album Review: Jennifer Harper – Soul Alive
Weekly Favorites

Eve Goodman + SERA – “Blodyn Gwyllt”: Welsh Language Revival Through Folk Collaboration
Weekly Favorites

A$H. – “Low Key”: Memphis Soul and the Art of Strategic Restraint
Weekly Favorites

Belle Shea – “Vetiver Days”: Fragrance as Temporal Marker
Weekly Favorites

Island Wastrel – “The Haunting”: Institutional Memory as Musical Archaeology
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OSANI – “Americas”: National Anthems as Underground Ammunition
Weekly Favorites

Shabason, Krgovich, Tenniscoats – “Our Detour”: Accidents as Architecture
Weekly Favorites

Ponzi – “Birmingham”: Flight Without Destination
Weekly Favorites

Jamie Leeming’s “Thinking of Yesterday”: Vintage Memory Processing
Weekly Favorites

Lael Summer’s “I Need A Man”: Posthumous Defiance Through Disco Revival
Weekly Favorites

CLENNON’s “Drowning”: Kingston to Toronto Queer Migration
New Releases, Weekly Favorites

Jon Lindsay’s “Dear Assassin”: Theatrical Pop as Visual Prophecy
Weekly Favorites

Dead Tooth’s “Jack Dawson”: Pandemic Revisionism and Post-Punk Desperation
Weekly Favorites

boci’s “the lake”: Witnessing the Dissolve
Weekly Favorites

Economic Exile: Nogonomas! Map the Geography of Generational Rage
Weekly Favorites

Futile Gestures: Kaigara’s “Mango Tree” Plants Hope in Hostile Territory
Weekly Favorites

Heritage as Compass: Tenise Marie’s “Glitter” Sparkles With Hard-Earned Authenticity
Weekly Favorites

Fake Nostalgia as Genuine Art: Slumber Celebrates the Eras We Never Lived
Weekly Favorites

Accidental Discovery: Ok If Not Masters the Art of Almost-Connection
Weekly Favorites

Divine Algorithms: Born Ruffians Channel Digital Disillusionment on “Athena”
Weekly Favorites

Identity Taxation: Darker Lighter’s “Be” Tallies the Cost of Authentic Existence
Weekly Favorites

Funeral Planning and False Intimacy: xogoodbye.’s “empty bottles” Confronts Emotional Exploitation
Weekly Favorites

Vagabond Funk: Ries Brothers Channel Restless Wanderlust on “Destination Unknown”
Weekly Favorites

Temporal Fragments: Linoleumville’s “to see you and talk” Weaves Literary and Musical Disintegration
Weekly Favorites

Moral Paradoxes: eggcorn’s “Hitler Was a Vegetarian” Dismantles Dualistic Thinking
Weekly Favorites

Linguistic Liberation: Nadeem Din-Gabisi’s “Enter Claim” Reclaims Cultural Identity Through Code-Switching
Weekly Favorites

Domestic Dissolution: Constellation Myths Maps the Geography of Marital Breakdown on “Spare Room”
Weekly Favorites

Natural Resurrection: RH Pioneers Find Renewal Through Landscape on “Growing Season”
Weekly Favorites

Desert Torment: Malibu Blackout Blends Western Psychedelia with Addiction’s Grip on “The Rack”
Weekly Favorites

Identity Heist: Knife Emoji Examines Personality Appropriation on “Doppelgang”
Weekly Favorites

Literary Perspective: SAVAK Contemplates Marginalia and Meaning on “Tomorrow And The Day After”