B-Side Guys

As we dive into the early days of summer, the music scene is already buzzing with a slew of fresh releases. June has arrived with an eclectic mix of sounds, capturing the essence of long, sun-soaked days and vibrant, electrifying nights. From anticipated returns to groundbreaking debuts, the first half of this month has been nothing short of a sonic adventure. Join me as I catch up on the latest tracks that have defined the start of June, showcasing a spectrum of genres and artists who are pushing the boundaries and redefining the landscape of modern music.

Phantom Sugar – “TOO PSYCHO”

Stevie Zita, the Canadian virtuoso behind Phantom Sugar, has once again proven his knack for crafting enchanting soundscapes with his latest release, “TOO PSYCHO.” This lo-fi rock gem is a testament to Zita’s ability to blend dreamy indie rock with a gritty, raw edge. From the moment the first chords hit, you’re drawn into a world where the intimate meets the anthemic, a delicate balance that Zita handles with masterful precision. His vocals, both mesmerizing and haunting, act as the perfect guide through this sonic journey.

With a sound somewhere in the realm of The Strokes, Car Seat Headrest, and Arctic Monkeys, “TOO PSYCHO” manages to carve out its own niche. The tracks are layered with lush guitars and infectious hooks that feel both familiar and refreshingly new. Zita’s lyrics weave tales of introspection and youthful angst, wrapped in melodies that refuse to let go. Each song flows seamlessly into the next, creating a cohesive narrative that keeps you engaged from start to finish. It’s an album that demands to be replayed, each listen revealing new nuances and depths.

The charm of “TOO PSYCHO” lies in its ability to captivate without pretense. Zita’s approach to lo-fi indie rock is unpolished yet deliberate, allowing the raw emotion of his music to shine through. This authenticity is what makes the album so addictive. It’s not just about the melodies or the lyrics; it’s about the feeling you get when you listen. Stevie Zita has crafted a collection of songs that resonate on a deeply personal level, ensuring that “TOO PSYCHO” will be a staple in your playlist for a long time to come.

French Cassettes – “When You Know, You Know”

French Cassettes’ latest single, “When You Know, You Know,” offers a delightful taste of their upcoming third album, Benzene. This San Francisco-based indie rock trio has crafted a tune that exudes a chill, happy vibe while seamlessly blending indie rock, alt-pop, and folk rock elements. The result is a track that feels both nostalgic and refreshingly modern. Lorenzo Scott Huerta’s songwriting shines through with heartfelt lyrics and a melody that hooks you from the first listen. With their tender-hearted sound and engaging live performances, French Cassettes are poised to make a significant impact this summer.

Drawing inspiration from the likes of Bread and Barry White, Huerta has created a song with a “feathery strum sound” that complements its introspective lyrics. The song’s narrative explores themes of love, patience, and the nuances of a developing relationship. Lines like “When you know you know / These things they tend to grow / I’m happy even though / you’re spending all the time we wasted” capture the essence of finding contentment in a slowly evolving romance. The track’s mellow groove and catchy chorus are bound to linger in your mind, making it a perfect addition to any summer playlist.

The charm of “When You Know, You Know” lies in its effortless blend of melody and emotion. French Cassettes have a knack for creating hyper melodic indie pop that feels both intimate and expansive. The song’s gentle strumming and Huerta’s earnest vocals create a warm, inviting atmosphere that invites repeated listens. As French Cassettes gear up for their album release and live performances, this single sets the stage for a promising new chapter in their musical journey. Whether you’re driving with the windows down or lounging at a summer festival, “When You Know, You Know” is the perfect soundtrack for those moments of quiet happiness and reflection.

Casey Frazier – “If We Grew Old”

Casey Frazier’s latest single, “If We Grew Old,” is a beautifully crafted exploration of Americana and indie rock, woven together with a moody, romantic undertone. Frazier, often described as a modern renaissance man, brings his multifaceted experiences and deep connection to nature into his music, creating a sound that is both expansive and intimate. The single’s lush instrumentation and heartfelt lyrics reflect his journey from the Rocky Mountains of Colorado to the vibrant music scene of Nashville, painting a vivid picture of love and the passage of time.

“If We Grew Old” captures the essence of Frazier’s songwriting prowess, with its tender melodies and evocative storytelling. The track’s chill, reflective vibe is perfectly complemented by Frazier’s soulful vocals, which convey a sense of longing and introspection. The song’s rich acoustic textures and subtle, yet impactful, production create an atmosphere that feels both nostalgic and hopeful. The depth and sincerity in Frazier’s performance make this single a standout in the contemporary Americana scene.

The charm of “If We Grew Old” lies in its ability to transport listeners to a place of serene contemplation. Frazier’s music, rooted in the vast landscapes of America, resonates with a sense of authenticity and emotional depth. As an artist who wears many hats, from visual artist to outdoorsman and father, Frazier’s multifaceted life experiences shine through in his work. This single is a testament to his talent for blending the traditional with the contemporary, offering a fresh take on Americana that is sure to captivate audiences and leave them eagerly anticipating his next release.

Ali Horn – “The Big Slowdown”

Ali Horn’s latest release, “The Big Slowdown,” is a hauntingly beautiful lament to lost love, seamlessly blending indie pop and dream pop elements. Accompanied by a stunning black-and-white video directed by long-time collaborator Chay Heney, this track is a nostalgic journey through heartbreak and longing. Horn’s melancholic vocals, set against brooding guitars, evoke a sense of introspection that is both captivating and deeply moving. The song’s moody atmosphere, reminiscent of The Flaming Lips, John Grant, and Richard Hawley, envelops the listener in a melancholic embrace.

The accompanying video, shot on an old 16mm Bolex film camera, adds an extra layer of depth to the song. The grainy footage, capturing metaphorical images of time and memory, enhances the nostalgic feel of the music. It’s as if we are peering through a lens of longing, seeing the past through a hazy, romantic filter. This visual component perfectly complements the song’s introspective nature, creating a multi-sensory experience that lingers long after the final note fades.

Horn’s ability to evoke such raw emotion through his music is truly captivating. The steady swing of the song casts a breezy summer air thanks to the gentle guitar strums and echoed effects. Lines like “I ain’t got no hopes or dreams but I’m trying to make the darkness light” showcase his talent for crafting introspective lyrics that resonate on a deeply personal level. With “The Big Slowdown,” Ali Horn proves once again that he is a master at creating heartfelt, melancholic songs that leave a lasting impact. This track is not just a song; it’s an experience, a journey through the depths of emotion and memory.

Stefan J. Selbert – “Dogs – Shane’s Version”

Stefan J. Selbert’s latest release, “Dogs – Shane’s Version,” is a poignant reflection on life, loss, and loyalty, wrapped in the earthy tones of folk and alt-country. As a cattle rancher in Los Alamos, California, Selbert brings an authenticity to his music that is as raw and unfiltered as the rugged landscape he calls home. The song opens with the striking line, “Bad dogs never seem to die and the good ones are gone too soon,” setting the tone for a deeply moving exploration of the bonds we share with our four-legged companions.

Selbert’s vocal delivery, steeped in the wisdom of lived experience, carries the weight of his storytelling with a sincerity that resonates profoundly. The track’s instrumentation is sparse yet evocative, with acoustic guitars and subtle harmonies providing a fitting backdrop to Selbert’s introspective lyrics. The blend of folk and country elements creates a soundscape that feels both timeless and immediate, inviting listeners into a world where every note and word is infused with genuine emotion.

“Dogs – Shane’s Version” stands out not only for its lyrical depth but also for its ability to evoke a vivid sense of place and memory. Selbert’s connection to the land and his life as a rancher imbue the song with an authenticity that is hard to find in contemporary music. This track is a heartfelt tribute to the enduring bonds of friendship and the inevitable passage of time, capturing the bittersweet beauty of life’s fleeting moments. Stefan J. Selbert has crafted a song that is as reflective as it is resonant, leaving a lasting impression long after the music fades.

Julia Logan – “Mirrors”

Julia Logan’s “Mirrors,” a standout track from her anticipated sophomore album Faraway Nearby, is a captivating blend of indie rock and dream pop, with touches of folk pop that evoke a sense of yearning and melancholy. Growing up on a small Swedish island and influenced by her experiences in southern California, Logan’s music captures the essence of both places with sincerity and warmth. Her voice, at once comforting and piercing, calls for simpler, more forgiving times in a world that feels increasingly chaotic. The track is produced by Daniel Bengtson, known for his work with First Aid Kit, and features contributions from accomplished musicians like Kyle Crane and Peter Morén.

“Mirrors” delves into themes of personal reflection and emotional turmoil, exploring the complexities of human longing and self-discovery. Logan’s evocative lyrics, such as “Had a chance to be honest / If I ever caught you / Got a lifetime of sorrows / But I’ve been running from you,” set the stage for a journey through introspection and acceptance. The song’s arrangement, rich with acoustic guitar and piano, creates a sonic landscape that is both intimate and expansive, perfectly complementing Logan’s heartfelt storytelling. The collaboration with producer Daniel Bengtson results in a sound that is both polished and deeply emotional, reminiscent of influences like Fleetwood Mac and Nick Drake.

Logan’s ability to convey raw emotion through her music is truly remarkable. “Mirrors” resonates with a sense of longing and hope, capturing the listener’s attention with its poignant melodies and reflective lyrics. Lines like “If I don’t like the ending / I’ll make something else just up for fun / I’m running through spaces and faces / I already know” highlight her talent for crafting songs that speak to universal experiences of fear, change, and the search for belonging. With “Mirrors,” Julia Logan not only solidifies her place in the contemporary indie scene but also leaves a lasting impression with her sincere and evocative approach to music. This track is a testament to her growth as an artist and her ability to create deeply resonant and timeless music.

ColourTelly – “Swimming” feat. ILLAMAN

ColourTelly’s latest track, “Swimming” featuring ILLAMAN, is a masterful blend of trip hop, neo-soul, and hip hop, creating a sound that is both soothing and thought-provoking. The South London electronic duo, composed of Evie Cunningham and Ollie Chubb, has crafted a song that encapsulates the essence of a lazy summer afternoon while delving into the deeper, more complex emotions of daily life. The trip hop beat, produced by Ollie, sets a dreamy, floating ambiance, perfectly complemented by Evie’s serene, jazzy vocals that speak to the feeling of being lost and stuck in the grind.

The track’s introspective lyrics, such as “I try to keep my head above water, / But some days the sun feels too bright,” capture the struggle of maintaining composure amidst internal chaos. Evie’s vocals provide a soothing counterpoint to the underlying tension, creating a delicate balance between calm and unrest. As the song progresses, ILLAMAN’s verses bring a raw, gritty edge, cutting through the mellow vibe with unfiltered honesty. His lines, like “Green light says ‘Go’, but I’m stuck in neutral,” encapsulate the feeling of being trapped despite external signals to move forward, adding a layer of depth and realism to the track.

“Swimming” stands out not only for its rich, layered production but also for its emotional resonance. The combination of Evie’s warm, comforting tones and ILLAMAN’s piercing, direct lyrics creates a powerful narrative of human experience. The song’s message of perseverance, encapsulated in the refrain “I just keep on swimming,” offers a sense of solidarity and strength. It’s a track that acknowledges the weight of internal struggles while providing a comforting reminder that you’re not alone in facing them. With “Swimming,” ColourTelly has delivered a song that is as uplifting as it is deeply reflective, showcasing their ability to merge genre influences into a cohesive and impactful piece of music.

Vacant Weekend – “Funny Dad”

Manchester-based trio Vacant Weekend return with “Funny Dad,” a reflective and emotive track that serves as the second glimpse into their forthcoming EP. Known for their buoyant indie rock and pop sound, the band—comprising three lifelong friends—channels raw emotion into this song, which they describe as the closest thing they have to a ballad. The bright indie guitar instrumentation, combined with lead singer Alex’s unique and captivating vocal style, conjures images of sunlit road trips and carefree summer drives. Yet, beneath its vibrant surface, “Funny Dad” dives into themes of loss and indifference, reflecting a stream-of-consciousness lyrical style born from their organic creation process.

“Funny Dad” showcases Vacant Weekend’s ability to write with openness and vulnerability, a privilege they attribute to their strong bond as friends. The band describes the track as “raw emotion poured into sound,” capturing the essence of their collaborative spirit. The lyrics are sparse yet profound, fitting seamlessly into the music and allowing the instrumental arrangement to speak volumes. This approach results in an indie sound that resonates with genuine feeling, offering listeners a poignant glimpse into the band’s emotional landscape.

The track is a perfect introduction to Vacant Weekend’s highly anticipated EP, set for release this summer via Manchester indie label Cosmic Glue. The EP promises to explore the band’s journey of embracing their imperfections after years of self-criticism, filled with high-energy and cathartic songs that defy anyone who has ever made them feel inadequate. “Funny Dad” is a testament to their growth as artists, showcasing their ability to blend infectious indie pop melodies with deeper, introspective themes. With support from editorial playlists across Spotify and Apple Music, and praise from BBC Radio 6’s Chris Hawkins, Vacant Weekend continues to build solid momentum, making “Funny Dad” a must-listen track for the summer.

Richard Strater – “The Land of Palmetto”

Richard Strater’s latest release, “The Land of Palmetto,” is a hauntingly beautiful exploration of Americana and acoustic folk, featuring musicians exclusively from South Carolina. With elements of banjo, nylon string guitar, and piano, Strater creates a sound that is both epic and dark, evoking a sense of longing and introspection. Hailing from Camden, South Carolina, Strater channels his life experiences, profound emotions, and stories of travel into his music, crafting soul-stirring melodies that hook listeners from the first note.

The track’s lyrics, such as “Take me back to Alabama / Oh take me back to that bridge / Take me back to Ohio / Take me back to Sacramento,” reflect a journey of self-discovery and the longing for home. Strater’s vocal delivery is imbued with a sense of melancholy and nostalgia, perfectly complemented by the moody instrumentation. The song’s refrain, “Sometimes you, you have to go home / To remember who you are / Sometimes you, you have to go home / To where the pine trees grow / To the land of palmetto,” captures the essence of returning to one’s roots to find clarity and purpose.

Strater’s music, inspired by artists like Gregory Alan Isakov, Noah Kahan, and Shovels & Rope, transcends mere entertainment to become a visceral experience. His ability to evoke genuine sentiment in his audience is evident in “The Land of Palmetto,” a track that feels both intimate and expansive. The song’s dark, moody atmosphere and epic storytelling make it a standout in the folk and Americana genres. As Strater continues to perform across the Southeast, his music serves as a testament to his journey and the deep connection he fosters with his audience. With dreams of his music being featured in television shows and films, “The Land of Palmetto” is a powerful step towards achieving that vision, resonating with listeners and leaving a lasting impact.

Josh Phillips – “How It Is”

Asheville, NC, a cultural beacon in the Southeastern US, has been the nurturing ground for many renowned musicians, and Josh Phillips is one of its best-kept secrets. With his latest single, “How It Is,” Phillips delves into the deep, contemplative waters of relationship endings, creating a poignant and timeless ballad. Known for his vibrant history as the frontman of Yo Mama’s Big Fat Booty Band and the creator of the Josh Phillips Folk Festival, Phillips has transitioned from rallying fun-loving crowds to crafting introspective and emotionally resonant music. “How It Is” marks a shift towards a more reflective, cathartic sound, demonstrating Phillips’ evolution as an artist who can convey both joy and sorrow with equal potency.

“How It Is” captures the universal experience of longing and acceptance through its melancholic yet hopeful tone. The lyrics, “She’s pickin, she’s packin up / For reasons we don’t talk about together but we know just what it is,” set the stage for a narrative of quiet resignation and introspection. Phillips’ vocal delivery, filled with a desperate urgency to make sense of the end of a relationship, resonates deeply with listeners. The haunting echoes of longing are complemented by a contemplative indie rock arrangement, recorded at his own Side House Records in Asheville. This track is the second single from his forthcoming album, Everything’s Good, scheduled for release in July 2024, and it promises to be a soundtrack for those navigating their own impasses and seeking redemption.

Phillips’ commitment to collaboration is evident in the creation of Everything’s Good. By inviting long-time friends and musicians from the Asheville music scene, he has crafted an album that is both intimate and expansive. The rollout of the project began with the singles “Never Ready” and “Starts to Rain,” and continues with “How It Is” and the upcoming “Already Gone.” Each single has been reimagined by various artists, including Big Something, Toubab Krewe, and members of the Asheville Symphony Orchestra, showcasing Phillips’ dedication to inclusivity and creative exploration. This approach not only highlights his dynamic songwriting but also cements his place as a vital and influential figure in the Asheville music community. With “How It Is,” Phillips offers a raw, emotional glimpse into his journey, setting the stage for an album that is bound to resonate with a wide audience.