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Denver Music Scene
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Mary Ocher – “The Dance”: Longing as a Dangerous Addiction
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MEMORIALS – “Cut Glass Hammer”: Yoko Ono’s Gallery as Starting Point for Circular Dread
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Weekly Favorites
KENTON – “Let Light In” (Live): Forfeiting Wars You Can’t Win
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Weekly Favorites
Ocean TisdOcean Tisdall – “Jealous”: The Dog That Stayed at the Grave
Album Reviews
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Weekly Favorites
Album Review: Chris Rusin – Songs From A Secret Room
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Norfolk Island Pines – “Rollin’”: Landscapes Without Language
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Weekly Favorites
The Transference – “Ramone Says I’m the Devil”: When Angels Question Their Assignments
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Existential Disco: Beach for Tiger’s “I Don’t Wanna Stay” Dances Through Quarter-Life Crisis
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David Laborier – “The Smoothness of You” Review: Luxembourg’s Jazz-Funk Architect Builds Bridges
Denver Music Scene
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Local Scene
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Isaac Martinez – “Cedar Road”: The Geography of Delayed Adolescence
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New Monarchy – “Ghost”: The Haunting Logic of Being Ignored
Album Reviews
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Album Review: Tom McGuire & the Brassholes – A Name For Everything I’ll Ever Be
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