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Denver Music Scene
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Daily Features
Album Reviews
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Weekly Favorites
Album Review: Color Palette – Zombie EP
Album Reviews
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Album Review: Lola Consuelos – Sorry, it’s all about me EP
Album Reviews
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Album Review: Bunch of Others – CURIOSITY
Weekly Favorites
Felix Raphael – “Patience (every step feels right in time)”: Grounding Through Motion
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Ojahara – “The Days”: Cycles Without Exit
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John Kolar – “Color Blind”: When Both Truths Collide
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Manic Wave – “Morphinomania”: Prescription for National Numbness
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Dominique Fils-Aimé – “Going Home”: Wherever You End Up
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Henry Grace – “California Rain”: Distance Measured in Rainfall
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Shintaro Sakamoto – “Is There A Place For You There?”: Suspicion as Survival Instinct
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Hélianthème – “Le Pêcheur & Le Dôme De Verre”: Maritime Mythology Rewritten
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STAHR – “Loving Friend”: The Rage and Grace of Letting Go
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Trip Tease – “Palcon Funch”: Neon Haze and Memory Drift
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Coyle Girelli – “Out of this Town”: When Geography Becomes Destiny
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Mint Condish – “Rat Utopia”: Combing Your Hair While Society Collapses
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Sisters – “I Can’t See”: Liverpool’s Dreamy Post-Punk Arrives
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Estella Dawn – “You Didn’t Text Me”: When Sympathy Curdles Into Clarity
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The Whips – “Together In Agony”: The Breakup You’re Too Scared to Start
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Neil Haverty – “What I Don’t Need”: The Paradox of Refusing Care While Offering It
Weekly Favorites
Horsewreck – “Only Words”: Self-Production as Statement of Intent
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Eliza Noxon – “You”: Grief as Inescapable Loop
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SNACKTIME – “God Only Knows”: Reimagining Brian Wilson Through D’Angelo’s Lens
Uncategorized
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Weekly Favorites
Ocean TisdOcean Tisdall – “Jealous”: The Dog That Stayed at the Grave
Album Reviews
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Weekly Favorites
Album Review: Fox Run Sounds – Yuh O! EP
Album Reviews
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Album Review: Yo – Carmina Alegría
Album Reviews
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Album Review: sleepy soph – lucky EP
Album Reviews
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Album Review: Georgia Scarlett – Rhythm of Life
Album Reviews
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Album Review: Flash Poetry – Reality, Now
Weekly Favorites
The Kunins – “The Sorrow You Are Drawn To”: Lightning Bolts After a Decade of Silence
Denver Music Scene
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Weekly Favorites
Anthony Ruptak – “Phantasmagoria”: Cataloging Collapse in Real Time
Weekly Favorites
Basciville & Ailbhe Reddy – “Your Own Head”: The Cost of Keeping Others Happy
Weekly Favorites
Blue Tomorrows – “Owl Creek Blues”: Letter Written in Tape Hiss and Piano Wobble
Weekly Favorites
Livingmore – “Resident Psycho”: Thin Walls and Thinner Patience
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ARK IDENTITY – “Deluxe Nightmare”: Childhood Terror as Sonic Architecture
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Mike Leon – “Take A Chance”: The Regret of Safe Choices
Weekly Favorites
Estella Dawn – “Conversations”: The Exhaustion of Explaining Your Worth
Weekly Favorites
Bad Flamingo – “The Fruit”: Eden Reimagined as Inevitability
Weekly Favorites
No Lonesome – “Good Hurt”: DIY Urgency Meets Lo-Fi Crunch
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Julian Taylor and Jim James – “Don’t Let ‘Em (Get Inside of Your Head)”: Solidarity as Shield
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Luke Pacuk – “Death Has Found Us”: Mourning What We’ve Become
Weekly Favorites
Rooskin – “Kent Comes Into View”: Geography as Conversation
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Cole Dine – “Evergreen”: Cataloging Love Before It Changes
Album Reviews
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Weekly Favorites
Album Review: Benjamino – Cucino
Album Reviews
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Album Review: ILUKA – the wild, the innocent, & the raging
Album Reviews
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Album Review: Slow Coast – Home of the Restless
Album Reviews
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Album Review: Amelie Jat – NONCHALANT
Album Reviews
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Uncategorized
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Weekly Favorites
Album Review: Chris Rusin – Songs From A Secret Room
Album Reviews
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Album Review: Giuseppe Cucè – 21 Grammi
Album Reviews
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Album Review: Common Jack – It Would Be Enough
Album Reviews
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Album Review: NIGHT FLIGHT – Exit Stage Left
Album Reviews
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Album Review: Luke Pacuk – 1983
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Akanimo – “Relaxation Electric”: Finding Calm in the Synthetic
Weekly Favorites
Estella Dawn – “Drunk & Messy”: The Relief of Being Seen Through
Weekly Favorites
交易子 – “地狱高速路”: Genre Collision at High Speed
Weekly Favorites
Late Cambrian – “Into The Lilac Tree”: Romance From the Perspective of Forever
Weekly Favorites
pets – “elevator”: Waiting for Doors That Won’t Open
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Fulton Lights – “These Notes Don’t Break”: Descending Into the Fog
Weekly Favorites
Henry Grace – “Things”: Love Remembered Through Layers of Sound
Weekly Favorites
Little Angry & The Sweets – “Modified Love Song”: Desire as Disorientation
Weekly Favorites
Stefan J. Selbert – “Good and Worn”: The Rancher’s Inventory of What Remains
Weekly Favorites
Savanna Leigh – “for your entertainment”: Surrendering Control as a Radical Act
Weekly Favorites
Yilian Cañizares – “Vamos a Florecer”: The Fierce Gentleness of Desert Blooms
Weekly Favorites
KRAMON – “Change” (feat. Meredith Adelaide & Josh Kramon): Accepting the Inevitable Without Understanding It
Album Reviews
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Weekly Favorites
Album Review: Billy Peake – Manic Waves
Weekly Favorites
Blanket Approval – “Berlin Blues”: The Anxiety of Going Nowhere Fast
Weekly Favorites
Sensor Noise – “California Sober” (feat. Allseeingpharaoh): The Dangerous Optimism of Half-Measures
Weekly Favorites
Saint Avangeline – “Carolina Creature”: Memory Through a Gothic Lens
Weekly Favorites
My Girls – “In Place”: The Suffocating Comfort of Everything Being “OK”
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Open Foe – “Playhouse”: When Domesticity Becomes a Haunted Game
Weekly Favorites
Housecats – “Nobody Knows”: Irish Soul-Rock That Understands the Ache of Departure
Weekly Favorites
RIVER – “I AM CANCER”: The Paradox of Self-Protection as Self-Sabotage
Denver Music Scene
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Weekly Favorites
Casually Committed – “Sacred Cyanide”: Breaking Free Through Controlled Chaos
Album Reviews
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Weekly Favorites
Album Review: Drift City – Spectral Heart Mosaics EP
Weekly Favorites
Tender Glue – “My Sweetest Tone”: Resilience Recorded in a Studio Apartment
Weekly Favorites
Slugfeast – “Heavy Heart”: When the Weight Becomes the Music Itself
Weekly Favorites
Madeleine Rose Witney – “Struttin”: A Funk-Driven Love Letter to London’s Unchanging Characters
Weekly Favorites
The Altered Hours – “Such a Steal”: Overwhelmed by Breeze and Beauty
Weekly Favorites
Livingmore – “Hurting”: Pain as Vocabulary Failure
Weekly Favorites
Too Late, But Still – “Feedback City”: Cataloging Loss Through Object Inventory
Album Reviews
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Weekly Favorites
Album Review: Sophie Lilah – Busy Being in Love
Album Reviews
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Album Review: Jordan K – Take Our Time
Album Reviews
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Album Review: Caleb L’Etoile – PS
Weekly Favorites
ApplesandApples – “The Unswept Floor”: Pelicans, Violins, and Shifting Perspectives
Weekly Favorites
Sun Within – “Synthesis + Realization”: Trauma Physics Meet Post-Hardcore Fury
Weekly Favorites
SWOLL – “Do You Know What’s Changed?”: Fading Identity in Synthetic Light
Weekly Favorites
Bear, Man Dangerous – “When We Cease to Understand the World”: Cosmic Collapse as Political Diagnosis
Album Reviews
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Weekly Favorites
Album Review: Paul Nourigat – Curious Directions
Album Reviews
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Weekly Favorites
Album Review: Kitty Coen – Conversations With The Moon
Album Reviews
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Album Preview: Bells Deep – Fog
Album Reviews
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Album Review: Kramies – Goodbye Dreampop Troubadour
Album Reviews
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Weekly Favorites
Album Review: Labit – SOL
Weekly Favorites
Blue Tomorrows – “Colorado”: Lullabies Built from Salvaged Machines
Weekly Favorites
Tender Glue – “You Are Tennessee (Time Machine)”: Gratitude in VHS Colors
Weekly Favorites
William Hinson – “Keaton”: Grief as Persistent Presence
Weekly Favorites
Dakota Dry – “Why Can’t You Free Me”: Geological Erosion as Emotional Architecture
Weekly Favorites
Peter Litvin – “Okay Alright”: Shrugging Through the Chaos
Weekly Favorites
Amelia Coburn – “Something Wild”: Domestic Life as Cage, Wolf as Liberation
Weekly Favorites
Phwoar – “So Much Better”: Birmingham’s Snarling Diagnosis
Weekly Favorites
B. Miles – “Five Alarm”: Controlled Burns and The Strokes
Weekly Favorites
Band of 4 – “A Sense Of Wonder”: Digital Violence as Dance Floor Fuel
Weekly Favorites
Lettuce – “Breathe”: Funk Meditation on October Streets
Weekly Favorites
Juppe – “Seasick”: The Intimacy of Enthusiastic Rambling
Weekly Favorites
ARK IDENTITY – “I’m Still The Same”: Finding Stillness in Sidewalk Cracks
Album Reviews
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Weekly Favorites
Album Review: WaterPenny – Buttons For People
Album Reviews
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Weekly Favorites
Album Review: Sunny Luwe – Feeling Good
Album Reviews
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Weekly Favorites
Album Review: Morning Wars – Prospect Gallery
Album Reviews
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Weekly Favorites
Album Review: Goodbye, Beautiful and Tara Craig – Flood The Zone / Gilded Bastards
Album Reviews
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Album Review: PEGGY – COMING OF AGE EP
Album Reviews
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Album Review: Love Ghost – Gas Mask Wedding
Weekly Favorites
Big Sleep – “Don’t You Wanna”: Dublin’s Defiant Invitation
Weekly Favorites
Packaging – “On Holiday” (feat. Sugar Candy Mountain): Love as Inseparable Presence
Weekly Favorites
Kara Cole – “Black Cadillac”: Indianapolis Songwriter Confronts Childhood Trauma Through Alt-Country Directness
Weekly Favorites
Trash Man – “Eventually”: Nashville Songwriter Pairs Mortality Dread With Hoagie-Making Tutorial
Weekly Favorites
Imani Wj Wright – “So I Thought”: Baltimore Polymath Dissects Relationship Drift Through Neo-Soul Fragmentation
Weekly Favorites
Del Roscoe – “Black Hats”: Atlanta Band Crafts Handmade Warning Against Authoritarianism
Weekly Favorites
Lily DeTaeye – “Maybe It’s November”: Iowa Songwriter Mistakes Seasonal Depression for Heartbreak
Weekly Favorites
néomí – “Sit Back Baby”: Dutch-Surinamese Songwriter Finds Strength in Therapeutic Acceptance
Weekly Favorites
Ace of Wands – “Magical Mind”: Toronto Trio Personifies Creative Block as Failing Relationship
Album Reviews
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Weekly Favorites
Album Review: Chris Portka – The Album Everyone Wants
Album Reviews
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Weekly Favorites
Album Review: SOZI – DREAM EP
Album Reviews
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Weekly Favorites
Album Review: Jaden Sade – Tidal Wave
Album Reviews
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Weekly Favorites
Album Review: Amit Rai Sharma – Bnju
Album Reviews
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Weekly Favorites
Album Review: Spencer Sanders – Almanac
Album Reviews
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Weekly Favorites
Album Review: Dewey Kincade – The Dark Ages
Album Reviews
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Weekly Favorites
Album Review: Leanne Gallati – Not Your Type EP
Album Reviews
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Weekly Favorites
Album Review: Chloe Navarre – Periwinkle
Album Reviews
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Weekly Favorites
Album Preview: Goodnight House – Good Consumers
Album Reviews
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Weekly Favorites
Album Review: Brian Perrone – Bend Until It Breaks EP
Album Reviews
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Weekly Favorites
Album Review: Gobe – see through my eyes EP
Weekly Favorites
Count The Clock – “No Way Out”: LA Composer’s Bedroom Pop Collaboration Channels 1960s Craftsmanship Through Modern Vulnerability
Weekly Favorites
Radiator King – “Dream”: Adam Silvestri’s LA Transformation Yields Compassionate Hollywood Noir
Weekly Favorites
Specific Coast – “On My Way”: Matt Dunne’s Folk Pop Transforms Daily Routine Into Romantic Ritual
Weekly Favorites
Matt Sahadi – “A Child of the Rust Belt”: Nashville Transplant Reclaims Regional Identity Through Narrative Folk
Weekly Favorites
Silverset – “Akame”: Bay Area Trio Mines Romantic Possession for Funk-Influenced Indie Pop
Weekly Favorites
The Altered Hours – “Turn Away”: Cork Quintet Captures Pre-Date Anxiety in Straight-to-Tape Shoegaze
Weekly Favorites
Lunavela – “Middle Management Asshole”: New Zealand Songwriter Channels Workplace Rage Into Cathartic Emo Revival
Weekly Favorites
Madeleine Rose Witney – “Shine”: Kentish Town Torch Singer Weaponizes Retro Glamour Against Modern Vulnerability
Weekly Favorites
SIKADE – “body of water”: Oslo Harpist Transforms Moral Performance Into Shoegazing Catharsis
Weekly Favorites
Tim Carr – “Candy Sick”: Perfume Genius Collaborator Emerges From Tujunga Hideaway With Electronic Pop Confection
Weekly Favorites
Brad Heller – “Beyond Footprints and Silence”: Former Minor League Catcher Finds Cinematic Americana in Virginia Hills
Weekly Favorites
Mike and Mandy – “Perhaps, Perhaps, Perhaps”: LA Shakespeare Duo Transforms 1947 Standard Into Theatrical Trip-Hop
Weekly Favorites
Romi O – “Feeling the Heat”: “ADHD Music” Philosophy Yields Dance Floor Catharsis From Romantic Uncertainty
Weekly Favorites
Izzie Derry – “When Will It End”: Self-Produced Anthem Captures Modern Burnout With Surgical Precision
Album Reviews
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Weekly Favorites
Album Review: Jennifer Harper – Soul Alive
Album Reviews
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Weekly Favorites
Hilary Cousins – “Road To Corinth”
Album Reviews
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Weekly Favorites
Album Preview: CAR287 – Looking Through The Lens
Weekly Favorites
Juppe – “Fun! And How To Have It”: Finnish Songwriter Discovers Philosophy Through Funk and Playfulness
Weekly Favorites
The Moss – “Darkness”: Utah Quartet Returns After Year-Long Hiatus With Cyclical Relationship Meditation
Weekly Favorites
Bad Self Portraits – “All Bark, No Bite”: Omaha Band Transforms Maternal Trauma Into Cathartic Slacker Rock
Weekly Favorites
Lives Like Skyscrapers – “Behind My Eyes”: Seven-Piece Ottawa Collective Records Mental Health Anthem in 169-Year-Old Church
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