B-Side Guys

Wryn’s “Snake” emerges as a raw, uncompromising piece of lo-fi rock that transforms personal and collective trauma into a rallying cry for change. The track appears on their upcoming album “Shapes,” marking a significant evolution in both their artistic expression and personal identity.

The production, crafted alongside Bella Blasko (known for work with The National and Feist), creates an intentionally rough-hewn soundscape that matches the song’s urgent themes. The lo-fi approach serves not as an aesthetic choice but as an integral part of the narrative, with distortion and grit emphasizing the track’s emotional weight. This deliberate rawness in the recording process, with guitar and vocals captured live, adds an immediacy that amplifies the song’s message.

Wryn’s vocal delivery evokes comparisons to Sharon Van Etten while carving out its own distinct territory. Their voice moves from quiet contemplation to righteous fury, with dynamics that mirror the song’s themes of transformation and liberation. The production allows their voice to sit perfectly in the mix, neither buried nor overwhelming, creating an intimate connection with the listener.

The song’s imagery of snakes and shedding skin serves as a powerful metaphor for personal transformation, while references to holy water and hollow bodies create a compelling tension between religious imagery and secular rebellion. These elements combine to form a narrative about breaking free from systemic constraints, with the intensity of the music matching the weight of its themes.

“Snake” stands as a testament to music’s power as a vehicle for processing trauma and inspiring change. Through their unflinching examination of personal and societal issues, Wryn creates a piece that resonates with both individual and collective experiences of transformation. The result is a song that feels both deeply personal and universally relevant, marking a powerful new chapter in their artistic evolution.