The Flock: Singer-Songwriter/Folk – Leonie Kingdom, Winslow, Spazz Cardigan, Danny Starr, Chamber Band, Matt Millz

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fanbase more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

*click on the artist’s name to go to their page*

 

Leonie Kingdom – Night Terrors

This song actually made me cry the first time I heard it. If you know me, you may know that I experience night terrors, and this song is a beautiful song of hopelessness against them. I had just woken up from another night of sleepless turning, and this was one of the first ten songs I listened to that day. If you know someone who has night terrors but can’t really empathize with what they’re going through, Leonie Kingdom has written a song to help you understand how people feel when they have this haunting, reoccurring dream that they can’t wake themselves from.

You’ll shiver to the bone
It’s the thoughts that come alive when you’re alone
And it brings you to your knees
Like a current that’s raging through angry black seas

Don’t fight it
Don’t deny it
Don’t run, don’t run
They’ve already won

There’s nowhere to hide when they’re living inside
There’s nowhere to hide they’ll eat you alive
There’s nowhere to hide they hear all your cries
There’s nowhere to hide you’ll never survive

When Leonie sang the line, “It’s the thoughts that come alive when you’re alone,” I lost it. She has this tonality to her voice that makes her pain a tangible quality to her vocals, and when the haunting harmony comes in, it really sweeps you up in emotion. I’m not sure if this is about Leonie’s personal struggle with night terrors or if the night terrors are a symbol of something else in her life, but I like to think it’s about the actual terrors. It’s a song of hopelessness against them, but it’s also a song that reminds you that someone else is going through the same thing you are too. Knowing you aren’t alone is enough for most people to find solace through the struggle.

 

Winslow – Look at Me Now

I was dancing along to this track, having a great time, when the 2:10 mark hit. That’s when it went from me really liking this song to loving it. It’s amazing what a few moments of cacophonous dysfunction can do to make a poppy singer-songwriter track stand out. I love the fact that I also get part of the story through choices like that. It’s almost like you hear the story of their transition from who they thought they’d end up being to who they turned out being through the swirling portal of sound at that 2:10 mark because after that you start hearing paparazzi fighting for their attention on a runway, and the protagonist of the story says that all they’ve wanted is for people to call their name like this. First, I want to post their bio, and then I want to talk about what the song is possibly about.

BIO: Kate Miner (of folk band MINER ) and Briana Lane make up the new LA based indie duo, Winslow. Miner was working on a solo project when she heard Lane sing live at a Christmas show in 2016 and asked her to join forces to finish the album. After a year and half writing and recording in a garage studio in Silverlake, on a street appropriately named Winslow, the two are releasing their EP this fall. With its modern, synth heavy soundscapes and echoes of Miner’s folk roots, self titled Winslow is a compilation of stories of heartbreak and loss in Los Angeles.

First off, let’s get this part out of the way. If you haven’t checked out Miner, check them out hereSo good.

Okay, back to this song. The part I want to focus on is the story behind the lyrics. I missed the key phrase about halfway through the Alice in Wonderland transition because I was so focused on the instrumentals. The person who is becoming famous sees the paparazzi starting to descend upon them and notes how stressful everything looks on that side, but convinces themselves that it’s everything they ever wanted. I know nothing about being famous, or the pursuit thereof, but it honestly sounds like a nightmare to me. I believe that’s kind of what this song is talking about since it’s “a compilation of stories of heartbreak and loss in Los Angeles.” Everyone thinks that they want to be famous until they actually are. I mean, don’t get me wrong, fame comes with a lot of benefits I’m sure, but those are the only things people focus on. They don’t think about the fact that they don’t really have alone time anymore. I mean, once you reach a certain level of fame, even your family vacations have some creepy people following you to the beach, a sunscreen strip on their nose and camera in hand. It’s oftentimes not the life that people envisioned from the other side of the fence.

Spazz Cardigan – Medicine & Make America

Spazz Cardigan had a couple of tracks we wanted to share with you guys. The guy is like if Jason Mraz and Mat Kearney had a baby, and that baby liked to actually sing about real stuff. The guy has a really smooth voice, nice beats, and a look that gets picked up by major labels all the time. That’s what makes his lyrical prowess so refreshing and exciting. He could sing love songs with a stupid fedora on and make millions of dollars, but he’s choosing to use his voice and his platform to say real things and to open up real conversations. He could still make millions, but it won’t be by selling out.

Medicine is a song all about owning up to your wrongdoings and making them right. It’s definitely going to suck to do and can be painful, but I like that it doesn’t shy away from that. It’s no fun to take medicine, but it’s definitely going to make you feel better. The same can be said for admitting when you’re wrong.

From what I understand, this is a free-form spoken word piece that is meant to follow closely behind the ideology of Medicine. We as a country have obviously made mistakes when it comes to gun culture in the United States, and Spazz is wanting to start talking about it. Seeing students and other people in everyday life being gunned down every single day has kind of numbed us to the conversation. I mean, a perfect example for me is the fact that I saw the murder and standoff that was committed in the Trader Joe’s in LA, and I didn’t read past the headline. It’s not that I didn’t care; I just didn’t want to read about another senseless tragedy. Stuff like that has become so commonplace that you would have to read multiple articles every single day to stay caught up. I have been very clear on my stance on gun control, and I think Spazz and I are in pretty similar camps. There’s a lot to unpack in this song, so instead of me trying to do it all myself, I want to do a live interview with Spazz Cardigan so we can have a conversation about this. We always stress the importance of having uncomfortable conversations, and he’s right,

Nobody wants to talk
and when we do
we just shut off

 

Danny Starr – Double Red Line

Have you guys ever heard that a bar is the worst place to find a spouse? I’ve seen it work for some people… for a while… I don’t think I’ve ever heard of a relationship that started in a bar lasting forever. I’m sure there are tons of cases where it’s happened, but it’s a situation that is built for disaster. Two drunk people with crazy sex drives and impaired judgement deciding that this person is their soulmate seems like a really strange way to tell the grandchildren that you met. I’m not saying it can’t happen, and neither is this song. It’s just talking about the thousands of relationships that start in a bar, or honestly not even in a bar, just in an inebriated state, and how they’re almost designed to fail because the real version of you and that other person are not in the initial conversation.

With disarming vocals and a soundscape that creates a palatable atmosphere, Danny Starr’s, Double Red Line, is a song that is going to make it onto quite a few of my playlists for the foreseeable future.

Chamber Band – Before Iping

Ellen Winter, lead singer for Chamber Band, has created something really cool here. The whole band is phenomenal, but for me personally, it’s the timbre of her voice that brings everything together. When she flips to her higher register, it sounds like her voice could give out any second, giving it this brutal, gut-wrenching honesty. Judging from the strength of her voice throughout, this is a brilliant stylistic choice on her part. Somewhere between folk pop and sea shanty, Before Iping is a song to listen to while half a bottle in with your closest of friends, gathered around a table discussing exactly what it would be like to feel weightless.

The band is currently working on their fourth studio album, and Ellen has a solo project releasing at the end of the year. Keep up with these guys. They’re perpetually churning out great tunes.

Matt Millz – My World

Matt Millz has created a song that will pull at the heartstrings of fathers all over the world. A moving homage to fatherhood, My World is the song that all fathers feel in their hearts but aren’t sure how to put into words. As a father with one son and a daughter on the way, I can relate to this song in a real way. Matt has unique voice that resonates in your mind long after the song is over. I find myself repeating lines hours after every listen, and even sang it to my son last night while we were putting him to bed.

“…the man that I used to be, has fallen away. You’ve made me the father, that I am today”


Alright guys, follow the artist’s links in their names above to find out about tours, merch, upcoming tunes, etc.

Check out the newest podcast, Episode 17: Warmth

We also have a Spotify playlist of the month where we feature every artist we share on the blog. Check it out here.

New Release Friday: Jamie Sloan, Tenjin, Couch Jackets, Helenor, Thumpasaurus, Charlie Phllps, Terrell Morris

These are our favorite new songs of the past couple days. Every song has been released within the last 48 hours, so you can tell your friends about not only new artists, but their new songs that they’ve never heard.

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

 

*Click on the artist name to visit their website*

 

Jamie Sloan – New Orleans Queen

This song is so good on so many levels. It’s the first single off his upcoming album No Fairytale Stories and he says this song is about knowing you’re soul mate is out there but having no idea who or where they might be. Hence the line “I hope I’ll find you soon.” The song mostly lays out this ideal person, and a hopefulness that pervades throughout. He saids, “no fairytale stories, we will make our own.” and “are you lonely like I am?” It’s a brutally honest and optimistic song that I think most of us can empathize with, either currently, or at certain times in our lives. I hope that he’s able to “find her soon”, and I’m so glad to have found this track.

Tenjin – Mama Don’t Know

“Got plenty friends no friend zones, I get benefits…Dental

Man I got a flow to spit coast to coast go boating tits

Then I pose up a photo click

And then compose a prose of cold flows that’ll go with this”

The defining characteristic of this song has to be just how smooth the flow is in the verses, and how fun some of the word play is. The hook repeats, “What momma don’t know won’t kill her,” which of course is a classic line that we’ve all heard before. It’s particularly fitting for this song after all the debauchery described in this song. There’s random sex, drinking and partying, drugs, fighting, and many of things I suppose you wouldn’t want your mom to know about. I really can’t get enough of just how tight the flow is on this song.

Couch Jackets – Don’t Think Just Breathe

Time to put your trippy pants on. This song is Car Seats Headrest meets Pink Floyd and the video adds a layer of Children of Men meets 2001: A Space Odyssey. If you dig it, they are releasing a full LP on July 27 called Go To Bed. The video itself is such an interesting concept, mixing a strange dinner with the band members, and a constantly changing TV that shows news and chaos. It’s a video that could probably get a full thesis written on it: from the random “Emotional dissonance” that shows up mid breakdown, to the hijinks at the dinner table. I’m not entirely sure what to make of all of it, but I really dig it. Also, the music itself is just phenomenal. It ultimately sounds like its 4 songs in one, with all the key shifts and breakdowns that flow seamless throughout the song. The band describes themselves as “a rock band from central Arkansas making wacky noise.” And I really just can’t get enough, and can’t wait to see what other wacky sounds are on the full album next week.

Helenor – Ocean State

As someone who lives in the “Ocean State”  I have a particularly affinity for this song haha. But really what drew me in was the droney sounding synths and dissonance that gets created by them when the first musical interlude comes in. The second thing I really loved was the lyrics, that seem to suggest a love/hate relationship with the place you inhabit.

“Ocean state is
a state of mind
Older neighbor’s
second lease on life
She named her dog
from multi culture night
Sawed my arm while they took
Paris flights”

This song does an excellent job of mixing the surreal and cynical at the same time. The artist mentioned being influenced by Beck, and I can’t think of someone who does the same thing better. It’s a perfect descriptor.

Background: ““Helenor” is the musical moniker for Boston based visual artist David DiAngelis. The premiere LP “something twice” was written and recorded at home in 2017 as a solo project. Drums were provided by Seth Kasper (Mass GothicChristopher OwensHooray for EarthWild LightAir Traffic Controller) who also co-produced the album. “something twice” is scheduled for release Fall 2018 with accompanying live set.”

 

Thumpasaurus – Flamingo Song

Let’s keep it weird up in here. If you can’t figure out how the video relates to the title in the first few minutes, I’ll give you a hint: it’s all the pink. I love how silly the band members dance around, sometimes acting like a boy band, sometimes just freestyling completely. This is juxtaposed with the lead singer having an emotional conversation with a doll where he seems to be having a break up conversation. I never thought it could make me feel emotional, but when you kind of listen to the lyrics and imagine it being said to an actual love interest, it does get a little melancholy. But the best part about the pace of this song and video, is it doesn’t linger in it. It continues to be absurd, and to meander instrumentally with a walking horn, until you can’t really be sad while listening. Also, I have to share their bio, because there is an amazing karate story in it, overall, they are such a fun band that I will be keeping up with all the future hijinks.

Bio:Los Angeles-based Thumpasaurus are a gang of five superbly-skilled young American musicians taking hugely divergent influences and channelling them into something uniquely Thumpasaurian.  

 

Thumpasaurus offer up their own unique punk/funk stew wherein, hidden in plain sight and sound, you’ll find traces of Zappa, Beefheart, James Chance, Funkadelic/Parliament, Morphine, Devo, Talking Heads and Prince, as well as some rocking heavy metal, free jazz, musical theatre and even some light opera references thrown in for good measure.
Lead singer and guitarist Lucas Tamaren’s alter ego, Sensei Boland, recently achieved web notoriety by challenging the world to bring him something he can’t karate chop. A promotional meme for “Mental Karate” resulted in Buzzfeed picking up on the video & the band’s music being shared by the likes of Alt-J, Shakey Graves, and Rob Thomas amongst others. See here: http://whatichopped.com

Charlie Phllps – Memory

Check out this single from Charlie Phllps upcoming album Pendulum which is due out August 10th. If you are in the New York area there will be a release party at Rockwood Music Hall at 11 pm on that day. For tickets visit  http://www.ticketfly.com/event/1719729

“I could swim
been kicking all along
Has there ever been
a change in a person
Same story now
same story now
I’ve got the staying power of a feather
But you don’t remember
you don’t remember

Is there love in the ditch?
I’m waving my fist
Tell me do I exist, now?”

I love the lyrics here. Especially, “I’ve got the staying power of a feather.” There seems to be a emphasis on memories, being remembered, and offsetting those with how temporary and fleeting everything really is. When you first hear the song, you probably don’t notice how existential it really is, because it’s hidden behind an upbeat tone and vocal style. “Tell me do I exist now?” is the first really moment where you may start to be like, oh, this is saying something real. I always love when a song can have your feet tapping and then blindside you with a deeper message.

Terrell Morris – Field Test

And last, but certainly never least. Terrell Morris has done it again. The mixing of jazzy instrumentals, and smooth flow that isn’t afraid to fluctuate tonality and tempo to emphasize the strongest emotional swings in the song, make this one of my favorite up and coming artists. This song seems to be about that change up from a relationship that is somewhat casual to something that is more serious. The “Field Test” is over, and now it’s time to admit true feelings and vulnerability.

Bio: “Hailing from the west-end of Toronto, To date Terrell has released 3 singles from his upcoming colaborative project titled Molasses. Amassing over 4.3 million plays on The Right Song a single from production duo Free n Losh’s 5th & Ghost EP. Terrell decided to team with them again, bringing on Steph Verschuren (Allan Rayman, Keys n Krates) to handle the creative direction Terrell is on the cusp of releasing his project and cementing his place amongst the greats.”

Seth’s Tracks of the Week

This is a grab bag of all of my favorite artists from the week. No genres, no themes, nothing. I mean, I guess the theme is that I love these songs.

We try to group artists with similar artists, but the fact of the matter is that most music fans don’t solely like one genre. If you’re like me, there are very few genres that you don’t get into in some capacity. What I’ve found is that a lot of people cross paths with the same people in their musical taste. Caleb and I are going to start posting our favorite tracks of the week, and you can start to figure out whose musical taste you like more. Caleb and I have a lot of crossover, but one distinct difference right out of the gate is that I get more into the folk scene, and he gets way more experimental with what he likes. Some of what I listen to sounds like Elvish chants in the woods, I’m sure, and some of what he listens to sounds to me like what Michael Caine listened to  in Children of MenYou’ll probably start to notice a trend in these posts at some point. We have a lot of crossover, especially when it comes to hip-hop and emotive indie rock, but there’s a lot of music that Caleb and I don’t necessarily agree on. We both know that objectively they’re good tracks, we just don’t subjectively like it as much as some other stuff. Without further ado, here are my favorite tracks of the week.

*click on the artist’s name to go to their website*

 

Glassmaps – My Head My Heart

This is the eternal struggle between what the head wants and what the heart wants. Usually on two opposite sides of the fence, it is a constant battle on whether to give in to what is smart or to give in to your passions. If anyone knows me at all, they know which way I tend to lean. I’m a guy that jumps straight into the deep end without checking the temperature of the water… or checking for sharks. I pursue my heart, and I do it with gusto. It seems that the folks in Glassmaps may be a little more cautious than me, or at least they take pause before deciding to go with the heart.

The song starts out with what almost sounds like an organ from an early ’90’s video game, and immediately goes into the stomp clap chants that always get me going. They stay there throughout the song, adding a beautiful fuzzy guitar at times, but staying pretty constant until the ethereal breakdown that carries until the song draws to a quiet and abrupt close. I have this habit of trying to envision a scene in a movie or tv show that songs would fit in, and this is the perfect fit for a young adult blockbuster like Maze Runner or Hunger Games where the protagonist is deciding between pursuing their ultimate goal or battling 15 bad guys to help the love interest that was just kidnapped. Cue the music montage of them slicing through bad guys while this song plays in the background.

 

Ezra Vancil – Complicated Man

I love themed/concept albums, and Ezra Vancil has created something really interesting here. He released an album that chronicles the story of a ten year marriage. As easily understood by the lyrics (and the fact that it’s track two of the album), you can tell that this is the beginning of everything. This is the beginning of his world. We see a young man who is wild about a girl, and she has no idea he’s alive. I mean, she knows he’s alive, but she doesn’t know that he lives for her, if that makes sense. I suggest listening to the album from start to finish, and watching this saga unfold right before your eyes.

Ezra Vancil makes emotive music with a message. It’s really nice when songs don’t paint hyperbolic pictures of love (I like those too, I just need something more realistic a lot of the time), and they just say, “This is the chain of events. Do with them what you will.” People sometimes confuse poetry with depth. If I say, “Her eyes were as blue and as deep as oceans, and my love for her could outshine the sun,” I immediately tune out. Why? Because it’s not true, and it’s not something that I can really envision because it’s so wildly outlandish. Tell me a story about love with your music. Love is laughter, affection, and connection, but it’s also awkward misunderstandings, fights, and sometimes tragedy. That’s the story I want to hear. Ezra Vancil is a great storyteller.

 

Lossapardo – Sleep (3 a.m.)

This is one of the most interesting music videos I have seen in a long time. I thought that it was just a still when I first saw it. Then, when the lyrics kick in, the song comes to life.

I’ve tried to get to sleep
but nothing came
Sandman and I
playing hide and seek
for too long
I’ve tried

It’s already 3 am
and as usual I won’t sleep tonight
every time it’s the same
I’ll be a mess in the morning

This has been me more nights than I care to admit. Tossing and turning, falling asleep just long enough to have a nightmare scare me awake, and keep me reeling for the next couple of hours. Rinse and repeat. Lossparado has this quiet conviction to his voice that makes you understand exactly what he’s going through even if you sleep like a baby through the night. I mean, I guess “sleeping like a baby” doesn’t make too much sense seeing as how when my son was just born, he slept in oscillating two hour shifts, rotating between wide eyed screams and restless sleep. Maybe I should say “even if you sleep like a drunk frat guy after 3 too many.” Anyways, Lossparado has a vulnerable voice that instantly makes him relatable and endearing to listeners. I can’t wait to follow his ascent.

 

The Lifers – New Eyes

This is the kind of song that you have to listen to with your eyes closed. Don’t know what I mean? Pull the car over, stop doing whatever you’re doing, close your eyes, and let this song be your only focus for four minutes. If you don’t, you’ll miss something. There are so many layers to this track. They’ve truly created something unique but familiar, and they’ve done an excellent job of layering the track. Whoever mixed and mastered their album needs a raise.

The beginning starts out like something you’ve heard numerous times with a picked guitar and a really clean vocal track, but then it goes off the rails almost immediately, opting to take the path less traveled. Flutes (probably? I’m not super familiar with my woodwinds. Could be piccolos for all I know.), a symphonic string section, and one of the most interesting resonating guitar parts I’ve heard in some time are only a fraction of what is going on in this piece. I’d really love to know who arranged this song and thought of all of the neat tricks to incorporate.

I was going to try and wrap it up with that last paragraph, but I just have to say one more thing about this song. The key change is one of the most subtle and interesting parts of the song. I usually get really burnt out on key changes because they are made to be this grandiose event where it’s a “look at me, I know about music” moment. This key change is almost a tertiary piece of everything that is happening at that point in the song. It’s perfect, and that’s coming from a guy who thinks that 99 out of 100 key changes should just stay home.

 

Baba Sonya – Enough

Baba Sonya is the emotive and raw combination of songwriter/vocalist, Rachel Gawell, and producer/engineer, Mike Costaney. They started as a “he sings, she sings” singer-songwriter duo, but soon realized that they were more suited for the roles they have now (and there are fifteen million duos like that). I never heard their original stuff, but I’m glad they abandoned that project because that decision is what got us to this song. This is new. Gritty and fuzzy instrumentals with clean drum kit overlays combine perfectly with Gawell’s vulnerable vibrato to give us a track that makes for a perfect introspective, lonely night tune. This is the kind of song that I put a notebook on the table while listening. I don’t expect epiphanous moments, but when they happen, it’s usually to songs like this. I want to be ready.

I’m not sure entirely what the song is about because it’s obviously personal to a specific story in Rachel’s life, but the overarching feeling I got from it was the feeling of constant inadequacy. In relationships, platonic or romantic, we tend to measure our worth by the people around us, and we give extra emphasis to the people we care about the most. If you feel like you’re inadequate, stop listening to those voices. Whoever you are is enough for who you need to be and who the people who actually give a shit about you need you to be. That may not even be closely related to what the song is about, that’s just good life advice.

 

Raena Jade – Forever in my Pocket

This song hits an interesting perspective, and makes my track of the week for two reasons: it’s a self-aware song, and it’s the perfect crossover for me and my wife’s wildly different musical tastes. Raena Jade tells a story about knowing she’s in the wrong. Well, not necessarily in the wrong, but she knows that her actions are the cause of someone else’s pain. She’s tried again and again to convince herself that she loves this person who is madly in love with her, but she just can’t do it. She can’t force love. With honest lyrics and a defenseless demeanor, Raena writes an apology letter that makes me feel like she ripped my heart out of it’s socket instead of the person in the song.

 

Tru Vonne – Crazy Love

BEFORE YOU WATCH, READ THE CONCEPT BELOW

The concept of the video was to capture 4 different type of realities; What you wanted to happen, what you feel inside, what’s going on through head, and what actually happening in a conscious space. In creating that virtual consciousness, each color represents each of these realities. I would want you to decide which is which because based on how the video makes you feel will determine which color means what to you. The entire video is up for interpretation. When writing the treatment, I wanted to make sure that each of these concepts were properly shown.

I have to be careful with this interpretation. This is something that I haven’t really seen before in a music video, and I absolutely dig it. I don’t want to go too far down the rabbit hole with this one because I want you to figure out what the video means to you personally without any outside influence, so I’ll keep everything objective. This story reminds me of the old adage, “There are three sides to every story: one person’s side, the other person’s side, and the truth.” Let me know in the comments what you got after you watch the video, and we can talk about it more.

Tru Vonne has such a smooth, sultry voice. She drips confidence, and hits every single note with a slight rasp that gives her words a reel, pulling you in closer with every word.


As always, go to these artist’s sites, spend money, go see their shows, become their #1 fan. The sole reason that we do this blog is to try to shine a spotlight on artists who deserve it.

We have a podcast. Click here to listen.

We have a Spotify playlist that has every song we’ve featured this month. Give it a follow. 

The Flock: Indie Rock – Luke Krutzke and the High Tides, d.c.R. Pollock, Culture Thief, CARDS, Flip Rushmore, Glorietta

*Check out these artists and every other artist we’ve featured on the blog this month on our Spotify playlist for this month.*

The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fanbase more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

*click on the artist’s name to go to their page*

 

Luke Krutzke and the High Tides – Self Esteem

Luke Krutzke has a voice that made my arms feel weak and want to tap to the music both at the same time. The weakness was from these bizarre goosebumps that felt like they were under my skin. I don’t know what it means or anything like that because this is the first time I’ve had them. I just thought it was an interesting fact. Maybe it was his voice coupled with the fact that I had just read what the song was about, and it’s something I’ve been struggling with lately.

The song is a reflection on self preservation and care, in a fast paced world that doesn’t always accommodate.

I feel as though I stretch and stretch, expecting the labor to garner fruit at some point. It doesn’t seem to be, so my solution is to stretch a little more. In fact, I feel like my body is starting to give up and I can feel myself getting sick: sore throat, pounding headache, tender skin. This song is to warn people and remind them to take care of themselves before getting to this point because something will breakdown at some point if you don’t. I talked about this yesterday. We need to take care of ourselves because if you’re anything like me, we are the only ones who can force ourselves to stop.

With piercing vocals, smooth guitar riffs, and orchestral strings and brass sections that surprised the hell out of me, Luke Krutzke and the High Tides’ song, Self Esteem, is one that will stay on repeat for quite a while.

Don’t talk, don’t speak, it’s okay. 
It’s your problem anyway. 
I’m not trying not to breathe. 
Side effects of self esteem. 

 

d.c.R Pollock – Cold Bath

I am absolutely losing it over this song. I keep hyperbolic statements at bay when we do these reviews because I want it to mean something when I say, “I am absolutely losing it over this song.” Three words that describe this song: raw, thought-provoking, and demo. Wait. Demo? This is the kind of recording that has the perfect amount of polish meeting with the ideal amount of unbridled emotion. While reading through the lyrics to try to piece together what the song was about, I kept running into roadblocks here and there. I decided to let the song just create disjointed scenes for me instead of a whole story.

The scene in the diner, feeling the familiarity while in a distant place. Seeing home from hundreds of miles away through a picture of a girl you used to know.

The scene of a man curled up in a motel tub, either catatonic or crying, I couldn’t decide, completely immovable as the water turns from hot, to warm, to cold. He never even felt the change in temperature, mind focused on other things.

A hard conversation between brothers where one isn’t able to make it to a court date, and the other knows he’s probably not getting out of trouble this time. His crooked smile reassuring his brother that everything would be okay.

All of the scenes that I built in my head were these tangible scenes; they were something I could hold onto. I just couldn’t piece together the story. I reached out to d.c.R. Pollock to get the real story from the obviously personal song, and this is what he told me.

The song is a true story about me on tour. The first part is about us taking a break at truck stop and I recognized one of the models in a magazine. Then got me thinkin bout how I wasn’t exactly where I wanted to be. I was a hired gun playin for pop act with a real cheap budget. Was a hell of an experience, just not what I imagined it to be.

The second half is about how my brother was a arrested while I was on tour and just the phone call between me and him.

The song is very personal, but it’s also a relatable song for so many people. We may not have gone on tour and had a less than optimal experience, but most of us have accepted jobs and realized that it’s not what you really wanted to do. We may not have a brother who has been to jail before, but a lot of us have family that we care about, and they don’t take care of themselves like they should. This is the beauty of music. Even if we feel like our song is a personal story to us, people can always find something to connect with.

 

Culture Thief – Tidal Breath

Right out of the gate, that guitar hammers home letting you know that you are in for almost 6 minutes of sweeping guitar and heart thumping drums join in, building up before dropping out to make way for an ethereal falsetto. This is the kind of song that you need in your ears while you are cleaning. The song talks about feeling so lonely, but the music will make it feel like you’re surrounded by 500 of your closest friends. There is so much depth to this song that it seems impossible that it’s only 5 people.

 

CARDS – Periphery

No stranger to the blogCARDS makes another appearance on the blog, and this time he has hit us with a song that has given my right leg an uncontrollable bounce. This is the song that you hear on an advertisement for a summer beer. This is the song that paints a very specific but diverse landscape. You can see this song being played at a barbecue, dogs barking, frisbee flying, and a dancing person flipping burgers on the grill. You can see this song in the video a professional kayaker posts online to show a sweet new line they found on their favorite river. You can even see this song being used in an advertisement for new metal detectors geared towards hipsters. The point that all these scenes share is that the suns out, the people are outside, and everyone is enjoying life. This song is the perfect summertime jam for literally any fun outdoor event.

Lofty vocals and an instrumental track that grooves with a perfectly off-beat guitar track and straightforward drums. The key to this song though is the whistles. I’m usually not a fan of them in music, but the problem I have with them is that most people aren’t as good at whistling as they think they are. This song is the exception. It’s already found it’s way onto my summertime playlist, and I expect it to stick around for quite a while. Another great song from CARDS, we can’t wait to see what happens with this guy’s future.

Flip Rushmore – Phife and Merle

This song is such an entertaining ride. The music video is wildly energetic, the instrumentals are a headstrong blood rush, and the vocals are abrasive and direct, just like the style of music needs. What I want to talk about is the lyrics though. This is such an interesting song lyrically. The whole song is about how once you become famous as an artist/entertainer/musician, the battle has usually only just begun. When your first album hits it big, everyone is just waiting for you to hit your sophomore slump. They’re looking for a reason to write you off as a passing meteor, and move on.

This can be really discouraging for artists, and make it difficult to create. Plus, they can lose the joy in the whole process. For example, say I have an album that I worked on for 5 years that went big. More than likely, I whittled hundreds of songs down to the ten to fifteen best for the album, spent months honing and crafting each song, and then made sure I found the best fit for me to produce the album. That song takes off, I sign with a label, and now they’re telling me I have to crank out another album by this time next year, all while going on two extensive tours. This is one of the many reasons artists hit that slump with their second album, and if that happens, it’s game over. For every artist that you hear about hitting their big break and remaining relevant, there are hundreds who were signed to a label and bumped off after their second album flopped.

Chase the dream, but never forget the roots.

Please don’t lose me now
I’m still delivering

 

Glorietta – Heatstroke

This is the beginning of something really interesting.  Glorietta is a collaboration between indie artists Matthew Logan Vasquez (Delta Spirit), Noah Gundersen, Kelsey Wilson (Wild Child), David Ramirez, Adrian Quesada (Brownout, Group Fantasma, Spanish Gold, Black Pumas), Jason Robert Blum. With so much talent, you’re bound to get a phenomenal song, and Heatstroke is that song. I don’t think I’ve enjoyed a collaboration project this much since Kevin and Andy announced Bad Books. The gang vocals throughout are so on point, and I guess that’s fairly easy to achieve when you have multiple lead singers singing all of the parts. That in and of itself is another beautiful part about this though. Usually with collaboration projects, the build is setup in a similar fashion: I sing, he sings, she sings – rinse and repeat. Having so many dominant voices on one project, you would expect that same setup, but the members of Glorietta share the soundscape stage brilliantly, letting every unique voice be heard throughout the song.

It also doesn’t hurt my assessment of the band that I am absolutely enamored with Kelsey. My wife and I went to the Orange Peel in Asheville to see Wild Child (for the second time, the first was in a small venue with Wild Child and Pearl and the Beard *RIP*), and her stage presence is second to none. This is probably going to be a really fun act to see live, and hopefully it means there’s a Delta Spirit, Noah Gundersen, and Wild Child tour in our future.


As always, go spend money on all of these artists. Click their names to find their website, contact info, etc. Buy their albums, their merch, and tickets to their shows. If you can’t buy something, let them know how much you love their sound. Let them know that anyways.

We have a podcast. Click here to listen to it. 

 

-Seth

The Flock: Singer-Songwriter – King of Little Sweden, Black Lilys, The Quill, Gabrielle Marlena, Evelyn Drach, Nicky William, Joe Bel, Wolfy, M’Lynn, Noah Kahan

The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fanbase more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

*click on the artist’s name to go to their page*

 

King of Little Sweden – I’ll Be Waiting

The album cover has a snowy sort of scene, and I think the song is basically a soundscape of that same scene. It mixes the darkness and sublime beauty of a snowy mountain in song form. The lyrics seem to be a stream of consciousness about past love, and what it means for the future. There are moments of nostalgia mirrored with a realization that so far the speaker hasn’t found the right fit. Oftentimes, this sort of song is after you’ve found your ideal someone. We’ve all heard the inverse of this song, which usually says something like: “I’ve been waiting for forever for someone like you.” But this song instead belts the refrain, “I’ll be waiting for someone like you,” because that person hasn’t shown up yet, and the speaker may be slightly anxious that they never will.

Bio: King of Little Sweden was born as a collective creative effort in the winter wonderland of Verbier in 2014. Most of the group is based in Sweden, so the analogy with the landscape was inevitable, with Verbier being a village that could be seen as “Little Sweden”. The Scandinavian influences are quite present in their style, which has been developed by years of family musicianship (two of the bands’ members are siblings and their uncle Sven acts as their producer and manager).

“I’ll Be Waiting” marks their label debut with Rexius Records in 2018, after almost a year of collective development of a new artistic concept.

Black Lilys – Boxes

So, anyone who knows me knows I love poetry. And something about this video struck a familiar chord with me. There was a film that came out a few years back about the poet Dylan Thomas (he’s the dude that wrote “Do not go gently into that good night..”). You can check out the trailer here: A Poet In New York. There is a scene in the film that felt so familiar in this video, where Dylan is walking through a field and sees his ex-wife, and regrets most of his decisions. Now that’s just the beginning of this video, but it felt like a fun parallel.

What follows in this particular video is a strange puppet act. Where the singer makes movements that other characters seem unable not to parrot. The movements are disjointed and panicked and give off a creepy theatrical vibe. I also like the moment where she is standing on a raised rock with a book and seemingly proselytizing about something, religion? some strange cult? It’s certainly a video that brings up more questions than answers, but those are my favorite pieces of art. It’s fun to mire yourself up in the ambiguity and let it leave it’s impression on you without knowing all of the answers. All I know is that the music, and the video, are unlike anything else I’ve heard, and that automatically makes me want more.

 

The Quill – Maid Malou, Fetch the Wood

“I am soft and sparkle in the shadows of the smokey world of You and I
See how the Hunter’s Moon, my love, has frozen frosty halo’s over the sky.

Maid Malou, do you posses
A magical Maori spell to ride the Killer Whale?
Cuz blue electric Neptune screams
“Girl! Swim swim swim!…” ”

The first thing this reminds me a bit of is Fleet Foxes. I think it’s partially how cinematic the whole thing is, and partially the surreal, yet grounded Folk storytelling. Maid Malou seems to have a lot of powerful connections to seemingly dissonant magic/religion/spiritualism, and the speaker is asking for her assistant for seemingly dissonant problems, like riding a Killer Whale. Described as Psychedelic Folk, it’s certainly exceptional and unique. Let me paste a bit of their bio to show you just how star studded this collective is:

Bio: The group includes the likes of Lyla Foy, John Herbert and James Dale (of Goldheart Assembly), æmma, fiddle legend Ben Gunnery, classically trained violinist Louisa Wood, Alex Mattinson, Rylan Holey, harmonica player Lee Vernon, and a core rhythm section of Ash Hall, Drew Wynen, Ben Davis and Riccardo Castellani. They have been actively gigging in different sizes for many years, yet reserve the full assemblage for special concerts, cued by moments in the lunar cycle.

That’s an insane amount of talent to orchestrate, and yet you hear each diverse piece get it’s moment, and shine.

 

Gabrielle Marlena – Road Thoughts

Gabrielle Marlena has already been featured here before: right here. So when we heard another great song by her, it was a no brainer. Before I dive into the lyrics, I’m going to post a bit about Gabrielle’s inspiration behind the song:

“The first track on my new EP, Road Thoughts came to me on my drive between Denver, CO and Ogden, UT while on tour last year. The shortest route was to go North through Wyoming, and the incredible landscape gave me a moment of calm and self-assurance. Reflecting on past relationships and feeling strength in my independence, I remember recording on a voice memo “You’ve got this babe, it wasn’t your time, you’ve had the love some only dream of in your life.” The rest of the song came later. The lyrics are about accepting the fact that sometimes you can really only count on yourself, and that has to be enough. It’s also about witnessing the complexities that people in relationships are constantly facing, and therefore embracing the simplicity of being alone.”

I’m really blown away by the lyrics of this song. If you didn’t listen closely, go back and listen closer:

“And I just called this guy I used to see in Brooklyn,

Cause I was curious in the direction he was headed in,

If he’ll be marrying that chick that’s trying to wife him,

but it doesn’t matter anymore”

This is just a sample, but she plants so much emotion in such relatable scenes. Who hasn’t felt nostalgic about a past love and looked them up, or reached out to them? I’ve actually had a really similar experience to what Gabrielle described above, where a long drive healed a lot of insecurity and loneliness I was feeling, and allowed me to get over a girl. If you guys liked the two songs by her, this probably won’t the last time you hear her, she’s going to be on future podcast episodes too.

Evelyn Drach – Follow Me

With an ethereal soundscape and a voice that carries straight to your innermost being, Evelyn Drach’s “Follow Me” is an absolutely beautiful piece of art. This is such a poetic track. It starts out with two separate pieces joining together to make a very full and rich first act. The singer-songwriter feel of the guitar and Evelyn’s voice meets with the orchestral, and beautifully cacophonous track behind her.  The second act of the song is a monologue with an eeriness that is palpable. Isn’t that what music is about? We all just want to feel. This song will take you to the house with the hidden floor if you let it.

I had that dream again last night,
the one about the house with the hidden floor and it made me think.
A man leaves china vases around his home and in these vases he keeps fake flowers.
Why do people keep fake flowers in their homes?
Are fake flowers beautiful?
What is beautiful about a flower?
A flower is beautiful because of its fragility.
Its beautiful because the moment its plucked from a field, a forest, a path or a garden its lifespan has been
determined.
The flower has been chosen to die and so the flower becomes a martyr.
But a martyr is someone who has died for a cause.
What is the cause of a flowers death?
Someone desires beauty in their home.
What does this mean for a man who only keeps fake flowers?
Does he wish to preserve the living and in doing so does he deny himself beauty?
Is it simply his frugality?
Is it too expensive to buy new flowers?
Whats the price of beauty?
The flowers are symbolic of an idea of beauty, an idea he can never understand.
Or is it the exact opposite?
He looks at the fake flowers and is reminded of the real.
He is reminded of the concept of a flower being plucked, being presented and perishing and it is in this concept
that he finds beauty, so that when he looks at the fake flowers he understands profoundly the tragedy of the real.
I had that dream again last night,
the one about the house with the hidden floor and it made me think

The sentiment here is one that is beautiful. What makes the human experience beautiful? Is it the presentation, or is it knowing that it will end? Is something beautiful if it’s eternal, or does it lose it’s luster? Nobody can answer this question but you. For me, it is the brokenness and the fragility of everything that really shows off it’s beauty.

Nicky William – Girls With Common Names

I have such a soft spot for barrel-chested bass singers getting out of the pigeonhole of theater, harmonizing, and quartets. Bands like The National will always be some of my favorites because they did something they weren’t supposed to do. Nicky William is another one of those guys. He has the kind of depth to his voice that rattles your rib cage while listening, and owns every bit of it.

This man has been hurt by plenty of Ashley’s in his day, and he wants to let you know that they aren’t worth it. Being married to a Megan, I would have to disagree with the sentiment, but I support the way he feels. I guess if I had been hurt by multiple girls with common names, I may draw the same personal conclusions as Nicky though.

Joe Bel – In the Morning

Joe Bel is a self taught instrumentalist who has something to say, and she does it with a distinct voice and poetic lyrics. The key to the song for me though, is the soulful backups that come in during the chorus, perfectly complimenting Bel’s soulful voice. Bel’s voice dances across the screen with more eloquence and grace than the movements in the video, and the movements in the video are a picture of grace.

Bio: Self-taught and instinctive, Joe Bel played her first shows solo with her acoustic guitar. A few months later, Asaf Avidan discovers her mesmerizing folk/soul songs and offers her to open for all of his European shows.
She keeps going with “Hit the Roads” (2015), a critically acclaimed second EP, which brings her back on the roads of Europe, and this time even as far as Japan. The year after, the title track is used to promote luxury brand Longchamp’s campaign directed by Peter Lindbergh.

Wolfy – Abigail

Wolfy is easily one of the most self-deprecating and sarcastic artists we have ever worked with, and it’s an absolutely beautiful thing. When asked to fill out a bio, this was Wolfy’s official response:

my career and the music I make are fun as hell though not very important so writing a bio (short for biography) for myself is kind of like writing a bio for a vine compilation. like, what do you want me to tell you? i’m a 25 year old moron who lives in los angeles and spends every day trying to pay rent and write/produce songs that don’t make people want to rip their eyelashes out one by one. my new ep, INK, was just released on sentimental records on may 29th. “abigail” is the closing track.

When asked about the song, this was her official response:

Yeah, so I said I hate singing and it’s still true (referencing her website bio). But when I first laid the blueprints for these three EPs, I decided I would sing one song on each and it is a personality flaw of mine that I am very, very bad at changing plans. And as my own label executive, I wasn’t about to let my shitty, weak-brained artist decide they weren’t going to sing on a song they wrote because they “hate singing”. So I put my foot down. I said, “Hey, we signed you and gave you an advance of $8 and a Trader Joe’s microwaveable burrito. We expect a return on our investment so you get back in that studio and don’t come out until you need to go to your part-time job and then go back into the studio and finish that song”. And that’s how you run a label.     

This song is one of the only songs I’ve ever written that outlines a story. But fuck me if anyone even knows what that story is. Basically, it’s about a girl who gets murdered and thrown in a well. I’ve heard the lyrics are a little “vague”. But whatever, it’s not my fault you guys forgot everything from your junior-year English class. Ever heard of context clues? Damn.     

Also this song doesn’t have anything to do with my friends named Abby. You guys are cool.

The lyrics would definitely be lost on me without the song description, but that doesn’t mean they have no meaning. Ambiguity is the name of the game when it comes to music, and this song is a shining example of that.

With a timbre that lets you know there’s real emotion behind it instead of some overproduced bullshit, Wolfy tells a story of tragedy and makes you feel warm inside. Not really sure how that works. I’m not sure I’m a good person anymore thanks to this song. Kind of like how I felt after listening Pyotr from Bad Books for the first time.

Also, Wolfy, you may hate singing, but we’re kind of into it. Keep doing it. we’ll talk to your label manager if you decide anything different.

M’Lynn – Just Take Time

A perfect song that preaches a message that tends to be forgotten. Don’t worry about your pace through the race, just worry about moving forward. Often times we get caught up in the fact that we aren’t achieving goals as quickly as we want to when all we need to focus on is if they’re still at the end of the path we are on. Self-care and self-assessment are pushed aside for the carrot that you can almost taste. Take care of yourself, people. In a lot of cases, you’re the only one who will/can.

M’Lynn has that big band sound with a soulful tone and intonation, M’Lynn is an absolutely powerhouse. Think sultry female Michael Buble, and you’re almost there.

Noah Kahan – Come Down

Are you a fan of Ed Sheeran? Then we have the guy for you. With a distinct voice all his own, Noah Kahan tells a story on “Come Down” about being there for a friend when they were experiencing extreme anxiety. We talk about anxiety and depression a lot on the blog, and we absolutely love the sentiment in the song. Panic attacks, anxiety, and depression have hit everyone, and having a friend like Noah who understands the fear and the frustration that this causes can mean the difference between recovery and a total collapse. We say this all the time, but human existence is all about community. You need a group of people who will be there to hold you and help you up when it’s needed, and you need people to assist in a likewise manner. Noah, it seems like the only thing that beats out your musical talent is your stellar support for your friends.

 


 

As we always say at the end of The Flock posts, go spend money on these guys, tell them how much you like their music, or just visit their sites to see their tour dates, new releases, etc. Their links are found by clicking on their name in the post.

We have a podcast. It’s right here ——-> Give it a click

 

-Seth and Caleb

 

 

 

The Flock: Indie Rock – The General Good, Tim Freitag, Hooli, Campdogzz, Eden Mulholland, Summerteeth, Galapaghost, Tetra

The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fanbase more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.

*click on the artist’s name to go to their page*

 

The General Good – Where We Began

There is a music video that this reminds me of. If someone can help me out, I would be forever grateful. I feel like it’s The Black Keys from many years ago, but can’t find the video anywhere. It’s a two piece group where they’re playing on a television show set that’s akin to the set from the Eric Andre Show. This reminds me of that music video, but they graduated to a new set. It’s got gritty guitar, pacesetting drums, and unique vocals that carry on in your head long after the song ends.

The lyrics tell the story of a relationship that seems to have ended on a sour note, but the writer can’t seem to move on. They know the relationship isn’t good for them, but still want to leave a line open just in case. Just like with most past relationships, you reflect upon them more fondly the further you’re removed from the situation, even though they were truly nightmares.

But if you ever make it home again, 
I’m pleased to show you `round all the troubles I’m / we’re in. 
no need to choose words wisely, no more nightly chases, 
no thinking twice and no `glad to see you later`. 
But something’s keeping me from moving on, 
inbetween places it’s hard to hold on. 
I’m sending signs to nowhere, 
down the milky way. 
Sweet memories of nightmares 
a burning needle in the hay.

The album itself is a really interesting idea that doesn’t happen all that frequently. The drummer, Florian Hellekin, produced the whole album in his home studio, and invited a multitude of talented vocalists to sing on the tracks. The album has a ridiculous amount of variance. Go check the Spotify page and listen to Healer and Snow Yellow Carpet back to back to see what I mean.

Tim Freitag – The Wave

This song has made its way onto so many of my personal playlists outside of the ones we post on the blog. The video only adds to what is a beautiful track of undying love and dependency. First off, before we go any further, Tim Freitag isn’t a person. I mean, there’s definitely a person named Tim Freitag, but he’s not in the band. I had to check to make sure, and I absolutely loved what I found. This is straight from their facebook page:

Tim Freitag are and always will be: Janick Pfenninger, Lorenzo Demenga, Daniel Gisler, Nicolas Rüttimann, Severin Graf

I don’t love it because there’s nobody named Tim. I love it because of the words “are and always will be.” This group isn’t just a band, they are brothers. That camaraderie and friendship comes through in a track that is well-rounded, instrumentally straightforward while still having complexity, and a vocalist that has a unique tone and incredible vocal inflection.

Hooli – Cider Sue

This track is so good. It’s like Two Door Cinema Club’s existentialist cousin. The Two Door reference is easily noticeable on the track, but the existential part may have you hung up. Let’s dive into it. The song has some of the most interesting lines throughout it. I’ve listened to it three times in a row while trying to write this post and every single time I pick out a new piece that makes me smile. It’s not the content itself that makes me smile (a study of mortality and the finite time on this planet), but the way they talk about it.

I said the noose brings infinite youth, 
The more you tighten it’s hold the truth will unfold for you, 
Woah oh oh 
So come at me with your best shot best believe that i ain’t got time

Those first two lines are some of the best I’ve heard in a long time, and I listen to a ton of new music every single day. I feel like I could break that single line down and do a whole post about that, but I just want to bring up a couple of points about it. It works in multiple ways, but let’s break down just two of them.

Let’s talk about what I believe is their intent behind the lyrics first. They are saying that as we age and as we get closer to death, we find ourselves thinking more and more about mortality and wishing for our youth again. It brings wisdom, but it also brings pain and understanding of past mistakes and wishing you could go back and fix them. Maybe they aren’t talking about fixing them, but a chance to do things right now. I don’t know. I do know that they follow it up with the sentiment of understanding that there’s definitely a timer, and don’t waste part of my timer with petty bullshit.

Now I want to talk about another idea I had about these lyrics. The noose brings to mind the idea of suicide, and I think this tells a great truth about that topic. I watched a documentary recently that told the stories of people who survived their suicide attempt. One common thread between the people, especially the ones who jumped from a bridge, building, etc., was that as soon as they leapt, they immediately felt regret, even before hitting the bottom. As that noose tightened, the truth opened up for them and it wasn’t something that they truly wanted to do.

The song actually has a lot of allusions to suicide, but I believe the huge underlying message is that we all have a timer that whittles away every second, and we can’t waste our time by complaining, getting caught up in petty things. Nobody beats the reaper.

Also, if you are having suicidal thoughts, give 1-800-273-8255 a call. Also, feel free to reach out to us. We’d love to talk to you. We aren’t trained professionals, but we have pretty big shoulders. 

 

Campdogzz – Souvenir

This song is raw emotion. The band is a phenomenal look at how moving gears do so for the betterment of the machine, but Jess Price, lead vocalist, is the pinion gear. For those of you not familiar with a pinion gear, that is referred to as the “drive gear” in vehicles*. She has an otherworldly voice that drips with energy and emotion. She has the kind of voice that you create in your dreams to set the scene conflict of the story. You don’t have soundtracks to your dreams? Don’t worry. It’s not as cool as it sounds. It just makes bad dreams way scarier.

*I didn’t know what a pinion gear was prior to writing this article, so if I’m way off, you get the idea.

Anyways, let’s talk about some lyrics. Ambiguity is the word of the day here, and this song is no different. I honestly couldn’t tell you what I lean towards this song being about, but we’ll give it a go.

Hold the wheel
Feel my head
Probably should have stayed in bed
Souvenir
Come right here
I’ll be yours a little bit
Did you want to get me gone
Did you want to get me
Well that train is going by

*Disclaimer: This is one of the first lyric assessments that I don’t feel great about my interpretation vs. what the song is supposed to be saying. Once again though, as we always say, once an artist releases their song to others, it’s not solely theirs anymore. Music is a beautifully subjective world*
The first three lines are fairly easy to decipher; someone is sick and shouldn’t have gotten out of bed. Now comes the fun part. The souvenir is tricky. By itself, it doesn’t really mean anything, but with the following line, we see that it is an animate object. Knowing that people typically write songs about other people, I think it’s fairly safe to say that the souvenir is a person. Now we have a bit of a story. Go back to the first line where they’re holding the wheel, put it with the souvenir, and all of a sudden we met someone on a trip. “I’ll be yours a little bit” is such a cool line, telling the person that you are invested in this fun and new relationship, but you ultimately know it’s temporary. Maybe it’s not though. The next line says if you want me gone, do it now because that *train is leaving the station. The next verse follows up with my theory, stating that their look is the smoldering look, barely keeping their emotions or even their anger below the surface, but this is so fresh that that kind of thing still looks good. The next line says “come right here, and let me feel you miss your dead,” effectively shooting my theory to shit. Possibly it’s just saying open up to me, I want to know your deepest emotions, but I’m not sure. Either way, it’s an absolutely phenomenal piece. Reach out to us, Campdogzz, and give us the full scoop.

*Just a fun fact: The first successful steam engine used a huge pinion gear to help power it.

Well that train is going by
Well that train is going

Eden Mulholland – Wild Animal

I usually don’t post full lyrics, but these are too good not to. Plus, there aren’t too many lines.

I’ve had the opportunity to do a little thinking
and I hope that you can understand
Somewhere along the way I got a little distracted
and I hope I get away with it
Because if I were a leopard I’d run really fast
and be totally untameable
Yes if I were a leopard I’d run really fast
and I’d always be wild animal
I’ve had the opportunity to see a new perspective
and I hope that you can understand
somewhere along the way I think I stopped believing
and I hope that don’t stand in our way
Because if I were a leopard I’d run really fast
and be totally untameable
Yes if I were a leopard I’d run really fast
and I’d always be wild animal
A wild animal

This seems to be a battle between the flesh and the mind. He seems to be moving on from something that made him feel caged. It may have been smart, it may have been the right move at the time, but the animal in him wants out of the cage. I feel like this song is applicable to so many aspects of our lives. Jobs, relationships, religion, or any number of things can fit into this song. It is human nature to want to explore so you can see the full gamut of the human experience. Once again, life is too short to feel like you’re in a cage.

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With emotive vocals, and an instrumental track that plods along at the perfect pace to show the current pace of the caged life, this track shows that the stories in lyrics can be told through the instruments around them too.

Summerteeth – Stay Warm

This is the song I wish we had found prior to doing our podcast episode about “Warmth.” It’s the perfect song where you hear one thing, but feel another. Instrumentally, it’s like the bands I listened to in high school (and still do), but lyrically it’s on a different level. If I’m reading into it correctly, it’s a song about battling seasonal depression, or just depression in general.

Stay warm for the weekend
for the winter
for the year
Stay inside til the summer
but show the sunlight you’re still here
Cause you don’t know what love is
but you hate who you are without it
Stay warm forever
even after your whole world disappears

I feel like they’re letting you know that depression is okay and it’s going to happen, it’s all about how you handle it. You’re going to have those weekends, seasons, or years where you have to bundle up and fight to stay warm, but remember that you need to break out at some point and you need to feel the sun, feel something new. The line, “you don’t know what love is, but you hate who are without it,” is so powerful. People act like depression is this thing that people do to themselves, instead of understanding that a lot of clinical depression is a chemical imbalance that can’t be helped outside of pretty powerful prescription drugs. It’s an affliction. Nobody on this planet is like, “Hey, I think I want to feel like everything is hopeless and there’s really no point to anything I’m doing for a while.”

The video is great because not only are they having a lot of fun, but they’re also sending a clear message; find a supportive community and make it through the hard times together. This is one of the most important things to realize; most people are meant to live in packs. Also realize that nobody around you knows shit about shit (TM).

Don’t you know?
We’re all making it up as we go
We wouldn’t have it any other way

Galapaghost – Bedtime

No stranger to the B-Side Guys, Galapaghost was one of the first artists on this planet who knew about and believed in what we were doing, and let us feature his song, Goodbye (My Visa Arrived), on the very first episode of our podcast. On the episode, he mentioned that he was working on a completely electronic album that would be a bit of a removal from his previous work. This is it, and it is phenomenal. He took the instrumentals and gave them more life while not losing the honest lyricism on the previous album. Once again, I’m going to go out of my box and share all of the lyrics, but once again, they need to be shared and they’re not too long.

Go on and have fun with your friends on the weekend 
Don’t stay home all alone with your feelings 
But I gotta say no 
I’m not a superhero 
And that’s the kind of effort that it would take 
For me to stay out late 

And I will see you 
I will see you someday 
And I will love you 
I will love you always 

So here’s my idea of fun 
My struggle book one 
Then dinner for two 
Then put on my running shoes 
In bed by 10 so if you wonder where I’ve been 
I’m too old to party on the weekend 
And every night of the week 

And I will see you 
I will see you someday 
And I will love you 
I will love you always

This is a song about growing up. Maturing, if you will. Maturation looks different for everyone, but this is fairly similar to my version of life. Gone are the days of partying, going out on the weekends, and staying up until the sun shows back up. Looking back, I don’t miss them, but I totally get why some people have chosen to stay there. There’s nothing wrong with that, we’re just on two different paths now. The song is possibly talking about a romantic relationship, but I think I lean towards this being about friendships. They can be severed with no ill intent; people just move on. It’s not saying that the friendship is over, it’s just saying that until our life goals cross paths, I understand why we don’t hang out much. It’s actually a pretty beautiful story of adulthood.

It might also be about a romantic relationship, and that synopsis works the exact same way.

His new album, Sootie, will be releasing soon, so be sure to keep your eyes peeled.

Note to Casey: I love the old stuff, but this is a totally different beast as far as complexity. I love it, man.

Tetra – Fridays

“Fridays” is about the crushing sense of emptiness that follows when one realizes the subjective and thus, pointless nature of consumption under capitalism. Depression, drug abuse, loneliness — to me they are all symptoms of a culture that idolizes competitive individualism and defines success through one’s ability to consume more than others.

At the end of the tune, I talk about taking LSD and I ask myself “Why did it take so long to figure it out that it was all in my head?” To me it’s one of those things where you spend years searching for answers and a lifetime praying for ignorance.

When you can’t say it better yourself, don’t. This is a song that fights the idea of consumption and gluttony in all aspects of life, so we are naturally going to be all about it. I love that second part to the song where it talks about the idea “stuff” being important is something that is force fed to us from a very early age, and we are made to feel like that is the key to happiness. If having stuff was the key to happiness, we wouldn’t have so many celebrities with bank accounts in the tens of millions taking their own lives. Stuff consumes.


That’s 8 new artists that everyone needs to add to their rotation, but more importantly, go spend some money on these folks. A few bucks can go a long way when it comes to making more music. Remember to click the artist links in the name to check out tour dates, see merch, listen to more music, or even just send them a message to tell them you dig their sound.

Check out these artists on our July Spotify playlist.

Check out our podcast.

 

-Seth

The Flock: New Release Friday: Mike Xavier, Foresteater, Chris Noah, Callum Pitt, Sean Tobin

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Mike Xavier – “Time to Reflect”

I love when a song says something that we’ve heard before, but says it in such a eloquent way that it reaffirms everything you know. At it’s core, this song is about society, racism, and the difficulties we all face, but Mike Xavier is just so eloquent that it illuminates these issues in a way that is impossible to ignore. Other than Mike’s obvious lyrical talent, something you may not notice unless you are paying attention is that he isn’t just rapping over a track. He has a live trumpet, sax, keys, guitar, bass, and drums accompanying his songs. It really gives this song a fuller sound that you can’t accomplish from beats, no matter how good the DJ is. When asked about his inspiration Mike’s message is simple: “We just got to teach our kids they can change the world,” Xavier raps with his calm though upbeat tone. “They used to tell me, ‘Try them drugs.’ I ain’t never try it.” Mike is a shining example of using art to make the world a better place, and I’m happy to share this as our first track of New Release Friday.

Foresteater – “Unbutton”

“Momma’s shopping at the mall
Daddy’s sipping alchohol
Baby’s watching TV shows
Shoving things up in her nose

Why do the opposites look the same?
Our manufactured outfit came
and is it sincerity
or artificial empathy?

Unbutton my head
Get me out of my head
Unbutton my head please
Get me out of my head”

This song is an anthem for middle class malaise. It does the same thing several 90s movies did by taking a closer look at suburbia and showing the horrors beneath the surface. Sure, money makes some things easier, but it also brings a new set of problems. Having grown up squarely in middle class suburbia, I saw many of the things this song mentions, and experienced the surreal plasticity that it tends to create for those who inhabit these spaces but can’t fully enjoy shopping sprees, keeping up with the Joneses, and the skewed relationships created by making money and materialism such an integral part of our happiness.

Chris Noah – “River”

This song reminds me a lot of some of my favorite summertime music. It mixes pop vocals with some really interesting electronic beats to create an experience that surrounds you completely. Let’s dive into some of the lyrics:

“This state that I’m in, I can do nothing about,
Starting to wear me out, do we need disclosure
Your voice has become an eco in my mind
I don’t really recognize and you still have me reeling

Don’t swim so fast, i can’t keep up, don’t let me drown in your river
Don’t waste your love on someone else, while I’m still here in the picture ”

So it’s a very familiar scenario. The speaker is still in love with someone who is falling out of love with him, and he feels himself being left behind. It’s a really tragic position to be in, and the haunting background vocals as the song builds really hammer home the crescendo of pain that can inhabit these moments where you aren’t ready to move on, but you know it’s not your choice anymore. Keep an eye out for Noah’s upcoming 3 song compilation due in September. He has already won “Debut of the Year” last year at the Annual Latvian Music Awards, and I can’t wait to see what else he comes up with.

Callum Pitt – “Away From The Rousing Parades”

This song just starts off so calming and soothing. The mix of the intricate picking and the beautiful vocals take you to a sunny day driving with the windows down.

“There’s a warm wind coming, marching along with a big brass band

I’m waving an outstretched aching hand, so slow”

When these lines kick in, the song transforms into an anthem worth screaming at the top of your lungs. The thing I like most about this song though, is despite how upbeat and warm the song sounds; it has some truly existential moments.

“We search fora meaning before disappearing and hope that our memories survive”

Ultimately the song ends in a conclusion that all we can do is try to find someone to share the time we do have with and hope for the best. It’s a grounded but hopeful ending to a very complex poetic song.

Sean Tobin – “This Midnight”

And last, but certainly not least. Enjoy this single off of Sean Tobin’s new release of the same name. Throughout the song, he seems amazed that he is currently where he is in life, considering some of his past and the way he viewed the world. My favorite word play in the whole song is probably:

“Met a girl one February evening, swore to God there was no God at all,

Sunday came, she was praying for God knows what she done,

guess she was just talking to the wall”

The several switch ups and double meanings in that one line are astounding. Ultimately, the song seems to have a similar message to the one before this: life is potentially meaningless, there are no guarantees, life is short, thank god I have you, let’s enjoy the time we have for now and hope it lasts forever. “Baby, we could make this midnight last, come the morning, our stories will be in the past.”

-Caleb

If you enjoyed these songs, we’ve uploaded them all to our July TOTD playlist on Spotify.

If you haven’t followed us on Facebook, check it out. We have two new live streams that we posted today.