B-Side Guys

In the shadowy grooves of Cale Hawkins’ “Beg,” there lies a compelling narrative that veers away from the mundane, encapsulating a sound that blurs the boundaries between funk-infused rhythms and the introspective essence of indie R&B. This track, nestled within the album “A River of Teeth,” emerges as a distinct mosaic of melancholy and introspection, marked by its succinct, potent storytelling and musical economy, where every beat and note carries weight.

Hawkins, with a backdrop of Brooklyn’s relentless creativity and his roots in the quaint Bemus Point, NY, crafts “Beg” as an auditory canvas, painted with the diverse palette of his experiences and collaborations. The song serves not just as a reflection but as an exploration of the self, dissecting themes of longing and existential quest without leaning on the overtly dramatic. Hawkins’ wit and lyrical dexterity shine, offering a narrative that feels both personal and expansive, inviting listeners into a shared space of reflection.

The sonic landscape of “Beg” is a testament to Hawkins’ refusal to be pigeonholed. Drawing comparisons to the likes of Jai Paul and Nick Hakim, the track forges its own path, intertwining funk’s groove with the introspective depth of R&B, all while maintaining a lightness that belies its thematic depth. The result is a track that feels both innovative and timeless, a rare feat in the fast-paced world of music.

What sets “Beg” apart is not just Hawkins’ ability to play almost all the instruments or his impressive resume, including performances on NPR’s Tiny Desk and SNL with Charli XCX. It’s his unyielding commitment to authenticity, to creating music that resonates on a personal level while challenging the listener to engage with the music beyond passive listening.