B-Side Guys

Some track titles demand immediate attention, and “Rabbit’s Got a Gun” delivers on its provocative name with a sophisticated blend of neo-soul textures. Drummer Henry Aberson demonstrates his strength as both collaborator and curator, bringing together vocalists Nariah Taylor and Brian Hargrove for a track that feels both carefully composed and effortlessly fluid.

As a drummer-led project, the track’s foundation naturally stems from Aberson’s rhythmic sensibility. But rather than dominating the mix with percussion, he creates space for his collaborators to breathe and bloom. It’s the kind of restraint that comes from years behind the kit, understanding when to drive and when to glide.

Taylor and Hargrove’s interplay adds layers of warmth to the composition, weaving through the instrumental backdrop like smoke through a jazz club. The production maintains that live-room feeling while adding just enough polish to make everything shimmer.

There’s something refreshing about a musician who understands their role as both anchor and enabler. Aberson’s work here suggests someone more interested in creating a complete sonic experience than showcasing individual virtuosity. This approach to collaboration feels particularly relevant in neo-soul, where the genre’s best moments often arise from careful curation rather than solo spotlights.

“Rabbit’s Got a Gun” stands as evidence that sometimes the most effective role a drummer can play is that of architect – building sturdy foundations and elegant frameworks for others to inhabit. In bringing together these particular voices and shaping this specific sound, Aberson proves himself as much producer as performer.