B-Side Guys

Recording from her Los Angeles apartment after departing both band and label, Syd Taylor transforms personal upheaval into creative liberation on “Honeycomb,” a self-produced single that proves sometimes the best way forward is alone. The former Stereo Jane frontwoman demonstrates that 17 years of performance and songwriting experience translate beautifully to solo production.

The track opens in media res – “Left you at the party / Half past 3” – dropping listeners into a specific moment that expands into something universal. Taylor’s production choices support this intimacy, creating space for both vulnerability and quiet confidence in the arrangement.

Her Detroit roots and lifelong musical education shine through in the track’s careful balance of elements. The blend of analog and digital components creates a sonic landscape that feels both classic and contemporary, supporting Taylor’s exploration of an age-old theme: the dizzy early stages of falling for someone.

The chorus’s central metaphor of honeycomb perfectly captures the track’s sweet stickiness – the way new love clings to your thoughts and fills your hours. When Taylor sings “You could stick to me cuz you’re sweet like honeycomb,” the production emphasizes both the comfort and intensity of that attachment.

Small details accumulate throughout the song – sand-stained eyes, driveway conversations, highway journeys – creating a vivid portrait of romance’s early stages. Taylor’s production choices allow these moments to land with proper weight, never overwhelming their natural intimacy.

The bridge’s confession “I could be here the rest of my life” carries extra resonance given Taylor’s recent career changes. The certainty in her voice suggests someone who has learned to trust her instincts, both in love and art. It’s a moment of vulnerability that feels earned rather than forced.

As the second single from her upcoming album, “Honeycomb” suggests Taylor’s transition from band member to solo artist is well underway. Her decision to handle both writing and production demonstrates a commitment to artistic control that matches the song’s emotional honesty.

The track’s structure builds naturally, adding layers while maintaining its essential intimacy. This approach showcases Taylor’s production skills, particularly her ability to know when to add elements and when to let moments breathe.

Having started her musical journey at age six on guitar and piano, Taylor brings deep understanding of songcraft to her new role as producer. “Honeycomb” stands as evidence that her artistic evolution continues, suggesting an exciting new chapter for this Detroit-raised, Los Angeles-based artist.