B-Side Guys

HENRY ABERSON, the drummer-turned-producer, serves up “Needy” like a late-night jazz club confession, all smoky atmosphere and raw emotion. This track doesn’t just nod to neo-soul; it gives the genre a full-body embrace, then whispers sweet nothings in its ear.

Aberson’s percussion prowess is on full display, laying down a groove that’s as smooth as aged whiskey and twice as intoxicating. The beat doesn’t just keep time; it tells a story, each snare hit and cymbal crash a punctuation mark in a rhythmic narrative of desire and dependency.

The production is a masterclass in minimalism, with each element given room to breathe like a perfectly aged vintage. Sparse keys and muted horns weave around the vocals, creating a sonic tapestry that’s both lush and airy. It’s the musical equivalent of a perfectly tailored suit – nothing extraneous, everything essential.

Vocally, “Needy” channels the spirit of Erykah Badu on a particularly introspective night. The lyrics dance between vulnerability and strength, each line delivered with the kind of raw honesty that makes listeners feel like accidental eavesdroppers on a private moment.

“Needy” stands as a testament to HENRY ABERSON’s evolution from behind the kit to behind the boards. It’s a track that doesn’t just invite repeated listens; it demands them, revealing new layers of complexity with each spin. In a world of disposable pop, ABERSON has crafted something that lingers, like the last note of a saxophone solo hanging in the air of an empty club.