*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*
The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fanbase more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.
*click on the artist’s name to go to their page*
This song actually made me cry the first time I heard it. If you know me, you may know that I experience night terrors, and this song is a beautiful song of hopelessness against them. I had just woken up from another night of sleepless turning, and this was one of the first ten songs I listened to that day. If you know someone who has night terrors but can’t really empathize with what they’re going through, Leonie Kingdom has written a song to help you understand how people feel when they have this haunting, reoccurring dream that they can’t wake themselves from.
You’ll shiver to the bone
It’s the thoughts that come alive when you’re alone
And it brings you to your knees
Like a current that’s raging through angry black seas
Don’t fight it
Don’t deny it
Don’t run, don’t run
They’ve already won
There’s nowhere to hide when they’re living inside
There’s nowhere to hide they’ll eat you alive
There’s nowhere to hide they hear all your cries
There’s nowhere to hide you’ll never survive
When Leonie sang the line, “It’s the thoughts that come alive when you’re alone,” I lost it. She has this tonality to her voice that makes her pain a tangible quality to her vocals, and when the haunting harmony comes in, it really sweeps you up in emotion. I’m not sure if this is about Leonie’s personal struggle with night terrors or if the night terrors are a symbol of something else in her life, but I like to think it’s about the actual terrors. It’s a song of hopelessness against them, but it’s also a song that reminds you that someone else is going through the same thing you are too. Knowing you aren’t alone is enough for most people to find solace through the struggle.
I was dancing along to this track, having a great time, when the 2:10 mark hit. That’s when it went from me really liking this song to loving it. It’s amazing what a few moments of cacophonous dysfunction can do to make a poppy singer-songwriter track stand out. I love the fact that I also get part of the story through choices like that. It’s almost like you hear the story of their transition from who they thought they’d end up being to who they turned out being through the swirling portal of sound at that 2:10 mark because after that you start hearing paparazzi fighting for their attention on a runway, and the protagonist of the story says that all they’ve wanted is for people to call their name like this. First, I want to post their bio, and then I want to talk about what the song is possibly about.
BIO: Kate Miner (of folk band MINER ) and Briana Lane make up the new LA based indie duo, Winslow. Miner was working on a solo project when she heard Lane sing live at a Christmas show in 2016 and asked her to join forces to finish the album. After a year and half writing and recording in a garage studio in Silverlake, on a street appropriately named Winslow, the two are releasing their EP this fall. With its modern, synth heavy soundscapes and echoes of Miner’s folk roots, self titled Winslow is a compilation of stories of heartbreak and loss in Los Angeles.
First off, let’s get this part out of the way. If you haven’t checked out Miner, check them out here. So good.
Okay, back to this song. The part I want to focus on is the story behind the lyrics. I missed the key phrase about halfway through the Alice in Wonderland transition because I was so focused on the instrumentals. The person who is becoming famous sees the paparazzi starting to descend upon them and notes how stressful everything looks on that side, but convinces themselves that it’s everything they ever wanted. I know nothing about being famous, or the pursuit thereof, but it honestly sounds like a nightmare to me. I believe that’s kind of what this song is talking about since it’s “a compilation of stories of heartbreak and loss in Los Angeles.” Everyone thinks that they want to be famous until they actually are. I mean, don’t get me wrong, fame comes with a lot of benefits I’m sure, but those are the only things people focus on. They don’t think about the fact that they don’t really have alone time anymore. I mean, once you reach a certain level of fame, even your family vacations have some creepy people following you to the beach, a sunscreen strip on their nose and camera in hand. It’s oftentimes not the life that people envisioned from the other side of the fence.
Spazz Cardigan had a couple of tracks we wanted to share with you guys. The guy is like if Jason Mraz and Mat Kearney had a baby, and that baby liked to actually sing about real stuff. The guy has a really smooth voice, nice beats, and a look that gets picked up by major labels all the time. That’s what makes his lyrical prowess so refreshing and exciting. He could sing love songs with a stupid fedora on and make millions of dollars, but he’s choosing to use his voice and his platform to say real things and to open up real conversations. He could still make millions, but it won’t be by selling out.
Medicine is a song all about owning up to your wrongdoings and making them right. It’s definitely going to suck to do and can be painful, but I like that it doesn’t shy away from that. It’s no fun to take medicine, but it’s definitely going to make you feel better. The same can be said for admitting when you’re wrong.
From what I understand, this is a free-form spoken word piece that is meant to follow closely behind the ideology of Medicine. We as a country have obviously made mistakes when it comes to gun culture in the United States, and Spazz is wanting to start talking about it. Seeing students and other people in everyday life being gunned down every single day has kind of numbed us to the conversation. I mean, a perfect example for me is the fact that I saw the murder and standoff that was committed in the Trader Joe’s in LA, and I didn’t read past the headline. It’s not that I didn’t care; I just didn’t want to read about another senseless tragedy. Stuff like that has become so commonplace that you would have to read multiple articles every single day to stay caught up. I have been very clear on my stance on gun control, and I think Spazz and I are in pretty similar camps. There’s a lot to unpack in this song, so instead of me trying to do it all myself, I want to do a live interview with Spazz Cardigan so we can have a conversation about this. We always stress the importance of having uncomfortable conversations, and he’s right,
Nobody wants to talk
and when we do
we just shut off
Have you guys ever heard that a bar is the worst place to find a spouse? I’ve seen it work for some people… for a while… I don’t think I’ve ever heard of a relationship that started in a bar lasting forever. I’m sure there are tons of cases where it’s happened, but it’s a situation that is built for disaster. Two drunk people with crazy sex drives and impaired judgement deciding that this person is their soulmate seems like a really strange way to tell the grandchildren that you met. I’m not saying it can’t happen, and neither is this song. It’s just talking about the thousands of relationships that start in a bar, or honestly not even in a bar, just in an inebriated state, and how they’re almost designed to fail because the real version of you and that other person are not in the initial conversation.
With disarming vocals and a soundscape that creates a palatable atmosphere, Danny Starr’s, Double Red Line, is a song that is going to make it onto quite a few of my playlists for the foreseeable future.
Ellen Winter, lead singer for Chamber Band, has created something really cool here. The whole band is phenomenal, but for me personally, it’s the timbre of her voice that brings everything together. When she flips to her higher register, it sounds like her voice could give out any second, giving it this brutal, gut-wrenching honesty. Judging from the strength of her voice throughout, this is a brilliant stylistic choice on her part. Somewhere between folk pop and sea shanty, Before Iping is a song to listen to while half a bottle in with your closest of friends, gathered around a table discussing exactly what it would be like to feel weightless.
The band is currently working on their fourth studio album, and Ellen has a solo project releasing at the end of the year. Keep up with these guys. They’re perpetually churning out great tunes.
Matt Millz has created a song that will pull at the heartstrings of fathers all over the world. A moving homage to fatherhood, My World is the song that all fathers feel in their hearts but aren’t sure how to put into words. As a father with one son and a daughter on the way, I can relate to this song in a real way. Matt has unique voice that resonates in your mind long after the song is over. I find myself repeating lines hours after every listen, and even sang it to my son last night while we were putting him to bed.
“…the man that I used to be, has fallen away. You’ve made me the father, that I am today”
Alright guys, follow the artist’s links in their names above to find out about tours, merch, upcoming tunes, etc.
Check out the newest podcast, Episode 17: Warmth
We also have a Spotify playlist of the month where we feature every artist we share on the blog. Check it out here.