B-Side Guys

Few indie rock bands can claim their sound was shaped by two years living with the Orang Rimba tribe in Sumatra’s rainforests. Yet MONOTRONIC’s latest single “Everything Moves” reveals how founder Ramsey Elkholy’s anthropological background transforms seemingly simple dance grooves into something far more profound.

The track’s production embodies its creator’s philosophy that instruments should function as “a continuation of the other.” Each element – from the punchy drums to the electronic synths – weaves through the mix with the organic fluidity of a flowing river. This isn’t just clever studio work; it’s the musical manifestation of collective living principles Elkholy absorbed during his years backpacking through India and Southeast Asia.

What makes “Everything Moves” particularly compelling is how it translates complex cultural influences into immediately engaging indie pop. The NYC-born, LA-based collective proves that scholarly understanding of world music doesn’t have to result in academic exercises. Instead, their arrangement choices create pure kinetic energy, with groovy guitars and catchy keyboards serving as bridge-builders between Eastern and Western musical traditions.

The band’s commitment to true collectivism shines through in how each musician’s contribution simultaneously stands distinct and blends seamlessly into the whole. This balance between individual expression and group cohesion reflects Elkholy’s experiences studying Indian music in Calcutta – where he learned that tradition and innovation need not be opposing forces.

“Everything Moves” suggests that MONOTRONIC’s upcoming album “Waiting For You” will continue their mission of making deeply considered music that never forgets to make you move. For a band that views their output as “emanating from a single source,” they’ve created something that speaks to listeners across all cultural boundaries.