Hope everyone that doesn’t have to go into work tomorrow has an excellent Labor Day Sunday. Let’s get it kicked off right with this intriguing video from BUHU. This is my favorite mud people video of all time. I think it’s the only mud people video I’ve ever seen, but that’s irrelevant. I don’t entirely know what to make of the symbolism. But we clearly see a graceful woman in a white dress, unsullied, juxtaposed with a man, with animalistic and jerky movements covered in mud. When they finally meet, she cleans him off, while getting her white dress and skin dirty. Then they wash off in the river and seem to be living happily ever after. Again, it could stand in for a lot of things. But I think we’ve all had the feeling of someone coming into our life at the right time, and helping us clean up some broken part. That doesn’t mean we should be dependent on people for an ideal relationship, but part of a relationship is being there for one another and making each other better. It’s a difficult balance to strike. Sometimes your dirt just gets on them. But when it does work correctly, it’s a beautiful thing. According to the artist, there is also an element on this song dealing with keeping secrets in a relationship, and being forgiven. That makes the symbolism in this song that much stronger in my opinion.
Bio: “La Truth” is a retrospective of Jeremy’s guilt in being dishonest with his wife and the strains that keeping secrets can cause on a loving relationship. Originally released as a demo in May 2017, “La Truth” was the initial spark that inspired the opus which would become BUHU’s debut studio album, Tenets. BUHU hits a galloping pace with “La Truth,” settling into a confident stride similar to some of the strongest synthgaze moments from Washed Out’s catalog. Here more than ever, Rogers leans unabashedly into the Melodyne bends of his vocal processing, laying plain his emotions without denying the synthetic tools of his trade.
Check out this spacey song with a familiar “allusion” to a certain song about children dying from the plague. This one seems to focus on an emotional death, mainly of friendship.
“Besties forever says a locket that’s lost
Buried under consuming flaws
Noticing absence surrounded by dust
Ashes to ashes all fall down
Remembering lovers in awe at first meet
Discussed plans, high hopes, real dreams
Fired by passion, add details, we drowned
Ashes to ashes all fall down”
At its core the song seems to ask you to remember that nothing is permanent, friendship, our bodies, life itself. That could be a really depressing message, but the song seems to try to take a positive out of it when it urges us to:
“Make life count everyday
It’s so special
Ashes to ashes all
Bio: Ashes is the second track on Nica’s upcoming album Bruised
Her album Bruised reflects the painful beauty of growth from personal experiences
Nica’s songwriting does not follow the standard formula that ears have grown tired of
“We see the steel horizon
She’s wearing cherry lipstick
She don’t care for diamonds
Just holy ghosts and matchsticks
You’re hiding on your mattress
The city is a lyric when you hear it
From fire escapes that you climb
Never wanna be the one to sigh-”
This song is one of my absolute favorites right now. The lyrics throughout are a really nice mix of abstract images and really vivid snapshots that make me feel nostalgic for memories that aren’t even mine. The band says this song is about “heartbreak and beauty and moving on in a relationship.” I really love the way that is presented, because there are plenty of break up songs and plenty of love songs, but not a ton of songs that say, hey, this was beautiful, but now it’s over. It’s really hard to have that sort of perspective about something that has fallen apart. But if any of us go back in time enough, we will find someone that we don’t talk to anymore that we used to think the world of.
Bio: Mattress is off of Six TIme User’s debut EP Heads. It deals with themes of sadness, joy and anxiety of modern love in a New York City landscape under the “steel horizon.” The song is the fourth track off of Heads. “Everybody grows, everybody glows.” Lyrics by Pat D. Robinson, music by Evan Harris.
Hey guys! Happy New Release Friday. We have two new tracks for you today from some amazing artists! Check back every Friday for new releases. Don’t forget to support all the artists if you like what you hear!
Saba Abraha – “Utopia”
I absolutely love this song. It grabs me immediately with the interesting spoken word intro, followed by uncanny syncopated beats. The artist describes the lyrics as “a new world where an empress loses her crown and is forced to battle the harsh realities of the world on her road to redemption. “Sweet Mirage” awaits…”
To me, the production on this song is some of the best I have ever heard. It perfectly blends elements that sound modern and classic, in an absolutely unique creation. Don’t forget to check out the rest of the EP: Sweet Mirage.
Caleb Kopta – “Anything”
“I’ve been passing out with the ashtray,
I’ve been choking on the cavalier
we were two kids finding love inside of the hallway,
isn’t it a shame,
We didn’t make it anyway,”
This song has such a classic vibe to it. It reminds me a lot of high school, and how intense every emotion and relationship seemed at the time. When he repeats in the pre-chorus, “I’d do anything for you,” I don’t know how you can’t relate to that. We’ve all been in that spot where we desperately thought that if we just loved someone with everything we had, that would eventually be enough. As we age, we see that sometimes it’s not that simple, but this song reminds me of the times that we wished it was.
Bio: Inspired by the Rock and Roll greats that came before him, and motivated by the stories that we all encounter on a daily basis, Caleb Kopta is crafting a niche for himself in the modern alternative rock landscape with honest lyrics, driving guitars and a desire to craft the soundtrack to life’s everyday experiences.
Born the son of a music minister in small-town Pennsylvania, music has fueled Caleb as long as he can remember. From attending his first concert at only two months old to sharing the stage with such bands as Motherfolk, PHANGS, Michigander and Corey Killgannon, Caleb has devoted his life to creating meaningful, resonate music that can impact the world around him.
Often drawing comparisons to The Killers, Bruce Springsteen and Bleachers, Kopta’s music is a unique blending of the Rock, New Wave and Singer / Songwriter genres. He excels at delivering powerful, anthemic choruses while still allowing the song to feel personal and complementary to the story at hand.
I really can’t get enough of a solid rock riff. This band has an excellent style that reminds me a bit of early Weezer, with some upbeat riffs, and smooth vocals, both of which somewhat belie the deeper message in the lyrics. Also, this video is just really fun and interesting. I really enjoy watching the singer seemingly singing to a lamp, and the instruments blowing shit up. And then we see the “I’ve been broken” start to apply to not only the objects, but the clothes and bodies of the band members themselves. Overall, it’s a really fun group with a lot of potential. I could see them being on an alt. rock station near you very soon, if they aren’t already.
Bio: Following on from releasing their critically praised new single ‘I’ve Been Broken’, Melbourne-based trio Househats have just revealed the accompanying music video – directed by Jack Rintoul (Wendyhouse).
Shot in a studio in Melbourne, ‘I’ve Been Broken’ sees both Househats and director Rintoul on their music video debut. Keeping within the theme of the song, the clip features inanimate objects being broken down and destroyed, and warped beyond reality.
How fun is this song? I wish I had all the lyrics for it, but it definitely has some existential sort of questions that I can pick up throughout it. It has a nice mix of trippy Tame Impala sort of elements, along with some indie riffs that make this 5 minute song, feel like a 2 minute power ballad. I’d listen to it constantly even if it was a 10 minute song. I also love the breakdown to a focus on the lyrics around 3:30, complete with an Empire Strikes Back reference. Basically, I’m saying that this is one of the most unique songs I’ve heard in a while and I’m so stoked for the full album: Vegetative to come out.
Bio: “Zookeeper Submarine is the first track the band wrote and recorded for their upcoming record, Vegetative, and is the first total collaboration between its members. It was composed, arranged, and recorded by all members of the current lineup. As such, the track tangibly marks the transition of the group from a vessel releasing home recorded audio experiments to a touring live group, writing, producing, performing and creating songs together.”
There is so much to like here. The video itself is awesome regardless of the music, but I do have to emphasize how much I love the music. The vocals and build up on the percussion in particular really strike me as exceptional. Once you get into the meat of the video, I love the simple design that really makes you ponder a lot about the purpose of it all. Obviously the ability to move around the glass with his mind has some sort of connection to the title “Breaking Glass.” For me, the whole time I was waiting on a violent eruption where the glass shatters everywhere; it created a sense of anxiety through the whole video for me. What we got instead was an apathetic sort of falling motion while the protagonist solemnly puts his head on the table. And ultimately I guess the reveal is that he’s not moving the glass, some sort of earthquake or external force is? I love how symbolic the whole thing is, and it allows the viewer to make a lot of their own meaning.
“But if you free your desires then we’ll free our devotion to you
Always inclined to be on top, to reach the top
Until you’re out of time
Empty words, brittle heart
We still raise this world on breaking glass
We left her out in the rain to bleed again”
I think some of the meaning is illuminated in the lyrics, which seem to suggest that our society, which is constantly aimed at achievement and the almighty dollar. could be the source of a lot of our problems. That really the only way to keep this sort of society going, is by having people left out of it. The constant haves and have nots equation. It’s more than that, because that assumes that everyone even wants to be a part of it in the first place, which of course, if a lot of us had our druthers, we probably would focus more on our passions than on our money. It’s really a beautiful constructed song and video with a lot of questions still left to answer. What are you guys’ thoughts? Comment below or message me on Facebook.
Ah yeah. We are back after a brief vacation and we are coming back with a track that’s so smooth it’s silly. This track is perfect for me right now because I (as a school teacher) have to go back to work in a week, and this song kind of bottles all the best sounds of summer into one track for me. So hopefully I can squeeze out just a little more before I go back. Now when you get to the lyrics, they aren’t particularly summery, but that’s cool with me, my favorite music sounds upbeat but hides a deeper message in the lyrics. One set I really identified with:
“As a child, as a child I was the only one who knew in the back door of your mind there is a ladder
It makes me sadder now to know that it’s true
I was baptized in a Georgia church that sang as loud as god
When the congregation parted I was handed a facade
Singing lord, wade in the water and let everyone applaud
And I was blue”
That’s some grade A poetry. As someone who was baptized as kid in a South Carolina church, I really identified with the sentiment. They pushed us a lot as kids to accept Jesus or whatever, and then once that was accomplished, and you start to age, you’re like, hmm… is this really something an adult version of myself would’ve opted into? Or at least that’s what I experienced, I can’t speak for everyone.
The most impressive thing to me about his whole EP, is that even though it often sounds like a full band, Dylan played every instrument. He is currently based in either Miami or Providence (he claims both), but if he is in Providence, I hope to see him soon.
This is a new edition of The Flock. People who love Hip-Hop are going to find so much good content in this post. What is The Flock, you ask? The Flock is an idea that we had to help fans of a specific genre find multiple bands they love in one post. It helps us provide value to you, the reader, by putting more of what you want in one place. It also helps the artists. Fans of their music come to the page and become fans of other similar artists, growing their fan base more efficiently. It also helps artists connect with other artists who have a similar feel, so they can help each other out, work together, play shows, etc. Our goal here is to help promote artists that we believe in and want to see succeed. The Flock is a great way to help with that, and we’ve seen some really cool things happen because of it. Let’s get into this edition of The Flock.
The Supreme Kings of Yesterday – “Next Latest”
I love the sample at the beginning, especially the faked out Trap style stuff that makes fun of “Migos and all those guys that sound the same.” It really sets the stage for a throwback style hip-hop track that puts the people who throw together tracks in a few days, rappers who have no flow (i.e. mumble rap), and many other aspects of modern rap that The Supreme Kings of Yesterday hope to turn the clock back on. Above just a diss track, my favorite thing about track is that it is really a positive track that is about being yourself. He isn’t really hating on people for using the popular style to make some money, but he is calling them out for not being themselves, and if nothing else, S.K.Y. is going to be uniquely themselves. I really love how a lot of the track is filled with 90s style turntable scratching, and multiple voices with multiple flows. It makes me feel comfortable, like I’m a kid again listening to The Chronic or OutKast (not that the style is exactly the same).
Bio: The Supreme Kings of Yesterday, The S.K.Y. (comprised of brothers Cise & Classy Touch – Next Latest – Single from the forthcoming sel-titled project, based in Los Angeles & Oakland CA. Fresh vibes await with clear and concise lyrics, precision instrumentation and drum break accuracy. You seek the best from your imagination, you Look Up To The S.K.Y.
Sauce is Matisse – “Socially Inept”
It’s not exactly the same, but the flow on this song really reminded me of some early Eminem. Especially around The Slim Shady LP or so. Considering that’s one of my favorite albums, I hope that’s an okay connection. Sauce is Matisse has his own unique lyrical style that seems to focus on being an outcast “As in socially inept.” And this song at it’s heart seems to be a celebration of those who aren’t necessarily the most popular or cool. It’s an unapologetic beating of the chest saying that it’s okay to be comfortable in your own skin, regardless of how popular or not it makes you.
Bio: Depression. Social anxiety. Peer-diagnosed Asperger’s. Add a nerdy passion for artistic creation to this walking contradiction and you’ve got Sauce is Matisse, the D.C.-born rap artist currently based in Charlottesville, VA.
After being professionally described as a mental paradox in his teens, Sauce was given the advice to “contain” said paradox in order to allow all competing sides of himself to coexist.
He has done so through music.
Sauce is Matisse draws inspiration from both underground and mainstream music across all genres, and his work showcases a sound between raw hip-hop and the most technical heavy metal outfits. Over the years, he has worked with and learned from several established names (and some not so established) in the multi-genre underground. Sauce is always evolving as an artist and refining his sound and visuals, tightening them into progressively visceral polished works of art.
Eventually, Sauce realized that he could not only save himself through music, but he could reach others as well. Listen and you’ll hear that this paradox has effectively been contained, and it’s tastier than ever.
Liion Gamble – “Solitude”
This song is just gorgeous and haunting. The female vocals really even out the whole thing, and I’m really moved by the consciousness of the lyrics, that range from melancholy to hopeful. The lyrics discuss police brutality, violence, struggling to make the art you want, relationships, divinity, and hope that there is a purpose behind all of this struggling and solitude. It’s really a wonderfully grounded song of hope and overcoming adversity.
Bio: Liion Gamble was raised in Raleigh, NC but born in St. Andrew, Jamaica. His musical influence can be traced all the way back to his Grandfather. With conscious content we are almost always drawn to assume the nature of the music will be a bit dull and somewhat preachy. Liion bridges the gap between substance and style in a major way. Melodic hooks and bridges, paired with quotable lyrics and stylistic flow, highlight this artist’s versatility.
With a growing social media presence Liion released his first official single, “Solitude” on all streaming platforms May of 2018 and has delivered an EP entitled Grand Re-Opening July 27th of 2018. Driven to cut out the middle man, he has become a student of production and audio engineering in order to take the quality of his sound to the next level. Building a hit record from the ground up is a big goal of his right now but only one of many in the pursuit of becoming a complete artist.
Datta Boy – “Keep Drinking (Prod. by Epik The Dawn)”
“FOR THE PEOPLE OF THE PEOPLE BY THE PEOPLE LETHAL
STAB US WITH THE SHARPEST NEEDLE
THEY SWEAR THEY PROVE IT IN THE PENALS
BREAK A NIGGA BACK YOU KOW THIS IS A FACT LIKE WAR MACHINE TO DON CHEADLE
NIGGAS STANDING STILL TARGET PRACTICE KILLS MANAQUINS BLACK BEATLES
I DON’T REALLY KNOW”
This song is full of really intense lyrics, but this was my favorite section. It really dives into the way that the system is corrupt and broken, by beautiful evoking constitutional language, to describe how they break someone. I also like the War Machine reference, which sees a black man being used for profit, but only as a secondary character. As far as the “keep drinking” hook goes, it kind of reminds me of “Swimming Pools” by Kendrick Lamar. It doesn’t seem like the drinking is a real solution, but it is a way to cope with how bad things can get. It takes on a somber tone of some sort of plead to find a way to numb all the pain surrounding the struggle, which is evidenced by the artists description of the song: “A man blames the world for his problems and heres a voice in his head telling him to keep drinking”
Bio: Datta Boy is a multifaceted artist from Los Angeles California. He began rapping at the age of 11 and ever since then he has had a love for music. He took a break from music to pursue a career in football. He played college football at The University Of Nevada Reno where he Played Fullback for the Wolf-Pack and also played for Southern Utah University where he was a hybrid blocker for the Thunder Birds (T-Birds). After he graduated from Southern Utah University, He played a year professional football and called it quits. He returns to his love of music. He has one mix-tape out called “Black Ink” and 3 music video out called Fell So Far, A Wave Of My Own Prod. & Feat. Ronny Bueller and THREAT which were all directed by Ralph Laurence Mariano and his assistant director Jose “No-Face” Quintanilla. Datta Boy is cousins with actress and R&B Singer Rhyon (Surviving Compton, Lincoln Heights,Get Rich or Die Tryin’) who has a hit single on the radio “California” and her older sister R&B Singer RaVaughn( Better Be Good, Best Friend).
Rageouz – “Bridging”
“The video expresses my contentedness with my surroundings, with my day-to-day life around family and friends, being what I value most” – Rageouz
This is really a fascinating video with a first person walk through a life, with some really inventive effects. At its heart, it’s a really calming look at a day in the life of someone who is “alright.” There’s not a ton of trauma or drama, it just feels right. I think we can all learn to look around and appreciate our lives for what they are: a good time with some friends, time spent with family, a pretty drive. “How could I complain?”
Bio: Hailing from the stomping grounds of East London’s Canning Town, Rageouz’s musical journey began at the age of just 11. Raised on a healthy diet of UK Rap legends and inspired by the likes of Kano and Dizzee Rascal, his curiosity was sparked. Bursting through with his debut ‘Outchea’ followed by his freshman mixtape Hell’s Angel, Rageouz has displayed an unwavering work rate. His innate hunger and skill at delivering has led him to be featured on GRM Daily’s ‘Next Gen 10’ alongside artist such as Avelino, Bonkaz and A2 and he has released a string of successful projects including ‘East Side’, his ‘Ethos’ EP, collaborative project ‘Back 2 Da Future’ with Preacher Soul and ‘On The House’.
Contagiously creative and enthrallingly enigmatic join Rageouz on his latest pursuit and get to know the exciting new prospect of UK music.