“Learjet, exempt LLCs, hunting friends” – the details pile up like campaign contributions in “Senator Senator,” a protest song that trades folk tradition’s broad strokes for surgical precision. Los Angeles-based D. Marin Perez has created a compelling indictment of political corruption that maintains its humanity by holding onto hope for reform.
The track’s musical evolution mirrors its lyrical complexity, building from stark verses into dynamic arrangements that support rather than overshadow the message. Perez’s background in religious hymns and 60s rock influences the song’s structure, creating a call-and-response pattern between pointed criticism and plaintive chorus.
Each verse delivers a carefully curated list of modern political excess: box suites, stock options, southern France. These specific details ground the song’s critique in tangible reality while the repeated plea of “would you do better ’cause I expect you to” transforms accusation into aspiration.

The production amplifies the tension between cynicism and hope. As the arrangements build in unexpected ways, they create a sonic landscape that matches the lyrical journey from observation to confrontation to appeal for change. It’s a delicate balance that Perez, drawing from his experience as a former minister and community organizer, handles with remarkable skill.
When Perez observes how “civil servants become millionaires,” his delivery suggests genuine curiosity beneath the obvious irony. The line “guess legislating makes you sexy to the moneyed class” lands with particular impact, combining sharp wit with serious critique. This ability to maintain both humor and gravity strengthens the song’s message.
The chorus’s simple repetition of “Senator senator” takes on different meanings with each iteration, shifting from address to accusation to appeal. This evolution is supported by the track’s dynamic arrangements, which add layers of complexity while maintaining the central focus on the lyrics.
As a Cuban-American musician exploring themes of politics and belonging, Perez brings valuable perspective to the tradition of protest music. His approach demonstrates how personal background – including experiences with family, religion, and community organizing – can inform political commentary without overwhelming it.
Through its careful attention to detail and refusal to abandon hope, “Senator Senator” transcends simple critique to become something more nuanced. The song’s ability to maintain this balance while building musical tension makes it particularly effective as both artistic statement and political commentary.
In crafting a protest song that acknowledges both corruption and the possibility of change, Perez has created something that feels both timely and timeless. It’s a reminder that effective political music can be specific without losing sight of universal themes, and critical without abandoning hope for better.

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