Album Preview: Jenny Rubicon – Greedy

Jenny Rubicon, NYC duo, debut album “Greedy” out Jan 19, 2024. Blend of indie, emo rock, diverse influences. Impactful, vibrant.

Jenny Rubicon, the dynamic duo from New York City, is set to release their debut album, “Greedy,” on January 19, 2024. Composed of James Bannon and Max Chomet, the pair’s journey from college acquaintances with divergent music tastes to collaborative artists is a story of growth, friendship, and musical exploration. Their album, “Greedy,” is the culmination of years of evolving together, finding common ground, and channeling their diverse influences into a cohesive sound.

The album, clocking in at 32 minutes and 55 seconds over nine tracks, promises to be a vibrant blend of genres and styles. Produced by Travis Harrison, known for his work with Guided by Voices, and mastered by Jamal Ruhe, “Greedy” is poised to make a significant impact on the indie music scene.

The opening track, “Dinner Party,” immediately immerses the listener in Jenny Rubicon’s unique sound – lively, jangly, and emotionally resonant. Fans of 2000s indie and emo rock will find familiar comfort in their music, while also being treated to a fresh and unique take on these genres. The track sets the tone for an album that weaves nostalgic storytelling with contemporary musicality.

The title track, “Greedy,” is described as a rumbling, timeless piece that combines overlapping vocals with a steady groove. It’s a track that promises to be both moving and energetic, showcasing the duo’s ability to blend emotional depth with infectious rhythms.

“Monte Carlo” brings a touch of wistfulness, channeling influences from 90s grunge and indie rock. This track is likely to resonate with listeners who appreciate the introspective and contemplative aspects of music. On the other hand, “Belgrade” is expected to be a punchy affair with catchy riffs that echo through the listener’s mind long after the song ends.

“Easy Love” takes the energy up a notch with fuzzy, monstrous riffs and vibrant percussion, making it another standout track on the album. The song’s dynamic structure and powerful instrumentation highlight Jenny Rubicon’s ability to create compelling and memorable music.

Max Chomet’s lead vocals on tracks like “Sparrow,” “Zodiac Killer,” and “Breakfast with Chloe” add a distinct layer of expressiveness to the album. “Sparrow,” in particular, with its cantering tempo, allows Max’s vocal talents to shine, providing a deeply expressive experience for the listener.

“Zodiac Killer” bristles with an energy that aligns with its title, adding a layer of intensity to the album. In contrast, “Breakfast With Chloe” softens the album’s tone with dreamy, romantic melodies, showcasing the duo’s versatility and range.

The album closes with “Webdings,” a track that encapsulates the bright yet melancholic essence of Jenny Rubicon’s music. This final song is expected to leave a lasting impression, with its vibrant yet introspective contrast.

Album art by Loreal Prystaj visually captures the essence of “Greedy,” adding an artistic layer to the auditory experience. The cover art is likely to resonate with the themes explored throughout the album, providing a visual representation of Jenny Rubicon’s creative journey.

In conclusion, “Greedy” by Jenny Rubicon is not just a debut album; it’s a statement of artistic identity. It represents the birth of a unique and exciting voice in the indie music scene.

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