B-Side Guys

Henry Aberson’s latest track “Games” emerges as a sleek fusion of neo-soul and nu-jazz, featuring the talents of Nariah Taylor and Korey Keys. This collaboration showcases Aberson’s skills as a drummer and producer, creating a smooth backdrop for his guest artists to shine.

The track opens with a laid-back groove, Aberson’s precise drumming setting a foundation that’s both steady and subtly complex. Taylor’s vocals float effortlessly over the instrumentation, her South Dallas roots evident in the soulful inflections she brings to each phrase. Keys’ multi-instrumental prowess adds layers of depth to the arrangement, his experience with high-profile artists translating into polished, professional touches throughout.

Sonically, “Games” occupies a space somewhere between Erykah Badu’s earthy warmth and SAULT’s modern edge. The production is crisp and clean, allowing each element room to breathe while maintaining a cohesive overall sound. This approach creates an immersive listening experience that rewards attention to detail.

“Games” stands as a testament to the power of collaboration, with each artist bringing their unique strengths to the table. Aberson’s role as the architect of this sonic landscape is clear, but he wisely steps back to allow Taylor and Keys to take center stage when appropriate. The result is a track that feels both carefully crafted and organically evolved.

As a calling card for Henry Aberson’s production skills, “Games” is impressive. It suggests an artist with a clear vision and the ability to bring together diverse talents in service of that vision. For listeners seeking a fresh take on neo-soul and nu-jazz fusion, this track offers a smooth, sophisticated entry point.