B-Side Guys
Home
Discover
New Releases
Album Reviews
Weekly Favorites
Festival Lineups
Playlists
Interviews
Subscribe
Submissions
Denver Music Scene
Tag:
art
Weekly Favorites
Shintaro Sakamoto – “Is There A Place For You There?”: Suspicion as Survival Instinct
Weekly Favorites
The Whips – “Together In Agony”: The Breakup You’re Too Scared to Start
Weekly Favorites
Livingmore – “Resident Psycho”: Thin Walls and Thinner Patience
Weekly Favorites
Open Foe – “Playhouse”: When Domesticity Becomes a Haunted Game
Denver Music Scene
,
Weekly Favorites
Casually Committed – “Sacred Cyanide”: Breaking Free Through Controlled Chaos
Weekly Favorites
ApplesandApples – “The Unswept Floor”: Pelicans, Violins, and Shifting Perspectives
Weekly Favorites
SWOLL – “Do You Know What’s Changed?”: Fading Identity in Synthetic Light
Album Reviews
,
Weekly Favorites
Album Review: Dewey Kincade – The Dark Ages
Album Reviews
,
Weekly Favorites
Album Review: Jennifer Harper – Soul Alive
Weekly Favorites
Eve Goodman + SERA – “Blodyn Gwyllt”: Welsh Language Revival Through Folk Collaboration
Weekly Favorites
A$H. – “Low Key”: Memphis Soul and the Art of Strategic Restraint
Weekly Favorites
Belle Shea – “Vetiver Days”: Fragrance as Temporal Marker
Weekly Favorites
Island Wastrel – “The Haunting”: Institutional Memory as Musical Archaeology
Weekly Favorites
OSANI – “Americas”: National Anthems as Underground Ammunition
Weekly Favorites
Shabason, Krgovich, Tenniscoats – “Our Detour”: Accidents as Architecture
Weekly Favorites
Ponzi – “Birmingham”: Flight Without Destination
Weekly Favorites
Jamie Leeming’s “Thinking of Yesterday”: Vintage Memory Processing
Weekly Favorites
Lael Summer’s “I Need A Man”: Posthumous Defiance Through Disco Revival
Weekly Favorites
CLENNON’s “Drowning”: Kingston to Toronto Queer Migration
New Releases
,
Weekly Favorites
Jon Lindsay’s “Dear Assassin”: Theatrical Pop as Visual Prophecy
Weekly Favorites
Dead Tooth’s “Jack Dawson”: Pandemic Revisionism and Post-Punk Desperation
Weekly Favorites
boci’s “the lake”: Witnessing the Dissolve
Weekly Favorites
Economic Exile: Nogonomas! Map the Geography of Generational Rage
Weekly Favorites
Futile Gestures: Kaigara’s “Mango Tree” Plants Hope in Hostile Territory
Weekly Favorites
Heritage as Compass: Tenise Marie’s “Glitter” Sparkles With Hard-Earned Authenticity
Weekly Favorites
Fake Nostalgia as Genuine Art: Slumber Celebrates the Eras We Never Lived
Weekly Favorites
Accidental Discovery: Ok If Not Masters the Art of Almost-Connection
Weekly Favorites
Divine Algorithms: Born Ruffians Channel Digital Disillusionment on “Athena”
Weekly Favorites
Identity Taxation: Darker Lighter’s “Be” Tallies the Cost of Authentic Existence
Weekly Favorites
Funeral Planning and False Intimacy: xogoodbye.’s “empty bottles” Confronts Emotional Exploitation
Weekly Favorites
Vagabond Funk: Ries Brothers Channel Restless Wanderlust on “Destination Unknown”
Weekly Favorites
Temporal Fragments: Linoleumville’s “to see you and talk” Weaves Literary and Musical Disintegration
Weekly Favorites
Moral Paradoxes: eggcorn’s “Hitler Was a Vegetarian” Dismantles Dualistic Thinking
Weekly Favorites
Linguistic Liberation: Nadeem Din-Gabisi’s “Enter Claim” Reclaims Cultural Identity Through Code-Switching
Weekly Favorites
Domestic Dissolution: Constellation Myths Maps the Geography of Marital Breakdown on “Spare Room”
Weekly Favorites
Natural Resurrection: RH Pioneers Find Renewal Through Landscape on “Growing Season”
Weekly Favorites
Desert Torment: Malibu Blackout Blends Western Psychedelia with Addiction’s Grip on “The Rack”
Weekly Favorites
Identity Heist: Knife Emoji Examines Personality Appropriation on “Doppelgang”
Weekly Favorites
Literary Perspective: SAVAK Contemplates Marginalia and Meaning on “Tomorrow And The Day After”
Weekly Favorites
Between Borders: Eli Carvajal’s “Stretch Marks” Traces Love’s Fragmentary Remains
Weekly Favorites
Small Documents of Existence: Night Hawk’s “Paper Receipts” Bottles Midnight Reflections
Weekly Favorites
Analog Devotion: Bobby T. Lewis Questions Reality Through Lo-Fi Minimalism
Weekly Favorites
Transcontinental Rhythm: Jahan Nostra & Samir Forge Transatlantic Hip-Hop Alliance
Weekly Favorites
Electrical Intensity: LVYN GTS Harnesses Relationship Turbulence in “Storm Clouds”
Weekly Favorites
Ceremonial Cleansing: Fintan McKahey’s “Higher Place” Transforms Emotional Purging into Sonic Ritual
Weekly Favorites
Pandemic Relics: The Velvoids’ “Don’t Die Young” Excavates Lockdown Poetry from Athens Underground
Weekly Favorites
Islands of Resistance: SAVAK’s “No Man’s Island” Navigates Late-Capitalism’s Troubled Waters
Weekly Favorites
Fault Lines and Freedom: Vic Atlas’s “FAITH” Documents Political Displacement Through Digital Resistance
Weekly Favorites
Identity Reinvention: The Southern Dukes’ “Free Man” Marries Prison Break Narrative with Band Rebirth
Weekly Favorites
Activist Shoegaze: How Soot Sprite’s “Days After Days” Reclaims Hope From Catastrophe’s Jaws
Weekly Favorites
Bedroom Anthem: Spinafex’s “Neverland” Elevates Morning Dread to Indie Pop Perfection
Weekly Favorites
Cultural Crossroads: Devantier Rain’s “PHANTOM OF THE DRAMA” Reimagines BoomBap Through a Diasporic Lens
Weekly Favorites
Fatherhood’s Crossroads: Egentid’s “Better Man” Balances Hope and Doubt in Delicate Equilibrium
Weekly Favorites
Weaponized Rhythm: Phwoar’s “Surge” Channels Political Discontent Into Dance-Punk Catharsis
Weekly Favorites
Industry Vertigo: Remy Smith’s “Short Ride Down” Deconstructs Music’s Disposable Culture
Weekly Favorites
Northern Lament: Blue Dust’s “Burning Forest” Channels Environmental Grief Through Crystalline Dream Pop
Weekly Favorites
Chemical Dissolution and Disco Floors: Analog Dog’s “get U hi*]” Distills San Francisco’s Essence
Weekly Favorites
Sweet Disillusionment: The Ricters Dissect Ephemeral Romance on “Candy”
Weekly Favorites
Heavy Delicacy: How Iress Reconstructs Eilish’s Fragile Question
Weekly Favorites
Light Chasing Shadows: Noya Sol’s “Through the Blues” Excavates Emotional Depths
Weekly Favorites
Headlights Off: Tessa Dalton’s “Dark & Pretty” Illuminates Destructive Attraction
Weekly Favorites
False Foundations: eliza elliott’s “Grounded” Discovers Instability in Supposed Certainty
Weekly Favorites
Weaponized Charm: Rebel Rae’s Deceptive Grin Cuts Through “Don’t Let the Smile Fool Ya”
Weekly Favorites
Lockdown Mirrors and Closed Doors: The Feather’s “You and I” Captures Isolation’s Dual Nature
Weekly Favorites
Lucille Two’s “Pixels” Transforms Digital Alienation into Dream Pop Catharsis
Weekly Favorites
Unbelievable Truth’s “Madison” Excavates Old Wounds with Renewed Passion
Weekly Favorites
Brent de la Cruz’s “TBD” Charts New Territories in Emotional Cartography
Album Reviews
,
Weekly Favorites
Album Review: Marcus: The Apex Predator! – Newborn Fossil EP
Album Reviews
,
Weekly Favorites
Album Review: Crash & the Crapenters – Species Du Faeces EP
Weekly Favorites
cka FLAX’s “skinny skinny” Weighs the Cost of Beauty Standards
Weekly Favorites
Elle Belle Explores Personal Mythology on “Me, Timbers”
Weekly Favorites
Two-Man Giant Squid Turns Creative Paralysis into Post-Punk Gold
Weekly Favorites
Animal Scream Crafts Nocturnal Poetry with “A Tiny Love”
Weekly Favorites
Between Two Skies: ARK IDENTITY and Double Wish Find Liberation in Liminal Space
Weekly Favorites
Captain Highside’s “YOU FLOATED ON” Explores the Architecture of Loss
Weekly Favorites
Lindsay White Crafts Time-Traveling Elegy on “Time Machine”
New Releases
,
Weekly Favorites
CJ Wiley Turns Survivor’s Guilt into Scorching Americana
Weekly Favorites
KOWARI and Benni Paint Grief in Watercolors on “Mori”
Weekly Favorites
Dreams Deferred: Mike Leon Steps Out Front with Clear-Eyed Realism
Weekly Favorites
Nocturnal Chaos: Skinner Brings No-Wave Energy to Sleep-Deprived Dublin
Weekly Favorites
When Memory Meets Melody: Mechanical Wonders’ Debut Bridges Past and Present
Weekly Favorites
Cross-Continental Currents: Gitkin’s Genre-Defying Groove
Weekly Favorites
Basel’s Beautiful Blur: Alexia Thomas Dissolves Reality’s Edges
Weekly Favorites
The Warlochs Shape Raw Materials into Sonic Sculpture on ‘Clay’
Weekly Favorites
Moon Hound’s ‘Untitled Shadow Song’ Captures the Beautiful Mundanity of Urban Isolation
Uncategorized
,
Weekly Favorites
Edgar Everyone – “U PUSH ME”: Dancing Through Dimensions
Weekly Favorites
AI Conductor – “Can you see me now”: Digital Tears In A Silicon Valley
Weekly Favorites
Hundred Plus Club – “Gobsmacked”: Synth-Soaked Melancholy
Album Reviews
,
Weekly Favorites
Album Review: Camille Schmidt – Good Person EP
Weekly Favorites
Specific Coast – “The You In Me”: Friendships Forever
Weekly Favorites
tripliciti – “Memento Vivere”: A Masterclass In Guitar Alchemy
Weekly Favorites
Drew White – “What I Have”: Confronting The Fear Of Loss
Weekly Favorites
VANDALISBIN – “White Girls”: Confronting Prejudice in Queer Dating
Weekly Favorites
ttypes & Bilko & .Shi – “Françoise’s Glow”: A Spellbinding Tale
Weekly Favorites
Eden Rain – “All Things Change”: Love Amidst Adversity
Weekly Favorites
HOKO – “Ephemera”: A Pop-Rock Reverie
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here:
Cookie Policy
Subscribe
Subscribed
B-Side Guys
Join 84 other subscribers
Sign me up
Already have a WordPress.com account?
Log in now.
B-Side Guys
Subscribe
Subscribed
Sign up
Log in
Report this content
View site in Reader
Manage subscriptions
Collapse this bar