B-Side Guys

The walls of an abandoned house creak with meaning on Infinite Error’s “Plagued By Meaning,” where industrial rhythms and synthetic textures explore existential dread through nine tracks that question identity in the digital age. This concept album transforms philosophical inquiry about anonymity and existence into sonic architecture that both welcomes and unsettles its listeners, supported by narrative pieces scattered across Reddit that extend its themes beyond purely musical expression.

Opening with its instrumental title track, the album establishes its industrial-electronic foundation while leaving space for human elements to emerge. The production creates distinct rooms within this sonic house – each track occupies its own acoustic space while maintaining connection to the overall structure. Rather than relying on typical verse-chorus patterns, these compositions develop like exploring different areas of an abandoned building, where each new door reveals unexpected combinations of synthetic and organic sounds.

“In Lust” and “King Eater” form the album’s initial descent into questions of identity and technology. While the sound palette recalls Nine Inch Nails, the vocals take more restrained approach, allowing lyrical themes about digital existence to emerge clearly through layers of electronic manipulation. The production maintains careful balance between aggressive industrial elements and more contemplative ambient passages, creating tension between human presence and technological mediation.

“Birds Calling It Quits” marks the album’s emotional center, where questions about online anonymity transform into broader examination of human existence. The track’s structure mirrors its themes – electronic elements gradually overwhelm organic sounds until distinction between natural and artificial becomes meaningless. This sophisticated approach to arrangement serves the album’s philosophical inquiry into Nietzsche’s concept of the abyss staring back, suggesting technology itself has become that returning gaze.

“Belatedness” and “Puerile” explore different aspects of digital identity through contrasting sonic approaches. The former employs distance and reverb to create sense of technological alienation, while the latter uses intimate production techniques to examine how online personas affect real-world relationships. These tracks particularly resonate with the album’s central metaphor of a lived-in house, each sound carefully placed to suggest both comfort and unease.

The album’s conceptual depth reveals itself most clearly on “Derealizing,” where production choices directly serve philosophical themes about identity dissolution in digital spaces. Rather than simply using glitch effects for atmosphere, the track employs them strategically to illustrate how technology warps human subjectivity. The arrangement suggests what happens when pure negativity transforms into “negativity as positive presence,” as described in the project’s manifesto.

“Little Devils” demonstrates sophisticated understanding of how different sonic textures can suggest psychological states. The arrangement builds tension through careful layering of synthetic and organic sounds, creating atmosphere that enhances rather than obscures the song’s examination of technological mediation in human experience. The production mirrors the album’s central question about whether technology amplifies human subjectivity or fundamentally warps it.

Closing track “Causing You Worry” synthesizes the album’s various elements while introducing new sonic territory. The production creates space for both contemplation and intensity, allowing the album’s themes about identity and existence to reach natural conclusion without forcing resolution. This approach reflects the project’s broader inquiry into whether pure anonymity remains possible in our digital age.

Throughout these thirty-seven minutes, Infinite Error demonstrates remarkable ability to translate complex philosophical ideas into compelling musical experiences. Each track contributes to larger exploration of how technology affects human consciousness and connection. The sound design consistently serves these themes, creating environments that feel both familiar and unsettling.

The decision to spread narrative elements across Reddit forums adds meta-commentary to the album’s themes about digital identity and anonymity. This distribution method itself raises questions about authorship and authenticity that mirror the music’s philosophical concerns. The fragmented narrative approach extends the album’s metaphorical house into digital space, creating additional rooms for meaning to inhabit.

References to unmarked graves and species identification in the project’s accompanying text find sonic expression through production choices that blur lines between organic and synthetic sounds. The album’s industrial elements never overwhelm its human core, maintaining careful balance between technological mediation and emotional directness that serves its philosophical inquiry.

“Plagued By Meaning” succeeds not just as a cohesive collection but as complete artistic statement about existence in digital age. Each sonic choice supports broader examination of how technology transforms human experience and identity. The production throughout demonstrates sophisticated understanding of how electronic music can serve philosophical exploration without sacrificing immediate impact.

This haunted house of an album reveals new rooms with each listen, its sonic architecture creating space for both personal reflection and philosophical examination. By maintaining focus on human elements within electronic frameworks, Infinite Error creates something distinct from typical industrial or electronic music while engaging thoughtfully with both traditions. The result captures an artist grappling with fundamental questions about existence and identity in our increasingly digital world, creating music that rewards both emotional and intellectual engagement.